 | Samuel Johnson - English poetry - 1800 - 842 pages
...vifitin^ each plant, and fed JW Flow'rs, wo:-rhy' of ParadilV, which notnueArt In bed» and cifious knots, but Nature boon Pour'd forth profufe on hill and dale and pl»in, Both where the morning fun firft warmly fmote The 0|>en field, an J where the uvpicrc'd (hade... | |
 | Jacques Delille - French literature - 1801 - 216 pages
...mazy error under pendent shades Ran nectar, visiting each plant, and fed Flow'rs worthy of Paradise, which not nice art In beds and curious knots, but nature boon Pour'd forth profuse on hill, and dale, and plain', Both where the morning sun first warmly smote The open firld,... | |
 | John Milton - 1801 - 396 pages
...error under pendent shades Ran nectar, visiting each plant, and fed 240 Flow'rs, worthy of Paradise, which not nice Art In beds and curious knots, but Nature boon Pour'd forth profuse on hill and dale and plain, Both where the morning sun first warmly smote The open field, and... | |
 | William Russell - Europe - 1802 - 514 pages
...error, under pendent shades, " Ran nectar; visiting each plant, and fed " Flowers worthy of paradise; which not nice art " In beds and curious knots, but nature boon " Pour'd forth profuse on hill, and dale, and plain; " Both where the morning sun first -warmly smote " The open f... | |
 | Mr. Marshall (William) - Botany - 1803 - 460 pages
...mazy error under pendent shades Ran nectar, visiting each plant, and fed Flow'rs worthy of Paradise, which not nice art In beds and curious knots but nature boon Pour'd forth profuse on hill and dale and plain, Both where the morning sun first warmly smote The open field, and... | |
 | 1892 - 626 pages
...pleasure,' in his great epic vaunts his Eden as a place where the brooks fed 1 Flow'rs worthy of Paradise, which not nice art In beds and curious knots, but nature boon Poured forth profuse on hill, and dale, and plain ; ' a passage which seems to be rather overlooked... | |
 | William Shakespeare - 1806 - 356 pages
...in box, the lines of which frequently intersect each other. So, Milton: " Flowers, worthy Paradise, which not nice art " In beds and curious knots, but nature boon " Pour'd forth." Steevens. 7 — We at time of year — ] The word We is not in the old copies. The context shows that... | |
 | Thomas Warton - Epic poetry, English - 1807 - 384 pages
...a painter introduced in the grotto of Calypso. Spenser's beauties are like the flowers in Paradise, -Which not nice art In beds and curious knots, but Nature boon Pour'd forth profuse, on hill, and dale, and plain ; Both where the morning sun first warmly smote The open field,... | |
 | John Milton - 1807 - 514 pages
...error under pendent shades Kan nectar, visiting each plant, and fed S-lO Flow'rs, worthy' of Paradise, which not nice Art In beds and curious knots, but Nature boon Pour'd forth profuse on hill and dale and plain, Both where the morning sun first warmly smote The open field, and... | |
 | Lord Henry Home Kames - Criticism - 1807 - 588 pages
...defcribing the garden of Eden, prefers juftly grandeur before regularity : Flowers worthy of paradifc, which not nice art In beds and curious knots, but Nature boon Pour'd i rounded, like a prifon, with high walls excluding every external object. At firft view it may puzzle... | |
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Flowers worthy of Paradise, which not nice Art In beds and curious knots, but Nature boon Pour'd forth profuse on hill, and dale, and plain... 
