An Abridgement of Lectures on Rhetoric |
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Page 83
... becomes a metaphor . Of all the figures of speech , none approaches so near to painting , as metaphor . It gives light and strength to description ; makes intellectual ideas in some degree visible , by giving them colour , substance ...
... becomes a metaphor . Of all the figures of speech , none approaches so near to painting , as metaphor . It gives light and strength to description ; makes intellectual ideas in some degree visible , by giving them colour , substance ...
Page 86
... becomes obscure . This is termed straining a metaphor . Dr. Young , whose imagination was more distinguished by strength than delicacy , is often guilty of running down his metaphors . Speaking of old age , he says , it should Walk ...
... becomes obscure . This is termed straining a metaphor . Dr. Young , whose imagination was more distinguished by strength than delicacy , is often guilty of running down his metaphors . Speaking of old age , he says , it should Walk ...
Page 89
... becomes extravagant . What is a Hyperbole ? How many kinds are there ? Which are best ? Give an instance of the latter . Why must caution be used in simple description ? PERSONIFICATION AND APOSTROPHE . WE proceed now to those figures ...
... becomes extravagant . What is a Hyperbole ? How many kinds are there ? Which are best ? Give an instance of the latter . Why must caution be used in simple description ? PERSONIFICATION AND APOSTROPHE . WE proceed now to those figures ...
Page 90
... becomes sensible . According to the nature of the ac tion which we ascribe to those inanimate objects , and to the particularity with which we describe it , is the strength of the figure . When pursued to a considera- ble length , it ...
... becomes sensible . According to the nature of the ac tion which we ascribe to those inanimate objects , and to the particularity with which we describe it , is the strength of the figure . When pursued to a considera- ble length , it ...
Page 92
... becomes still worse when she exhorts her tears to blot out what her hand had written . The two last lines are indeed altogether unsuitable to the tenderness which breathes through the rest of that inimitable poem . APOSTROPHE is an ...
... becomes still worse when she exhorts her tears to blot out what her hand had written . The two last lines are indeed altogether unsuitable to the tenderness which breathes through the rest of that inimitable poem . APOSTROPHE is an ...
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abounds action admit Æneid agreeable ancient appear arguments attention beauty blank verse characters Cicero circumstances comedy composition concise critics degree Demosthenes dignity discourse distinction distinguished effect elegant eloquence emotion employed English English language epic poem epic poetry excel exhibit expression fancy fault figure founded French frequently genius Give an example grace Greek Greek tragedy guage hearers Hence Homer human ideas Iliad imagination imitation instance introduced invention kind language Livy Lusiad manner metaphor Milton mind mode modern moral motion narration nature never nouns objects observed orator ornament painting Paradise Lost passion pastoral pastoral poetry pathetic pause peculiar perfect perspicuity Pharsalia pleasing pleasures poet poetical proper propriety public speaking racter render requisite rule scene sense sentence sentiments simplicity sound speaker species speech spirit strength strong style sublime syllable Tacitus taste tence thing thought Thucydides tion tragedy unity variety verse Virgil words writing
Popular passages
Page 185 - And the parched ground shall become a pool, and the thirsty land springs of water: in the habitation of dragons, where each lay, shall be grass with reeds and rushes.
Page 88 - Me miserable ! which way shall I fly Infinite wrath, and infinite despair? Which way I fly is Hell; myself am Hell; And, in the lowest deep, a lower deep Still threatening to devour me opens wide, To which the Hell I suffer seems a Heaven.
Page 114 - A man of a polite imagination is let into a great many pleasures that the vulgar are not capable of receiving. He can converse with a picture, and find an agreeable companion in 'a statue. He meets with a secret refreshment in a description, and often feels a greater satisfaction in the prospect of fields and meadows, than another does in the possession.
Page 182 - Hermes, or unsphere The spirit of Plato, to unfold What worlds or what vast regions hold The immortal mind that hath forsook Her mansion in this fleshly nook...
Page 90 - Earth felt the wound, and Nature from her seat Sighing through all her Works gave signs of woe, That all was lost.
Page 182 - Far from all resort of mirth, Save the cricket on the hearth, Or the bellman's drowsy charm To bless the doors from nightly harm.
Page 111 - We cannot indeed have a single image in the fancy that did not make its first entrance through the sight; but we have the power of retaining, altering, and compounding those images which we have once received, into all the varieties of picture and vision that are most agreeable to the imagination...
Page 185 - He that ruleth over men must be just, ruling in the fear of God ; and he shall be as the light of the morning, when the sun riseth, even a morning without clouds ; as the tender grass springing out of the earth by clear shining after rain.
Page 174 - Saepibus in nostris parvam te roscida mala (dux ego vester eram) vidi cum matre legentem. alter ab undecimo tum me iam acceperat annus; iam fragilis poteram ab terra contingere ramos. 40 ut vidi ut perii, ut me malus abstulit error.
Page 186 - The mountains saw thee, and they trembled : the overflowing of the water passed by : the deep uttered his voice, and lifted up his hands on high.