Occasional Form: Henry Fielding and the Chains of Circumstance

action Adams allowed allusion Amelia artistic attack audience Augustan become called century characters Cibber claims commitments concerned consciousness contemporary context continued criticism cultural demonstrate earlier early eighteenth-century engage English epic example expectations experience face failure fiction Fielding Fielding's figures hero human ideal imitation implications individual insists involves issues Jones Joseph Andrews journey kind Lady later least less limits literary London major matter meaning metaphor method mind mode models moral nature never novel offers particular plays political Pope possibilities present Press questions readers represents responses rhetoric Richardson satire says scene seems sense Shamela social sometimes stage standard strategy suggest things tion Tom Jones Tom's tone tradition Tragedies turn ultimately Univ values virtue whole writers