Occasional Form: Henry Fielding and the Chains of Circumstance |
From inside the book
Results 1-3 of 84
Page 88
... seems solemn and grave , and Pamela ultimately seems cheerless about life before death . Fielding pretends that Richardson's primness covers a vision not al- together sound , and he finds the rhetoric just as dangerous as Cibber's be ...
... seems solemn and grave , and Pamela ultimately seems cheerless about life before death . Fielding pretends that Richardson's primness covers a vision not al- together sound , and he finds the rhetoric just as dangerous as Cibber's be ...
Page 189
... seems to assume ; but the ending seems to state . Rather than the relaxed pace that leisurely moves characters from place to place and event to event in the first two - thirds of the novel , the last few books seem far more impatient ...
... seems to assume ; but the ending seems to state . Rather than the relaxed pace that leisurely moves characters from place to place and event to event in the first two - thirds of the novel , the last few books seem far more impatient ...
Page 200
... seem to justify a friendly coercing and winking , and the reader himself seems complicitous . But Amelia's basic tone gives us no " out . " Here , face to face , are the grimmer facts of life , and it is no more fair to rush in a rich ...
... seem to justify a friendly coercing and winking , and the reader himself seems complicitous . But Amelia's basic tone gives us no " out . " Here , face to face , are the grimmer facts of life , and it is no more fair to rush in a rich ...
Contents
Fielding among the Giants | 22 |
Fieldings Reflexive Plays and the Rhetoric of Discovery | 48 |
Historical Registers for the Year 1740 | 76 |
Copyright | |
7 other sections not shown
Other editions - View all
Common terms and phrases
action allusion Allworthy Amelia artistic attack audience Augustan Author's Farce Blifil century characters Chubb Cibber Colley Cibber comedy comic commitments consciousness context criticism cultural dramatic Dunciad early eighteenth eighteenth-century emphasis English epic epistemology ethical example expectations experience FĂ©nelon fiction Fielding's Fielding's contemporaries Fielding's plays FUSTIAN Henry Fielding hero human Ian Watt ideal imitation implications insists involves irony Jonathan Wild Jones Joseph Andrews journey Lady Booby later less literary London Lord Hervey meaning metaphor mode models modern moral narrative narrator novel Pamela parody Parson Adams philosophical play-within plot political Pope Pope's Press prose questions Ralph Cohen readers rehearsal plays responses rhetoric Richardson Ronald Paulson satire scene Scriblerus seems sense sexual Shakespeare Shakespearean Shamela social Sophia strategy suggest Swift theater theatrical things tion Tom Jones Tom Thumb Tom's tone tradition Tragedy of Tragedies TRAPWIT ultimately Univ values virtue Walpole Whitefield Wilson writers