The Dramatick Writings of Will. Shakspere: With the Notes of All the Various Commentators; Printed Complete from the Best Editions of Sam. Johnson and Geo. Steevens, Volume 2Printed for, and under the direction of, John Bell, 1788 |
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Results 6-10 of 48
Page 374
... nature of a sicklie man ; " When he's discern'd to swoune , straite by and by " Folke to his helpe confusedly have ran , " And seeking with their art to fetch him backe , " So many throng that he the ayre doth lacke . " Myrrha the ...
... nature of a sicklie man ; " When he's discern'd to swoune , straite by and by " Folke to his helpe confusedly have ran , " And seeking with their art to fetch him backe , " So many throng that he the ayre doth lacke . " Myrrha the ...
Page 376
... nature , have subdu'd me " In my profession ? " Cymbeline , A & V. Sc . ii . Philaster is supposed to have appeared on the stage about 1609 being mentioned by John Davies ' of Hereford , in his Epigrams , which have no date , but were ...
... nature , have subdu'd me " In my profession ? " Cymbeline , A & V. Sc . ii . Philaster is supposed to have appeared on the stage about 1609 being mentioned by John Davies ' of Hereford , in his Epigrams , which have no date , but were ...
Page 412
... natural to conceive , that he should have occasionally bent his thoughts towards the theatre , which his muse had supported , and the interest of his associates whom he had left behind him , to struggle with the capricious vicissitudes ...
... natural to conceive , that he should have occasionally bent his thoughts towards the theatre , which his muse had supported , and the interest of his associates whom he had left behind him , to struggle with the capricious vicissitudes ...
Page 413
... nature , as of a duke to be in love with a countess , and that coun- tess to be in love with the duke's son , and the son in love with the lady's waiting - maid ; some such cross Mm iij wooing , wooing , with a clown to their serving ...
... nature , as of a duke to be in love with a countess , and that coun- tess to be in love with the duke's son , and the son in love with the lady's waiting - maid ; some such cross Mm iij wooing , wooing , with a clown to their serving ...
Page 441
... Nature , translated from Hippocrates , p . 428 ; an Extract from Pliny , translated from the French , p . 312 ; Æsop * , & c . by Caxton and others ; and there is no doubt , but many Translations , at present unknown , may be gradually ...
... Nature , translated from Hippocrates , p . 428 ; an Extract from Pliny , translated from the French , p . 312 ; Æsop * , & c . by Caxton and others ; and there is no doubt , but many Translations , at present unknown , may be gradually ...
Common terms and phrases
acted alluded ancient Antony appears author's plays Ben Jonson called character circumstance comedy copy daughter Davenant death drama dramatick edition English entered at Stationers-Hall entry Epistles exhibited folio Gent Gentlemen Gentlemen of Verona Hamlet hath Henry IV honour John Shakspere Jonson Julius Cæsar King Henry VI King Henry VIII king James Latin likewise lines living London Lord Love's Labour Lost Macbeth magick MALONE mentioned Merry Wives Middleton monument muse Nashe observed Oldys passage performance perhaps piece players poem poet praise prefixed printed probably prologue publick published Richard Romeo and Juliet says scene seems Shak Shakspere's shew Shrew spere stage Stationers Stationers-Company STEEVENS Stratford upon Avon supposed Tempest theatre thee Thomas thou thought Timon Titus Andronicus tragedy translated Troilus and Cressida Twelfth Night unto verses William Davenant WILLIAM SHAKSPERE Wives of Windsor writer written
Popular passages
Page 526 - Euripides, and Sophocles to us, Paccuvius, Accius, him of Cordova dead, To life again, to hear thy buskin tread, And shake a stage : or, when thy socks were on, Leave thee alone, for the comparison Of all that insolent Greece or haughty Rome Sent forth, or since did from their ashes come.
Page 548 - For whilst, to the shame of slow-endeavouring art, Thy easy numbers flow, and that each heart • Hath, from the leaves of thy unvalued book, Those Delphic lines with deep impression took, Then thou, our fancy of itself bereaving, Dost make us marble, with too much conceiving ; And, so sepulchred in such pomp dost lie, That kings for such a tomb would wish to die.
Page 522 - To draw no envy, SHAKESPEARE, on thy name, Am I thus ample to thy book and fame ; While I confess thy writings to be such, As neither man, nor muse, can praise too much.
Page 524 - The applause! delight! the wonder of our stage! My Shakespeare rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room: Thou art a monument without a tomb, And art alive still while thy book doth live And we have wits to read, and praise to give.
Page 554 - This pencil take' (she said), 'whose colours clear Richly paint the vernal year: Thine, too, these golden keys, immortal Boy! This can unlock the gates of joy; Of horror that, and thrilling fears, Or ope the sacred source of sympathetic tears.
Page 377 - Upon the sightless couriers of the air, Shall blow the horrid deed in every eye, That tears shall drown the wind. I have no spur To prick the sides of my intent, but only Vaulting ambition, which o'erleaps itself And falls on the other — Enter Lady MACBETH.
Page 474 - With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part; the sixth age shifts Into the lean and...
Page 482 - Taint not thy mind, nor let thy soul contrive Against thy mother aught; leave her to heaven, And to those thorns that in her bosom lodge To prick and sting her.
Page 474 - With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything.
Page 460 - She was so well pleased with that admirable character of Falstaff, in The Two Parts of Henry the Fourth, that she commanded him to continue it for one play more, and to shew him in love. This is said to be the occasion of his writing The Merry Wives of Windsor.