the poem will lose little or not...g of its charm. The grand procession of stately and beautiful forms, the chivalrous glow, the stirring adventures, the noble sentiments, the picturesque descriptions, the delicious poetry, would all be left unimpaired." The poet, in a letter to Sir Walter Raleigh, gives the plan of his work. The general end of all the book," he says, "is to fashion a gentleman or noble person in virtuous and gentle discipline." He takes the history of King Arthur, "as most fit for the excellency of his person," whom he conceives to have seen in a vision the Faerie Queene, "with whose excellent beauty ravished, he awaking resolved to seek her out." By this Faerie Queene, Gloriana, he means Glory in general, but in particular, her majesty, Queen Elizabeth; and by Faerie Land, her kingdom. So in Prince Arthur he sets forth Magnificence or Magnanimity, for that is the perfection of all the rest, and containeth in it them all; therefore," he says, "in the whole course I mention the deeds of Arthur applicable to that virtue which I write of in that book." Of the twelve books he makes or intended to make twelve knights the patrons, each of twelve several virtues. The first, the knight of the Red ( ross, expressing Holiness: the second, Sir Guyon, or Temperance: the third, Brotomartis, a "Lady Knight," in whom he pictures Chastity: the fourth, Cambell and Triamond, or Friendship: the fifth, Artegal, or Justice: the sixth, Sir Calodore, or Courtesy: what the other six books would have been, we have no means of knowing. The first canto of the first book thus opens: THE KNIGHT AND THE LADY. 1. A gentle Knight' was pricking on the plaine, 11. And on his brest a bloodie crosse he bore, The deare remembrance of his dying Lord, For whose sweete sake that glorious badge he wore, Upon his shield the like was also scor'd, For soveraine hope, which in his helpe he had. 1 A gentle Knight.-Spenser comes at once to the action of the poem, and describes the Red-cruss knight as having already entered upon the adventure assigned him by the Faerie Queene, which was to slay the dragon which laid waste the kingdom of Una's father. The 3d-cross knight is St. George the patron saint of England, and represents holiness or Christian purity, and is clothed in the whole armor of God," described by St. Paul in the sixth chapte of the Epistle to the Ephesians. 1 Ycladd-clad. Cheere-air, or mien. 3 Iolly-handsome. 6 Yurad--dreaded. 4 Giusts-tournamenta III. Upon a great adventure he was bond, (That greatest glorious queene of Faerie lond,) IV. A lovely Ladie rode him faire beside, Upon a lowly asse more white then snow: V. So pure and innocent, as that same lambe, And by descent from royall lynage came Of ancient kinges and queenes, that had of yore Till that infernal Feend with foule upre VI. Behind her farre away a Dwarfe did lag, That lasie seemd, in being ever last, Or wearied with bearing of her bag Of needments at his backe. Thus as they past, The day with cloudes was suddeine overcast, And angry love an hideous storme of raine Did poure into his lemans lap so fast, That everie wight to shrowd it did constrain; And this faire couple eke to shroud themselves were fain. VII. Enforst to seeke some covert nigh at hand, : Earne-yearn. 2 Whimpled-gathered, or plaited. Forwasted-much wasted. The prefix for is an intensive, from the Saxon and German ver. • Fain-glad With footing worne, and leading inward farr: VIII. And foorth they passe, with pleasure forward led, IX. The laurell, meed of mightie conquerours X. Led with delight, they thus beguile the way, That, which of them to take, in diverse doubt they been. UNA FOLLOWED BY THE LION. I. Nought is there under heaven's wide hollownesse II. And now it is empassioned so deepe, 1 Can they praise-Much they praised. This form of expression is frequently used by per.ser Bome, however, consider 'can' to be put for 'gan,' or began, OKC Eugh-yew. bark Nought, &c. In this canto the adventures of Un are resumed, from the ninth stanza of the pre CIRCULATING DEPARTMENT. That my frayle eies these lines with teares do steepe, And her dew loves deryv'd to that vyle Witches shayre. III. Yet she, most faithfull Ladie, all this while Far from all peoples preace, as in exile, Through that late vision which th' Enchaun'er wrought, Through woods and wastness wide him daily sought, IV. One day, nigh wearie of the yrkesome way, It fortuned, out of the thickest wood VI. Instead thereof he kist her wearie feet, And lickt her lilly hands with fawning tong; 1 True as touch-1. e. true as the touchstone by which other substances are tried. • Deryv'c-transferred. 8 Preace-press or throng. 4 Undight-took off. A tamping lyon.-Upton conjectures the lion to be the English monarch, the defender of the with. He seems rather to represent a manly and courageous people, like the English, and the howage he pays to Una betokens the respect which would be felt by such a people to beauty and innocence. 6 A-88 L 7 Weet-understand. с "The lyon, lord of everie beast in field," Quoth she, his princely puissance doth abate, Her, that him lov'd, and ever most adord As the god of my life? why hath he me abhord?" VIII. Redounding' tears did choke th' end of her plaint, To seek her strayed Champion if she might attayne. IX. The lyon would not leave her desolate, Still, when she slept, he kept both watch and ward; DESCRIPTION OF PRINCE ARTHUR. XXIX. At last she chaunced by good hap to meet Book L. Canto III. That shind, like twinkling stars, with stones most pretious rare: ! A goodly Knight.-This is Prince Arthur, in whose faultless excellence Spenser is supposed to have represented his illustrious friend, Sir Philip Sidney, whose beautiful character and splen.nd Becomplishments kindled a warmth of admiration among his contemporaries, of which we and it difficult to conceive in our colder and more prosaic age. 584631 |