Letters Concerning Poetical Translations, and Virgil's and Milton's Arts of Verse, &c.. |
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Page 3
... Pauses . O Qui- Res How flow and how ftately is this Paffage ! But it happens that I can fet the Beginning of the Eneid in a clear Light for my purpose , by two Tranflations of that Paffage , both by the fame Hand ; one of which is ...
... Pauses . O Qui- Res How flow and how ftately is this Paffage ! But it happens that I can fet the Beginning of the Eneid in a clear Light for my purpose , by two Tranflations of that Paffage , both by the fame Hand ; one of which is ...
Page 18
... of the several following Particu- lars . ift , The continual varying of the Pause . 2d , The Inverfion of the Phrase . 3d , The adapting of the Sound to the Senfe . 4th 4th , The mixing of the fingular and plural Numbers ( 18 )
... of the several following Particu- lars . ift , The continual varying of the Pause . 2d , The Inverfion of the Phrase . 3d , The adapting of the Sound to the Senfe . 4th 4th , The mixing of the fingular and plural Numbers ( 18 )
Page 20
... paused in the fame Place , except one , ( the 4th ) ; and in this kind of Measure the Metamorphofis is generally ... Pause that Virgil makes his broken Lines in the Eneid , which fufpend all Paufes , and the Ear is relieved by this ...
... paused in the fame Place , except one , ( the 4th ) ; and in this kind of Measure the Metamorphofis is generally ... Pause that Virgil makes his broken Lines in the Eneid , which fufpend all Paufes , and the Ear is relieved by this ...
Page 39
... Pause , which is the Soul of all Verfification in all Languages . Verfe is Mufick , and Mufick is more or lefs pleaf- ing as the Notes are more or lefs varied , that is , raised or funk , prolonged or fhortned . In order to judge of the ...
... Pause , which is the Soul of all Verfification in all Languages . Verfe is Mufick , and Mufick is more or lefs pleaf- ing as the Notes are more or lefs varied , that is , raised or funk , prolonged or fhortned . In order to judge of the ...
Page 40
... Pause at the fifth Line of the Georgicks , but Milton does not use it till he comes to the fixth Line in his Paradife Loft . " Of Man's firft Difobedience and the Fruit " Of that forbidden Tree whofe mortal Taste " Brought Death into ...
... Pause at the fifth Line of the Georgicks , but Milton does not use it till he comes to the fixth Line in his Paradife Loft . " Of Man's firft Difobedience and the Fruit " Of that forbidden Tree whofe mortal Taste " Brought Death into ...
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Common terms and phrases
Ćneid Alliteratio Alliteration Allufio Verborum Arthur Onslow auxiliary Verb becauſe Beginning Caďcus Carthage celebrated Lines Coaft Collocation concife Conclufion Cowley dedit Dryden Dunciad eafily Eneid English Language English Verfe Ennius Eridanus Erythraus Example faid fame fecond femper feveral fhall fhew fhort fhould fing firft Line firſt foft fome fonitu Foot fpeaking ftrong fuch Goddeſs Greek Harmony Heav'n Homer Iambick Iliad Inftance infuper altos Italian itſelf juft laft laſt Latin Latin Language Letter Majefty Meaſure mighty Milton Milton's Verfification moft Monofyllables moſt Mufick muſt obferve occafion opaci Ovid Paffage Paradife Loft Paufe Pauſe perceiv'd Perfons Pit's plac'd pleaſe plural Numbers Poems Poetry poffible Pope Pow'r prefent Profe publick quć quod raiſe Reaſon refpect rhym'd Verfe Rhyme Senfe Senſe Simois Stile Syllables taking notice terram thefe theſe Lines thing thoſe Tongue Tranflation Trapp uſe varying vero Verſe Virgil Voffius whence Words
Popular passages
Page 44 - O'er many a frozen, many a fiery Alp, Rocks, caves, lakes, fens, bogs, dens, and shades of death, A universe of death ; which God by curse Created evil, for evil only good ; Where all life dies, death lives, and nature breeds...
Page 40 - OF Man's firft difobedience, and the fruit Of that forbidden tree, whofe mortal tafte Brought death into the world, and all our woe. With lofs of Eden, till one greater Man Reftore us, and regain the blifsful feat, 5 Sing, heav'nly Mufe, that on the fecret top Of Oreb, or of Sinai, didft infpire That fhepherd, who firft taught the chofen feed...
Page 8 - Though oft the ear the open vowels tire; While expletives their feeble aid do join; And ten low words oft creep in one dull line: While they ring round the same unvaried chimes With sure returns of still expected rhymes: Where'er you find "the cooling western breeze...
Page 42 - In loss itself : which on his countenance cast Like doubtful hue. But he, his wonted pride Soon recollecting, with high words, that bore Semblance of worth, not substance, gently raised Their fainting courage, and dispelled their fears. Then straight commands, that, at the warlike sound Of trumpets loud and clarions, be upreared His mighty standard. That proud honour claimed Azazel as his right, a Cherub tall...
Page 70 - The Lord, ye know, is God indeed ; Without our aid he did us make : We are his flock, he doth us feed, And for his sheep he doth us take.
Page 81 - And after that they had mocked him, they took the robe off from him, and put his own raiment on him, and led him away to crucify him. And as they came out, they found a man of Cyrene, Simon by name: him they compelled to bear his cross.
Page 43 - In jointed armour watch : on smooth the seal And bended dolphins play ; part, huge of bulk, Wallowing unwieldy, enormous in their gait, Tempest the ocean : there Leviathan, Hugest of living creatures, on the deep Stretch'd like a promontory, sleeps or swims, And seems a moving land, and at his gills Draws in, and at his trunk spouts out a sea.
Page 54 - THE Lord descended from above, And bowed the heavens most high; And underneath his feet he cast The darkness of the sky. 2 On cherub and on cherubim, Full royally, he rode ; And on the wings of mighty winds Came flying all abroad.
Page 49 - Manlike, but different fex, fo lovely fair, That what feem'd fair in all the world, feem'd now Mean, or in her fumm'd up, in her contain'd And in her looks...
Page 44 - Rocks, dens, and caves ! But I in none of these Find place or refuge ; and the more I see Pleasures about me, so much more I feel...