The Struggle for Black Arts in Britain: What Can We Consider Better Than Freedom |
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Page 109
... musicians as mere entertainers was not so congealed in the minds of Europeans as it is now , and it was possible for groups of musicians and individuals to enjoy relatively colourful careers in Britain under feudal patronage . Through ...
... musicians as mere entertainers was not so congealed in the minds of Europeans as it is now , and it was possible for groups of musicians and individuals to enjoy relatively colourful careers in Britain under feudal patronage . Through ...
Page 110
... musicians , this style of music was invariably played , outside Turkey itself , by Black musicians . The story is told of King Frederick II of Prussia going to great lengths to impress a Turkish ambassador with such a band . After the ...
... musicians , this style of music was invariably played , outside Turkey itself , by Black musicians . The story is told of King Frederick II of Prussia going to great lengths to impress a Turkish ambassador with such a band . After the ...
Page 161
... musicians . Each collabo- ration will establish its own media which will in turn knock at the doors of others . The ... musician , dancer and painter collaborate , they articulate ideas which can be reproduced in apparently different or ...
... musicians . Each collabo- ration will establish its own media which will in turn knock at the doors of others . The ... musician , dancer and painter collaborate , they articulate ideas which can be reproduced in apparently different or ...
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Common terms and phrases
activities aesthetic African art forms articulate artists Arts Council Association audience authorities bands became become Black arts Black community Black theatre bodies bourgeois Britain British called Caribbean Carnival Centre century challenge collective colonial commitment Committee community arts consciousness contemporary contribution created creativity critical cultural dance dominant drum dynamic economic effective emergence English established Ethnic Arts European event example experience expression festivals forces funding groups Hill ideas ideological immigrant important individual industry initial institutions interest involved issues labour language lives London major means movement musicians operate orature organisations panel particularly performing period play points political popular positive possible practice problem production programme racism relations response result role significant slave social society song sound streets structure struggle theatre tradition Western workers