Milton's Theory of Poetry and Fine Art: An Essay |
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Page ix
... Rhetoric , ' the references are not ex- haustive . The texts I have used in preparing the study , and referred to in its pages , are , for the poetry , that of Beeching ( Oxford University Press , 1908 ) , and , for the prose , that of ...
... Rhetoric , ' the references are not ex- haustive . The texts I have used in preparing the study , and referred to in its pages , are , for the poetry , that of Beeching ( Oxford University Press , 1908 ) , and , for the prose , that of ...
Page 49
... rhetoric teacheth us ) erects and rouses an auditory , like the masterful running over many chords and divisions ; whereas , if men should ever be thum- ming [ ? thrumming ] the drone of one plain - song , it would be a dull opiate to ...
... rhetoric teacheth us ) erects and rouses an auditory , like the masterful running over many chords and divisions ; whereas , if men should ever be thum- ming [ ? thrumming ] the drone of one plain - song , it would be a dull opiate to ...
Page 74
... rhetoric . Often only half this passage is quoted , and freed from restrictions , and , robbed of the comparison , is converted into flat affirmation - that poetry is simple , sensuous , and passionate . Coleridge , among others , thus ...
... rhetoric . Often only half this passage is quoted , and freed from restrictions , and , robbed of the comparison , is converted into flat affirmation - that poetry is simple , sensuous , and passionate . Coleridge , among others , thus ...
Page 81
... rhetoric goes to prove that the fine arts grow and approach perfection simultaneously with those institutions that are essential to the conduct of a free and elevated social life . In the History of Britain this conjoint ebb and flow ...
... rhetoric goes to prove that the fine arts grow and approach perfection simultaneously with those institutions that are essential to the conduct of a free and elevated social life . In the History of Britain this conjoint ebb and flow ...
Page 95
... Rhetoric , Milton should have excluded pity also , for pity and fear are correlated emotions : ' Plainly the man who is to pity must be such as to think himself or his friends liable to suffer some ill , and ill of such a sort as has ...
... Rhetoric , Milton should have excluded pity also , for pity and fear are correlated emotions : ' Plainly the man who is to pity must be such as to think himself or his friends liable to suffer some ill , and ill of such a sort as has ...
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according action acts Aeschylus angels Apology appear Aristotle artist beauty Book called cause chap Christian Church-Gov concept Cowper critics decorum Defence delight describe divine drama earth Education effect English epic Essays example expression function Garden give Greek hand hath Heaven heroes heroic human immortal Italian Italy John kind kings knowledge learning less light lines London matter mean Milton mind Muse nature never notes observed once Paradise Lost passage perfect person poem poet Poetics poetry praise Preface prose pure reason references regard rhetoric rule Samson says seems sense song speak spirit style suggested Tasso teaching term thee theory things thou thought tion touch tragedy tragic trans Translation true truth universal verse voice whole writes
Popular passages
Page 175 - I was confirmed in this opinion, that he who would not be frustrate of his hope to write well hereafter in laudable things, ought himself to be a true poem...
Page 271 - OF Man's first disobedience, and the fruit Of that forbidden tree, whose mortal taste Brought death into the world, and all our woe, With loss of Eden, till one greater Man Restore us, and regain the blissful seat, Sing, heavenly muse...
Page 237 - Rain influence, and judge the prize Of wit or arms, while both contend To win her grace whom all commend. There let Hymen oft appear In saffron robe, with taper clear, And pomp, and feast, and revelry, With mask and antique pageantry; Such sights as youthful poets dream On summer eves by haunted stream. Then to the well-trod stage anon, If Jonson's learned sock be on, Or sweetest Shakespeare, Fancy's child, Warble his native wood-notes wild.
Page 17 - Or hear'st thou rather pure ethereal stream, Whose fountain who shall tell? Before the Sun,— Before the Heavens thou wert ; and at the voice Of God, as with a mantle, didst invest 10 The rising world of waters dark and deep, Won from the void and formless infinite.
Page 307 - I deny not, but that it is of greatest concernment in the church and commonwealth, to have a vigilant eye how books demean themselves as well as men; and thereafter to confine, imprison, and do sharpest justice on them as malefactors...
Page 36 - Anon out of the earth a fabric huge Rose like an exhalation, with the sound Of dulcet symphonies and voices sweet, Built like a temple, where pilasters round Were set, and Doric pillars overlaid With golden architrave ; nor did there want Cornice or frieze, with bossy sculptures graven •, The roof was fretted gold.
Page 206 - And ever, against eating cares, Lap me in soft Lydian airs, Married to immortal verse, — Such as the meeting soul may pierce, In notes with many a winding bout Of linked sweetness long drawn out, With wanton heed and giddy cunning The melting voice through mazes running, Untwisting all the chains that tie The hidden soul of harmony, — That Orpheus...
Page 198 - So on he fares, and to the border comes Of Eden, where delicious Paradise, Now nearer, crowns with her enclosure green, As with a rural mound, the champaign head Of a steep wilderness, whose hairy sides With thicket overgrown, grotesque and wild, Access denied...
Page 200 - Flowers of all hue, and without thorn the rose ; Another side, umbrageous grots and caves Of cool recess, o'er which the mantling vine Lays forth her purple grape, and gently creeps Luxuriant...
Page 22 - Their dread commander : he, above the rest In shape and gesture proudly eminent, Stood like a tower : his form had yet not lost All her original brightness ; nor appeared Less than arch-angel ruined, and the excess Of glory obscured...