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" pregnant : what in me is dark Illumine, what is low raise and support ; That, to the highth of this great argument, I may assert Eternal Providence, And justify the ways of God to men. Say first—for Heaven hides nothing from "
Paradise Lost: A Poem in Twelve Books - Page 2
by John Milton - 1903 - 372 pages
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Discourses on Universal Restitution: Delivered to the Society of Protestant ...

John Prior Estlin - Future punishment - 1813 - 232 pages
...PROTESTANT DISSENTERS IN JUtotn's Jfleafc, BSrfgtol. BY JOHN PRIOR ESTLIN, LL.D. ,' J , ' That to the height of this great argument, I may assert Eternal Providence, And justify the ways of God to Men. Milton. FRINTID BY RICHARD TAYLOR AND CO., IUOE-1ANE, LONGMAN, HURST, REES 3 ORME, AND...
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An Abridgement of Lectures on Rhetoric

Hugh Blair - English language - 1813 - 296 pages
...saerifiee sound to sense. For instanee, in the following lines of Milton: Pronuneiation or Delivery. -What in me is dark, Illumine . what is low, raise and support. The sense elearly dietates the pause after " illumine," whieh ought to he observed ; though, if melody...
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The Poetical Works of John Milton, Volume 1

John Milton - 1815 - 240 pages
...and with mighty wings outspread 20 Dove-like sat'st brooding on the va^tahys^, And mad'stit prfgnnnt; what in me is dark Illumine; what is low raise and support, That to the height of this great argument I may assert eternul Providence, 25 . Say first, for Heav'n hides nothing'...
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Lectures on the Philosophy of Modern History: Delivered in the ..., Volume 1

George Miller - Europe - 1816 - 586 pages
...that I may be enabled to discover the connection of its principal parts, and thus That to the height of this great argument I may assert eternal providence, And justify the ways of God to men. (a) Fabricius has admitted their genuineness. ¿Bij)l. Gra¿c¿ lib. 2. cap. 12, 13....
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The English Reader: Or, Pieces in Prose and Poetry, Selected from the Best ...

Lindley Murray - English language - 1816 - 328 pages
...much worse, if the sense were sacrificed to the sound. For instance in the following line of Milton, "What in me is dark, •' Illumine ; what is low, raise and support." the sense clearly dictates the pause after illumine, at the end of the third syllable, which, in reading,...
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Theologisk Bibliothek udg. af J. Møller, Volume 11

Theologisk Bibliothek - 1817 - 374 pages
...fjerbe ©tauelfe. 9Aen at abftiíle "m0rf" oj »'^engioenljeb'' uilbe »are meget ufornuftig lœ(b *) "What in me is dark illumine; What is low, raise and support. Milton. **) I sit; with sad civility I read. Pope. gor at fctfioibe (Sremplft fjnr Doítfoefífre iff*...
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Lectures on Rhetoric and Belles Lettres

Hugh Blair - English language - 1817 - 516 pages
...much worse, if the sense were sacrificed to the sound. For instance, in the following line of Milton, -What in me is dark, Illumine. ; what is low, raise and support The sense clearly dictates the pause after ' illumine,' at the end of the third syllable, which, in...
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Systematic Education, Or, Elementary Instruction in the Various ..., Volume 1

William Shepherd, Jeremiah Joyce, Lant Carpenter - Education - 1817 - 606 pages
...In such cases, the sound must be sacrificed to sense: the following instance is taken from Milton : What in me is dark, Illumine : what is low, raise and support. The sense shews that the pause must be after the word illumine, that is, after the thiid syllable;...
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Los eruditos á la violeta

José Cadalso - 1818 - 424 pages
...Andmad^stit pregnanfWhat in me is darR. Illumine, what is low raise and support} That to the height of this great argument I may assert eternal Providence, And justify the ways of God to Met». Sayfirst,forHeavn hidesnot bingfrom tbyvievv Nor the deep tract ofHell } tay firstiivbat...
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An Abridgment of Lectures on Rhetoric

Hugh Blair - English language - 1818 - 300 pages
...In such pases it is best tn sacrifice sound to sense- for instance in the following lines of Milton: -What in me is dark, Illumine ; what is low, raise and support. The sense clearly dictates the pause aftfer " illumine," which ought to be observed ; though, if melody...
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