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" Flowers worthy of Paradise, which not nice Art In beds and curious knots, but Nature boon Poured forth profuse on hill, and dale, and plain, Both where the morning sun first warmly smote The open field, and where the unpierced shade Imbrowned the noontide... "
Paradise Lost: A Poem in Twelve Books - Page 64
by John Milton - 1903 - 372 pages
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Le prose e poesie campestri d'Ippolito Pindemonte: con l'aggiunta d'una ...

Ippolito Pindemonte - 1817 - 294 pages
...gold, Wiili mazy error under pendent shades Ran nectar, visiting each plant, and fed Plow'rs, whorthy of Paradise, which not nice art In beds and curious knots, but nature boon Pour'd forth profuse on hill, and dale, and plain, Both where the morning-sun first warmly smote The...
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Elements of Criticism, Volume 2

Lord Henry Home Kames - Aesthetics - 1819 - 458 pages
...strictly regular. Milton, describing the garden of Eden, prefers justly grandeur before regularity : Flowers worthy of paradise, which not nice art In beds and curious knots, but Nature boon Pour'd fortli profuse on hill, and dale, and plain ; Both where the morning-sun first warmly smote...
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Elements of Criticism, Volume 2

Lord Henry Home Kames - Criticism - 1819
...strictly regular. Milton, describing the garden of Eden, prefers justly grandeur before regularity : Flowers worthy of paradise, which not nice art In beds and curious knots, but Nature boon Pour'd forth profuse on hill, and dale, and plain , Both where the morning-sun first warmly smote The...
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The Works of the British Poets: With Lives of the Authors, Volume 8

Ezekiel Sanford, Robert Walsh - English poetry - 1819
...pearl and sands of gold, With mazy error under pendant shades Han nectar, visiting each plant, and fed Flowers worthy' of Paradise, which not nice Art In beds and curious knots, but Nature boon Pour'd forth profuse on hill, and dale, and plain, Both where the morning sun first warmly smote The...
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OEuvres de Jacques Delille ...: Les jardins

Jacques Delille - 1820 - 260 pages
...nice art In beds and curious knots, but nature boo • • Pour'd forth profuse on hill, andidale, and plain, Both where the morning sun first warmly smote The open field, and where the unpierc'd shade Imbrown'd the noon-tide boiw'rs. Thus was this pl«« A hap y rural seat, of various...
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Die garten, ein wort seiner zeit, mit einem gartenromane und verzeichnisse ...

Friedrich freiherr von Lupin - 1820 - 360 pages
...fed Flow'rs worthy of Paradise, which not nice art In beds and catious knots , but nature boon Four'd forth profuse on hill, and dale , and plain Both where the morning sun first warmly binóte The open field, and where the unpierc'd (.hade imbrown'd the noon * tide b.> ,»••,„...
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Select Plays of William Shakespeare: In Six Volumes. With the ..., Volume 3

William Shakespeare, Samuel Johnson, George Steevens - 1820 - 348 pages
...figures planted in box, the lines of which frequently intersect each other. So, Milton: " Flowers, worthy Paradise, which not nice art " In beds and curious knots, but nature boon " Pour'd forth." Steevens. i — We at time of year—] The word We is not in the old copies. The context...
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New Monthly Magazine, Volume 1

Thomas Campbell, Samuel Carter Hall, Edward Bulwer Lytton Baron Lytton, Theodore Edward Hook, Thomas Hood, William Harrison Ainsworth - 1821 - 764 pages
...sands of gold, \\ itli mazy error under pendant shades Ran nectar, visiting each plant, and fed Flow'rs worthy of Paradise, which not nice art In beds and curious knots, but nature boon, Pour'd forth profuse on hill, and dale, and plain, Both where the morning sun first warmly smote The...
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The Literary Journal, Volume 1

1821 - 770 pages
...sands of gold, With mazy error under pendant shades Ran nectar, visiting each plant, and fed Flow'rs worthy of Paradise, which not nice art In beds and curious knots, but nature boon, Pour"d forth profuse on hill, and dale, and plain, Both where the morning sun first warmly smote The...
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The Plays and Poems of William Shakspeare: With the Corrections ..., Volume 16

William Shakespeare - 1821 - 460 pages
...planted in box, the lines of which frequently intersect each other. So, Milton : " Flowers, worthy Paradise, which not nice art " In beds and curious knots, but nature boon " Pour'd forth." STEEVENS. The weeds, that his broad-spreading leaves did shelter, That seem'd in eating...
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