Milton's Theory of Poetry and Fine Art: An Essay |
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Page 2
... tion ; in expository or argumentative passages he clearly paraphrases or almost literally translates it as a sound gen- eral principle , or as the truth upon which some concrete issue turns . Thus in A Treatise on Christian Doctrine 1 ...
... tion ; in expository or argumentative passages he clearly paraphrases or almost literally translates it as a sound gen- eral principle , or as the truth upon which some concrete issue turns . Thus in A Treatise on Christian Doctrine 1 ...
Page 17
... tion that in his poetry , as perhaps the sagest thing he could teach , it lies at the heart of his message . At the opening of Book Three in Paradise Lost the con- cept receives consummate expression . Here ' form ' no longer is the ...
... tion that in his poetry , as perhaps the sagest thing he could teach , it lies at the heart of his message . At the opening of Book Three in Paradise Lost the con- cept receives consummate expression . Here ' form ' no longer is the ...
Page 20
... tion along the way , and a final and complete revelation of it as proceeding from God . At first we may be struck by similarities in Dante's and Milton's treatment of light ; but there is a difference , the more noteworthy for so much ...
... tion along the way , and a final and complete revelation of it as proceeding from God . At first we may be struck by similarities in Dante's and Milton's treatment of light ; but there is a difference , the more noteworthy for so much ...
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An Essay Ida Langdon. tion of Satan by various palpable imperfections ; the loss of physical lustre is but one of many external signs . Milton needs no accumulation of effects ; with inspired foresight , he chose to denote the greatest ...
An Essay Ida Langdon. tion of Satan by various palpable imperfections ; the loss of physical lustre is but one of many external signs . Milton needs no accumulation of effects ; with inspired foresight , he chose to denote the greatest ...
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... tion of all fine art , and called for sensitiveness , clear vision , and lofty purpose in every artist . 1See Tetrachordon ( Deut . 24. 1 , 2 ) , Works 4.183 : ' All ordinances are established in their end . ' CHAPTER II MILTON AND THE ...
... tion of all fine art , and called for sensitiveness , clear vision , and lofty purpose in every artist . 1See Tetrachordon ( Deut . 24. 1 , 2 ) , Works 4.183 : ' All ordinances are established in their end . ' CHAPTER II MILTON AND THE ...
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Common terms and phrases
according action acts Aeschylus angels Apology appear Aristotle artist beauty Book called cause chap Christian Church-Gov concept Cowper critics decorum Defence delight describe divine drama earth Education effect English epic Essays example expression function Garden give Greek hand hath Heaven heroes heroic human immortal Italian Italy John kind kings knowledge learning less light lines London matter mean Milton mind Muse nature never notes observed once Paradise Lost passage perfect person poem poet Poetics poetry praise Preface prose pure reason references regard rhetoric rule Samson says seems sense song speak spirit style suggested Tasso teaching term thee theory things thou thought tion touch tragedy tragic trans Translation true truth universal verse voice whole writes
Popular passages
Page 175 - I was confirmed in this opinion, that he who would not be frustrate of his hope to write well hereafter in laudable things, ought himself to be a true poem...
Page 271 - OF Man's first disobedience, and the fruit Of that forbidden tree, whose mortal taste Brought death into the world, and all our woe, With loss of Eden, till one greater Man Restore us, and regain the blissful seat, Sing, heavenly muse...
Page 237 - Rain influence, and judge the prize Of wit or arms, while both contend To win her grace whom all commend. There let Hymen oft appear In saffron robe, with taper clear, And pomp, and feast, and revelry, With mask and antique pageantry; Such sights as youthful poets dream On summer eves by haunted stream. Then to the well-trod stage anon, If Jonson's learned sock be on, Or sweetest Shakespeare, Fancy's child, Warble his native wood-notes wild.
Page 17 - Or hear'st thou rather pure ethereal stream, Whose fountain who shall tell? Before the Sun,— Before the Heavens thou wert ; and at the voice Of God, as with a mantle, didst invest 10 The rising world of waters dark and deep, Won from the void and formless infinite.
Page 307 - I deny not, but that it is of greatest concernment in the church and commonwealth, to have a vigilant eye how books demean themselves as well as men; and thereafter to confine, imprison, and do sharpest justice on them as malefactors...
Page 36 - Anon out of the earth a fabric huge Rose like an exhalation, with the sound Of dulcet symphonies and voices sweet, Built like a temple, where pilasters round Were set, and Doric pillars overlaid With golden architrave ; nor did there want Cornice or frieze, with bossy sculptures graven •, The roof was fretted gold.
Page 206 - And ever, against eating cares, Lap me in soft Lydian airs, Married to immortal verse, — Such as the meeting soul may pierce, In notes with many a winding bout Of linked sweetness long drawn out, With wanton heed and giddy cunning The melting voice through mazes running, Untwisting all the chains that tie The hidden soul of harmony, — That Orpheus...
Page 198 - So on he fares, and to the border comes Of Eden, where delicious Paradise, Now nearer, crowns with her enclosure green, As with a rural mound, the champaign head Of a steep wilderness, whose hairy sides With thicket overgrown, grotesque and wild, Access denied...
Page 200 - Flowers of all hue, and without thorn the rose ; Another side, umbrageous grots and caves Of cool recess, o'er which the mantling vine Lays forth her purple grape, and gently creeps Luxuriant...
Page 22 - Their dread commander : he, above the rest In shape and gesture proudly eminent, Stood like a tower : his form had yet not lost All her original brightness ; nor appeared Less than arch-angel ruined, and the excess Of glory obscured...