Words of Risk: The Art of Thomas Ingmire |
From inside the book
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Page 25
... panel 1 continues in panel 2 , but diminishes from left to right . The solid background is covered with another stream of letters , but here they are thin and elegant . The more passive image reflects the spirit of understanding and ...
... panel 1 continues in panel 2 , but diminishes from left to right . The solid background is covered with another stream of letters , but here they are thin and elegant . The more passive image reflects the spirit of understanding and ...
Page 26
... panels ( and the poem ) is directed toward the almost completely black panel 6 where the barely perceptible angular letters in the background hint at the rage of panel 1 , and the mute quality echoes the resignation of panel 2. Over the ...
... panels ( and the poem ) is directed toward the almost completely black panel 6 where the barely perceptible angular letters in the background hint at the rage of panel 1 , and the mute quality echoes the resignation of panel 2. Over the ...
Page 45
... panel gives the impression of looking from a dark space into light ( or of finding the means of enlightenment ) . The large D partly overlaps the panel ( some of it is lost in the clouds ) , and is also overlapped by the lettered gold ...
... panel gives the impression of looking from a dark space into light ( or of finding the means of enlightenment ) . The large D partly overlaps the panel ( some of it is lost in the clouds ) , and is also overlapped by the lettered gold ...
Common terms and phrases
abstract acrylic Alchemy Arthur Rimbaud Artist's Collection background Beloved Stranger Lives Blake Boundless brush marks brushes and quills Calligraphy Idea Exchange capital letters Clair Richard color Cut card dark Denise Levertov diagonal Dylan Thomas Dylan Thomas pieces earlier piece elements feelings Friends of Calligraphy gesso and gum Go Gentle gold leaf gouache Green and Dying gum ammoniac gum arabic Hail Horrors Hail Hail Mystic Art Heinrich Zimmer Idea Exchange 2:3 imagery Ingmire's leaf over gesso leaf over gum Let Yourself Free light lines Love Shakes Mary Barnard movement night Oriental brush painted panel Paul Schmidt 1967 phrases pointed metal pens Private Collection RAGE RAGE Relearning the Alphabet Reproduced Sappho Saucy Jacks Scribe Season in Hell Shakes My Heart sheet shell gold squares stanza Stick ink strokes Sumi ink Sun of Justice Thomas Ingmire translated by Paul vermilion Wallace Stevens watercolor brushes William Blake written