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They shunn'd the praise this godlike virtue gives, And fear'd a title that reproach'd their lives.

The power, from which all kings derive their state,
Whom they pretend, at least, to imitate,
Is equal both to punish and reward;

But few would love their God, unless they fear'd.
Resistless force and immortality
Make but a lame, imperfect, deity:
Tempests have force unbounded to destroy,
And deathless being ev'n the damn'd enjoy;
And yet Heaven's attributes, both last and first,
One without life, and one with life accurst:
But justice is Heaven's self, so strictly he,
That could it fail, the Godhead could not be.
This virtue is your own; but life and state
Are one to Fortune subject, one to Fate:
Equal to all, you justly frown or smile;
Nor hopes nor fears your steady hand beguile;
Yourself our balance hold, the world's our isle.

MAC-FLECKNOE.

ALL human things are subject to decay,
And when Fate summons, monarchs must obey.
This Flecknoe found, who, like Augustus, young
Was call'd to empire, and had govern'd long:
In prose and verse, was own'd, without dispute,
Through all the realms of Nonsense, absolute.
This aged prince, now flourishing in peace,
And blest with issue of a large increase;
Worn out with business, did at length debate
To settle the succession of the state:
And, pondering, which of all his sons was fit
To reign, and wage immortal war with wit,
Cry'd, ""Tis resolv'd; for Nature pleads, that he
Should only rule, who most resembles me.
Shadwell alone my perfect image bears,
Mature in dulness from his tender years:
Shadwell alone, of all my sons, is he,
Who stands confirm'd in full stupidity.
The rest to some faint meaning make pretence,
But Shadwell never deviates into sense.
Some beams of wit on other souls may fall,
Strike through, and make a lucid interval:
But Shadwell's genuine night admits no ray,
His rising fogs prevail upon the day.
Besides, his goodly fabric fills the eye,
And seems design'd for thoughtless majesty:
Thoughtless as monarch oaks, that shade the plain,
And, spread in solemn state, supinely reign.
Heywood and Shirley were but types of thee,
Thou last great prophet of tautology!
Ev'n I, a dunce of more renown than they,
Was sent before but to prepare thy way;
And, coarsely clad in Norwich drugget, came
To teach the nations in thy greater name.
My warbling lute, the lute I whilom strung,
When to king John of Portugal I sung,
Was but the prelude to that glorious day,
When thou on silver Thames didst cut thy way,
With well-tim'd oars before the royal barge,
Swell'd with the pride of thy celestial charge;
And, big with hymn, commander of an host,
The like was ne'er in Epsom blankets tost.
Methinks I see the new Arion sail,
The lute still trembling underneath thy nail.
At thy well-sharpen'd thumb from shore to shore
The trebles squeak for fear, the bases roar:

Echoes from Pissing-Alley Shadwell call,
And Shadwell they resound from Aston-Hall.
About thy boat the little fishes throng,
As at the morning toast that floats along.
Sometimes, as prince of thy harmonious band,
Thou wield'st thy papers in thy threshing hand.
St. Andre's feet ne'er kept more equal time,
Not ev'n the feet of thy own Psyche's rhyme :
Though they in number as in sense excel;
So just, so like tautology, they fell,
That, pale with envy, Singleton forswore
The lute and sword, which he in triumph bore,
And vow'd he ne'er would act Villerius more."

Here stopt the good old sire, and wept for joy,
In silent raptures of the hopeful boy.
All arguments, but most his plays, persuade,
That for anointed dulness he was made.

Close to the walls which fair Augusta bind,
(The fair Augusta, much to fears inclin'd)
An ancient fabric rais'd t' inform the sight,
There stood of yore, and Barbican it hight:
A watch-tower once; but now, so Fate ordains,
Of all the pile an empty name remains:
From its old ruins brothel-houses rise,
Scenes of lewd loves, and of polluted joys,
Where their vast courts the mother-strumpets
keep,

And, undisturb'd by watch, in silence sleep.
Near these a nursery erects its head,

Where queens are form'd, and future heroes bred;
Where unfledg'd actors learn to laugh and cry,
Where infant punks their tender voices try,
And little Maximins the gods defy.
Great Fletcher never treads in buskins here,
Nor greater Jonson dares in socks appear;
But gentle Simkin just reception finds
Amidst this monument of vanish'd minds:
Pure clinches the suburbian Muse affords,
And Panton waging harmless war with words.
Here Flecknoe, as a place to Fame well known,
Ambitiously design'd his Shadwell's throne.
For ancient Decker prophesy'd long since,
That in this pile should reign a mighty prince,
Born for a scourge of wit, and flail of sense.
To whom true dulness should some Psyches owe,
But worlds of misers from his pen should flow:
Humorists and hypocrites it should produce,
Whole Raymond families, and tribes of Bruce.
Now empress Fame had publish'd the renown
Of Shadwell's coronation through the town.
Rous'd by report of Fame, the nations meet,
From near Bunhill, and distant Watling-street,
No Persian carpets spread th' imperial way,
But scatter'd limbs of mangled poets lay:
From dusty shops neglected authors come,
Martyrs of pies, and relics of the bum.
Much Heywood, Shirley, Ogleby, there lay,
But loads of Shadwell almost chok'd the way,
Bilk'd stationers for yeomen stood prepar'd,
And Herringman was captain of the guard.
The hoary prince in majesty appear'd,
High on a throne of his own labours rear'd.
At his right hand our young Ascanius sate,
Rome's other hope, and pillar of the state.
His brows thick fogs, instead of glories, grace,
And lambent dulness play'd around his face.
As Hannibal did to the altars come,
Swore by his sire, a mortal foe to Rome;
So Shadwell swore, nor should his vow be vain,
That he till death true dulness would maintain;

And, in his father's right, and realm's defence,
Ne'er to have peace with wit, nor truce with sense.
The king himself the sacred unction made,
As king by office, and as priest by trade.

But so transfus'd, as oil and waters flow,
His always floats above, thine sinks below.
This is thy province, this thy wondrous way,
New humours to invent for each new play:
This is that boasted bias of thy mind,

By which, one way, to dulness 'tis inclin'd:
Which makes thy writings lean on one side still,
And, in all changes, that way bends thy will.
Nor let thy mountain-belly make pretence
Of likeness; thine's a tympany of sense.
A tun of man in thy large bulk is writ,
But sure thou'rt but a kilderkin of wit.
Like mine, thy gentle numbers feebly creep;
Thy tragic Muse gives smiles, thy comic sleep.
With whate'er gall thou sett'st thyself to write,
Thy inoffensive satires never bite.

In his sinister hand, instead of ball,
He plac'd a mighty mug of potent ale;
Love's kingdom to his right he did convey,
At once his sceptre, and his rule of sway;
Whose righteous lore the prince had practis'd young,
And from whose loins recorded Psyche sprung.
His temples, last, with poppies were o'erspread,
That nodding seem'd to consecrate his head.
Just at the point of time, if Fame not lie,
On his left hand twelve reverend owls did fly.
So Romulus, 'tis sung, by Tyber's brook,
Presage of sway from twice six vultures took.
Th' admiring throng loud acclamations make,
And omens of his future empire take.
The sire then shook the honours of his head,
And from his brows damps of oblivion shed
Full on the filial dulness: long he stood,
Repelling from his breast the raging god;
At length burst out in this prophetic mood.
"Heavens bless my son! from Ireland let him And torture one poor word ten thousand ways.

reign

To far Barbadoes on the western main;
Of his dominion may no end be known,
And greater than his father's be his throne;
Beyond Love's kingdom let him stretch his pen!-
He paus'd, and all the people cry'd “ Amen.”
Then thus continued he: "
my son, advance
Still in new impudence, new ignorance.
Success let others teach, learn thou from me
Pangs without birth, and fruitless industry.
Let virtuosos in five years be writ;
Yet not one thought accuse thy toil of wit.
Let gentle George in triumph tread the stage,
Make Dorimant betray, and Loveit rage,
Let Cully, Cockwood, Fopling, charm the pit,
And in their folly show the writer's wit.
Yet still thy fools shall stand in thy defence,
And justify their author's want of sense.
Let them be all by thy own model made
Of dulness, and desire no foreign aid;
That they to future ages may be known,
Not copies drawn, but issue of thy own.
Nay, let thy men of wit too be the same,
All full of thee, and differing but in name.
But let no alien Sedley interpose,

To lard with wit thy hungry Epsom prose.

In thy felonious heart though venom lies,
It does but touch thy Irish pen, and dies.
Thy genius calls thee not to purchase fame
In keen lambics, but mild Anagram.

Leave writing plays, and choose for thy command,
Some peaceful province in Acrostic land.
There thou mayst wings display and altars raise,

Or if thou wouldst thy different talents suit,
Set thy own songs, and sing them to thy lute."
He said; but his last words were scarcely heard:
For Bruce and Longvil had a trap prepar'd,
And down they sent the yet declaiming bard.
Sinking he left his drugget robe behind,
Borne upwards by a subterranean wind.
The mantle fell to the young prophet's part,
With double portion of his father's art.

EPISTLES.

EPISTLE I.

ΤΟ

MY HONOURED FRIEND SIR ROBERT HOWARD,

ON HIS EXCELLENT POEMS.

As there is music uninform'd by art

In those wild notes, which with a merry heart
The birds in unfrequented shades express,
Who, better taught at home, yet please us less :

And when false flow'rs of rhetoric thou wouldst cull, So in your verse a native sweetness dwells,
Trust Nature, do not labour to be dull;
But write thy best, and top; and, in each line,
Sir Formal's oratory will be thine:

Sir Formal, though unsought, attends thy quill,
And does thy northern dedications fill.
Nor let false friends seduce thy mind to fame,
By arrogating Jonson's hostile name.
Let father Flecknoe fire thy mind with praise,
And uncle Ogleby thy envy raise.
Thou art my blood, where Jonson has no part:
What share have we in Nature or in Art?
Where did his wit on learning fix a brand,
And rail at arts he did not understand?
Where made he love in prince Nicander's vein,
Or swept the dust in Psyche's humble strain?
Where sold he bargains, whip-stitch, kiss my arse,
Promis'd a play, and dwindled to a farce?
When did his Muse from Fletcher scenes purloin,
As thou whole Etherege dost transfuse to thine?

Which shames composure, and its art excels.
Singing no more can your soft numbers grace,
Than paint adds charms unto a beauteous face.
Yet as, when mighty rivers gently creep,
Their even calmness does suppose them deep;
Such is your Muse: no metaphor swell'd high
With dangerous boldness lifts her to the sky:
Those mounting fancies, when they fall again,
Show sand and dirt at bottom do remain.
So firm a strength, and yet withal so sweet,
Did never but in Samson's riddle meet.
'Tis strange each line so great a weight should bear,
And yet no sign of toil, no sweat appear,
Either your art hides art, as stoics feign
Then least to feel, when most they suffer pain;
And we, dull souls, admire, but cannot see
What hidden springs within the engine be.
Or 'tis some happiness that still pursues
Each act and motion of your graceful Muse,

Or is it Fortune's work, that in your head
The curious net, that is for fancies spread,
Lets through its meshes every meaner thought,
While rich ideas there are only caught?
Sure that's not all; this is a piece too fair
To be the child of Chance, and not of Care.
No atoms casually together burl'd
Could e'er produce so beautiful a world.
Nor dare I such a doctrine here admit,
As would destroy the providence of wit.
"Tis your strong genius then which does not feel
Those weights, would make a weaker spirit reel.
To carry weight, and run so lightly too,
Is what alone your Pegasus can do.
Great Hercules himself could ne'er do more,
Than not to feel those heavens and gods he bore.
Your easier odes, which for delight were penn'd,
Yet our instruction make their second end:
We're both enrich'd and pleas'd, like them that woo
At once a beauty, and a fortune too.
Of moral knowledge poesy was queen,
And still she might, had wanton wits not been;
Who, like ill guardians, liv'd themselves at large,
And, not content with that, debauch'd their charge.
Like some brave captain, your successful pen
Restores the exil'd to her crown again :
And gives us hope, that, having seen the days
When nothing flourish'd but fauatic bays,
All will at length in this opinion rest,
"A sober prince's government is best."
This is not all; your art the way has found
To make th' improvement of the richest ground,
That soil which those immortal laurels bore,
That once the sacred Maro's temples wore.
Eliza's griefs are so express'd by you,
They are too eloquent to have been true.
Had she so spoke, Æneas had obey'd
What Dido, rather than what Jove had said.
If funeral rites can give a ghost repose,
Your Muse so justly has discharged those,
Eliza's shade may now its wandering cease,
And claim a title to the fields of peace.
But if Eneas be oblig'd, no less
Your kindness great Achilles doth confess;
Who, dress'd by Statius in too bold a look,
Did ill become those virgin robes he took.
To understand how much we owe to you,
We must your numbers, with your author's, view:
Then we shall see his work was lamely rough,
Each figure stiff, as if design'd in buff:
His colours laid so thick on every place,
As only show'd the paint, but hid the face.
But as in perspective we beauties see,
Which in the glass, not in the picture, be;
So here our sight obligingly mistakes
That wealth, which his your bounty only makes.
Thus vulgar dishes are, by cooks disguis'd,
More for their dressing, than their substance priz'd.
Your curious notes so search into that age,
When all was fable but the sacred page,
That, since in that dark night we needs must stray,
We are at least misled in pleasant way.
But, what we most admire, your verse no less
The prophet than the poet doth confess.
Ere our weak eyes discern'd the doubtful streak
Of light, you saw great Charles his morning break.
So skilful seamen ken the land from far,
Which shows like mists to the dull passenger.
To Charles your Muse first pays her duteous love,
As still the ancients did begin from Jove.

With Monk you end, whose name preserv'd shall be As Rome recorded Rufus' memory,

Who thought it greater honour to obey

His country's interest, than the world to sway.
But to write worthy things of worthy men,

Is the peculiar talent of your pen:

Yet let me take your mantle up, and I
Will venture in your right to prophesy.

"This work, by merit first of fame secure,

Is likewise happy in its geniture:

For, since 'tis born when Charles ascends the throne, It shares at once his fortune and its own."

EPISTLE II.

ΤΟ

MY HONOURED friend DR. CHARLETON,

ON HIS LEARNED AND USEFUL WORKS; BUT MORE PARTICULARLY HIS TREATISE OF STONEHENGE, BY HIM RESTORED TO THE TRUE FOUNDER.

THE longest tyranny that ever sway'd,
Was that wherein our ancestors betray'd
Their free-born reason to the Stagirite,
And made his torch their universal light.
So truth, while only one supply'd the state,
Grew scarce, and dear, and yet sophisticate.
Still it was bought, like emp'ric wares, or charms,
Hard words seal'd up with Aristotle's arms.
Columbus was the first that shook his throne;
And found a temperate in a torrid zone:
The feverish air fann'd by a cooling breeze,
The fruitful vales set round with shady trees;
And guiltless men, who danc'd away their time,
Fresh as their groves, and happy as their clime.
Had we still paid that homage to a name,
Which only God and Nature justly claim;
The western seas had been our utmost bound,
Where poets still might dream the Sun was drown'd:
And all the stars that shine in southern skies,
Had been admir'd by none but savage eyes.

Among th' asserters of free reason's claim,
Our nation's not the least in worth or fame.
The world to Bacon does not only owe
Its present knowledge, but its future too.

| Gilber shall live, till loadstones cease to draw,
Or British fleets the boundless ocean awe.
And noble Boyle, not less in Nature seen,
Than his great brother read in states and men.
The circling streams, once thought but pools, of
blood

(Whether life's fuel, or the body's food)
From dark oblivion Harvey's name shall save;
While Ent keeps all the honour that he gave.
Nor are you, learned friend, the least renown'd;
Whose fame, not circumscrib'd with English ground,
Flies like the nimble journies of the light;
And is, like that, unspent too in its flight.
Whatever truths have been, by art or chance,
Redeem'd from errour, or from ignorance,
Thin in their authors, like rich veins of ore,
Your works unite, and still discover more.
Such is the healing virtue of your pen,
To perfect cures on books, as well as men.
Nor is this work the least: you well may give
To men new vigour, who make stones to live.
Through you, the Danes, their short dominion lost,
A longer conquest than the Saxons boast.

Stonehenge, once thought a temple, you have found A throne, where kings, our earthly gods, were crown'd;

Where by their wondering subjects they were seen,
Joy'd with their stature, and their princely mien.
Our sovereign here above the rest might stand,
And here be chose again to rule the land.

These ruins shelter'd once his sacred head,
When he from Wor'ster's fatal battle fled;
Watch'd by the genius of this royal place,
And mighty visions of the Danish race.
His refuge then was for a temple shown:
But, he restor'd, 'tis now become a throne.

EPISTLE III.

TO THE LADY CASTLEMAIN,

UPON HER ENCOURAGING HIS FIRST PLAY.

As seamen, shipwreck'd on some happy shore,
Discover wealth in lands unknown before;
And, what their art had labour'd long in vain,
By their misfortunes happily obtain:
So my much-envy'd Muse, by storms long tost,
Is thrown upon your hospitable coast,
And finds more favour by her ill success,
Than she could hope for by her happiness.
Once Cato's virtue did the gods oppose;
While they the victor, he the vanquish'd chose :
But you have done what Cato could not do,
To choose the vanquish'd, and restore him too.
Let others still triumph, and gain their cause
By their deserts, or by the world's applause;
Let Merit crowns, and Justice laurels give,
But let me happy by your pity live.
True poets empty fame and praise despise,
Fame is the trumpet, but your smile the prize.
You sit above, and see vain men below
Contend for what you only can bestow:
But those great actions others do by chance,
Are, like your beauty, your inheritance:
So great a soul, such sweetness join'd in one,
Could only spring from noble Grandison.
You, like the stars, not by reflection bright,
Are born to your own Heaven, and your own light;
Like them are good, but from a nobler cause,
From your own knowledge, not from Nature's laws.
Your power you never use, but for defence,
To guard your own, or others' innocence:
Your foes are such, as they, not you, have made,
And virtue may repel, though not invade.
Such courage did the ancient heroes show,

| So Beauty took on trust, and did engage
For sums of praises till she came to age.
But this long-growing debt to poetry
You justly, madam, have discharg'd to me,
When your applause and favour did infuse
New life to my condemn'd and dying Muse.

EPISTLE IV.

TO MR. LEE, ON HIS ALEXANDER.

THE blast of common censure could I fear,
Before your play my name should not appear;
For 't will be thought, and with some colour too,
I pay the bribe I first receiv'd from you;
That mutual vouchers for our fame we stand,
And play the game into each other's hand;
And as cheap pen'orths to ourselves afford,
As Bessus and the brothers of the sword.
Such libels private men may well endure,
When states and kings themselves are not se-

cure:

For ill men, conscious of their inward guilt,
Think the best actions on by-ends are built.
And yet my silence had not 'scap'd their spite;
Then, Envy had not suffer'd me to write;
For, since I could not ignorance pretend,
Such merit I must envy or commend.
So many candidates there stand for wit,
A place at court is scarce so hard to get:
In vain they crowd each other at the door;
For ev'n reversions are all begg'd before:
Desert, how known soe'er, is long delay'd;
And then, too, fools and knaves are better pay'd.
Yet, as some actions bear so great a name,
That courts themselves are just, for fear of shame;
So has the mighty merit of your play
Extorted praise, and forc'd itself away.

'Tis here as 'tis at sea; who furthest goes,
Or dares the most, makes all the rest his foes.
Yet when some virtue much outgrows the rest,
It shoots too fast, and high, to be exprest;
As his heroic worth struck Envy dumb,
Who took the Dutchman, and who cut the boom.
Such praise is yours, while you the passions move,
That 'tis no longer feign'd, 'tis real love,
Where Nature triumphs over wretched Art;
We only warm the head, but you the heart.
Always you warm; and if the rising year,
As in hot regions, brings the Sun too near,
"Tis but to make your fragrant spices blow,
Which in our cooler climates will not grow.
They only think you animate your theme

Who, when they might prevent, would wait the With too much fire, who are themselves all phlegm.

blow:

With such assurance as they meant to say,
We will o'ercome, but scorn the safest way.
What further fear of danger can there be?
Beauty, which captives all things, sets me free.
Posterity will judge by my success,
I had the Grecian poet's happiness,
Who, waving plots, found out a better way;
Some god descended, and preserv'd the play.
When first the triumphs of your sex were sung
By those old poets, Beauty was but young,
And few admir'd the native red and white,
'Till poets dress'd them up to charm the sight;

Prizes would be for lags of slowest pace,
Were cripples made the judges of the race.
Despise those drones, who praise, while they ac-

cuse,

The too much vigour of your youthful Muse.
That humble style which they your virtue make,
Is in your power; you need but stoop and take.
Your beauteous images must be allow'd
By all, but some vile poets of the crowd.
But how should any sign-post dawber know
The worth of Titian or of Angelo?

Hard features every bungler can command;
To draw true beauty, shows a master's hand.

EPISTLE V.

TO THE EARL OF ROSCOMMON,

ON HIS EXCELLENT ESSAY ON TRANSLATED VERSE.

WHETHER the fruitful Nile, or Tyrian shore,
The seeds of arts and infant science bore,
'Tis sure the noble plant, translated first,
Advanc'd its head in Grecian gardens nurst.
The Grecians added verse: their tuneful tongue
Made Nature first, and Nature's God, their song.
Kor stopt translation here: for conquering Rome,
With Grecian spoils, brought Grecian numbers
home;

Enrich'd by those Athenian Muses more,
Than all the vanquish'd world could yield before:
Till barbarous nations, and more barbarous times,
Debas'd the majesty of verse to rhymes;
Those rude at first: a kind of hobbling prose,
That limp'd along, and tinkled in the close.
But Italy, reviving from the trance
Of Vandal, Goth, and Monkish ignorance,
With pauses, cadence, and well-vowel'd words,
And all the graces a good ear affords,
Made rhyme an art, and Dante's polish'd page
Restor❜d a silver, not a golden age.
Then Petrarch follow'd, and in him we see,
What rhyme improv'd in all its height can be:
At best a pleasing sound, and fair barbarity.
The French pursued their steps; and Britain, last,
In manly sweetness all the rest surpass'd.
The wit of Greece, the gravity of Rome,
Appear exalted in the British loom :
The Muses' empire is restor'd again,

In Charles's reign, and by Roscommon's pen.
Yet modestly he does his work survey,
And calls a finish'd poem an Essay;
For all the needful rules are scatter'd here;
Truth smoothly told, and pleasantly severe;
So well is Art disguis'd, for Nature to appear.
Nor need those rules to give translation light:
His own example is a flame so bright;
That he who but arrives to copy well,
Unguided will advance, unknowing will excel.
Scarce his own Horace could such rules ordain,
Or his own Virgil sing a nobler strain.
How much in him may rising Ireland boast,
How much in gaining him has Britain lost!
Their island in revenge has ours reclaim'd;
The more instructed we, the more we still are sham'd.
"Tis well for us his generous blood did flow
Deriv'd from British channels long ago;
That here his conquering ancestors were nurst;
And Ireland but translated England first:
By this reprisal we regain our right,
Else must the two contending nations fight;
A nobler quarrel for his native earth,
Than what divided Greece for Homer's birth.
To what perfection will our tongue arrive,
How will invention and translation thrive,
When authors nobly born will bear their part,
And not disdain th' inglorious praise of Art!
Great generals thus, descending from command,
With their own toil provoke the soldiers' hand.
How will sweet Ovid's ghost be pleas'd to hear
His fame augmented by an English peer;
How he embellishes his Helen's loves,
Outdoes his softness, and his sense improves !

When these translate, and teach translators too,
Nor firstling kid, nor any vulgar vow,
Should at Apollo's grateful altar stand:
Roscommon writes; to that auspicious hand,
Muse, feed the bull that spurns the yellow sand.
Roscommon, whom both court and camps commend,
True to his prince, and faithful to his friend;
Roscommon, first in fields of honour known,
First in the peaceful triumphs of the gown;
Who both Minervas justly makes his own.
Now let the few belov'd by Jove, and they
Whom infus'd Titan form'd of better clay,
On equal terms with ancient wit engage,
Nor mighty Homer fear, nor sacred Virgil's page:
Our English palace opens wide in state;
And without stooping they may pass the gate.

EPISTLE VI.

TO THE DUTCHESS OF YORK,

ON HER RETURN FROM SCOTLAND IN THE YEAR 1682 WHEN factious Rage to cruel exile drove The queen of beauty, and the court of love, The Muses droop'd, with their forsaken arts, And the sad Cupids broke their useless darts: Our fruitful plains to wilds and deserts turn'd, Like Eden's face, when banish'd man it mourn'd. Love was no more, when loyalty was gone, The great supporter of his awful throne. Love could no longer after Beauty stay, But wander'd northward to the verge of day, As if the Sun and he had lost their way. But now th' illustrious nymph, return'd again, Brings every grace triumphant in her train. The wondering Nereids, though they rais'd no storm, Foreflow'd her passage, to behold her form: Some cry'd, a Venus; some, a Thetis past; But this was not so fair, nor that so chaste. Far from her sight flew Faction, Strife, and Pride; And Envy did but look on her, and dy'd. Whate'er we suffer'd from our sullen fate, Her sight is purchas'd at an easy rate. Three gloomy years against this day were set; But this one mighty sum has clear'd the debt: Like Joseph's dream, but with a better doom, The famine past, the plenty still to come. For her the weeping Heavens become serene; For her the ground is clad in cheerful green: For her the nightingales are taught to sing, And Nature has for her delay'd the spring. The Muse resumes her long-forgotten lays, And Love restor'd his ancient realm surveys, Recals our beauties, and revives our plays; His waste dominions peoples once again, And from her presence dates his second reign. But awful charms on her fair forehead sit, Dispensing what she never will admit: Pleasing, yet cold, like Cynthia's silver beam, The people's wonder, and the poet's theme. Distemper'd Zeal, Sedition, canker'd Hate, No more shall vex the church, and tear the state: No more shall Faction civil discords move, Or only discords of too tender love: Discord, like that of music's various parts; Discord, that makes the harmony of hearts; Discord, that only this dispute shall bring, Who best shall love the duke, and serve the king.

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