Pope. Satires and Epistles, ed. by M. Pattison1872 |
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Page 7
... Addison violate only truth and good feeling . But it is not only in his individual portraits that he is carried beyond the limits of civility , his whole satire is pitched in a key which good taste is compelled to disown . It is ...
... Addison violate only truth and good feeling . But it is not only in his individual portraits that he is carried beyond the limits of civility , his whole satire is pitched in a key which good taste is compelled to disown . It is ...
Page 10
... Addison and Halifax ; but these pieces had been prepared long before . Pope was in no mood now to forgive the dead . This union of tender reference to a more brilliant past , with bitter jealousy against the successful in the present ...
... Addison and Halifax ; but these pieces had been prepared long before . Pope was in no mood now to forgive the dead . This union of tender reference to a more brilliant past , with bitter jealousy against the successful in the present ...
Page 13
... Addison ( Sat. and Ep . Prol . 193 ) he has mingled some traits of respect , which set off the imputations , and greatly heighten their effect . The character of Addison is Pope's masterpiece in this kind , because its injustice is ...
... Addison ( Sat. and Ep . Prol . 193 ) he has mingled some traits of respect , which set off the imputations , and greatly heighten their effect . The character of Addison is Pope's masterpiece in this kind , because its injustice is ...
Page 14
... Addison ( Sat. and Ep . Prol . 200 ) , he ' hated for arts that caus'd himself to rise . ' The Dunciad is the piece which is most obnoxious to this charge . It is wholly inspired by this animosity against needy authors . But the Satires ...
... Addison ( Sat. and Ep . Prol . 200 ) , he ' hated for arts that caus'd himself to rise . ' The Dunciad is the piece which is most obnoxious to this charge . It is wholly inspired by this animosity against needy authors . But the Satires ...
Page 17
... Addison possessed in boundless measure . How grossly that power was abused by Swift and by Voltaire is well known . But of Addison it may be confidently affirmed that he has blackened no man's character , nay , that it would be ...
... Addison possessed in boundless measure . How grossly that power was abused by Swift and by Voltaire is well known . But of Addison it may be confidently affirmed that he has blackened no man's character , nay , that it would be ...
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Common terms and phrases
Addison allusion Arbuthnot authors Balliol College Bishop Blackmore Boileau Bolingbroke Book Budgel Carruthers character Church Cibber Clarendon Press Series cloth College court died Dindorfii Dryden Duke Dunciad Edward Wortley Montagu England English Essay Eton College ev'n ev'ry Extra fcap fame fcap fools formerly Fellow genius George grace Greek heav'n History honour Imitation of Horace John Johnson King knave language laugh libeller Lincoln College literature live London Lord Bolingbroke Lord Fanny Lord Hervey lov'd muse ne'er never noble numbers Oriel College Oxford Pindaric pleas'd poems poet poetry Pope pow'r praise Prince Professor Prol Queen reign rhyme Roman Satires and Epistles satirist Sir Robert soul Spence Swift taste thou thought thro translation truth University of Oxford verse vice virtue W. F. Donkin W. W. Skeat Walpole Warburton's Warton Whig write
Popular passages
Page 30 - Damn with faint praise, assent with civil leer, And without sneering, teach the rest to sneer ; Willing to wound, and yet afraid to strike, Just hint a fault, and hesitate dislike...
Page 33 - Whose buzz the witty and the fair annoys, Yet wit ne'er tastes, and beauty ne'er enjoys : So well-bred spaniels civilly delight In mumbling of the game they dare not bite. Eternal smiles his emptiness betray, As shallow streams run dimpling all the way.
Page 30 - Who but must laugh, if such a man there be? Who would not weep, if Atticus were he ? What though my name stood rubric on the walls Or plaster'd posts, with claps, in capitals ? Or smoking forth, a hundred hawkers...
Page 52 - Who counsels best ? who whispers, ' Be but great, With praise or infamy leave that to fate; Get place and wealth, if possible, with grace ; If not, by any means get wealth and place.
Page 145 - I remember the players have often mentioned it as an honour to Shakespeare, that in his writing (whatsoever he penned) he never blotted out a line. My answer hath been, "Would he ' had blotted a thousand," which they thought a malevolent speech.
Page 27 - Say, for my comfort, languishing in bed, 'Just so immortal Maro held his head'; And, when I die, be sure you let me know Great Homer died three thousand years ago. Why did I write? what sin to me unknown Dipp'd me in ink, my parents', or my own?
Page 144 - whispers through the trees": If crystal streams "with pleasing murmurs creep," The reader's threaten'd (not in vain) with "sleep": Then, at the last and only couplet fraught With some unmeaning thing they call a thought, A needless Alexandrine ends the song, That, like a wounded snake, drags its slow length along.
Page 29 - Pretty! in amber to observe the forms Of hairs, or straws, or dirt, or grubs, or worms! The things, we know, are neither rich nor rare, But wonder how the devil they got there.
Page 28 - Commas and points they set exactly right, And 'twere a sin to rob them of their mite.
Page 64 - Who now reads Cowley ? if he pleases yet, His moral pleases, not his pointed wit ; Forgot his epic, nay Pindaric art, But still I love the language of his heart.