The Hidden Law: The Poetry of W.H. AudenIn this study - the fruit of a lifelong critical and imaginative engagement with W H. Auden's works - Anthony Hecht identifies and traces consistent habits of thought and belief within the poet's extensive and varied writings and through his celebrated conversions and repudiations, literary and otherwise. Hecht acknowledges that Auden's poems "both invite the intrusive scrutiny of the cryptographer and deny him access". Yet the readings he offers of poems from every phase of Auden's career, along with dramatic works and critical essays, manage to explicate and illuminate Auden's rich (and often cryptic) allusiveness without murdering to dissect. Among the themes that connect Auden's works are his deep interest in the workings of language; his notion of the ultimate frivolity of art; his interest in the nature of heroism; his understanding of the relation of public to private life; the development of his religious thought; and what Auden called the "hidden law" that governs human existence - a strict and retaliatory force, something like poetic justice, that gives form to our best literature and shapes our personal fates. Hecht identifies these preoccupations in Auden's work - and shows how they cut across the many genres in which he wrote - without losing sight of each poem's individual history and context. As one of Auden's most distinguished poetic heirs, Anthony Hecht is uniquely qualified to illuminate both the reading and the writing of these essential works of twentieth-century literature. |
From inside the book
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Page 47
... kind of poem in this book , a kind that Auden would go on to perfect and make bril- liantly his own , though it would have behind it the resonant precedent of Arnold's " Dover Beach " -the poem in which the outer and public world ...
... kind of poem in this book , a kind that Auden would go on to perfect and make bril- liantly his own , though it would have behind it the resonant precedent of Arnold's " Dover Beach " -the poem in which the outer and public world ...
Page 184
... kind of poetry Byron himself was writing in Don Juan , in which the narrative is little more than a pretext for social commentary and gossip . Auden goes on to acknowledge that the sort of light verse he has elected to write has not in ...
... kind of poetry Byron himself was writing in Don Juan , in which the narrative is little more than a pretext for social commentary and gossip . Auden goes on to acknowledge that the sort of light verse he has elected to write has not in ...
Page 436
... kind which serves to their advan- tage , and which they call " war , " and condemning any freelance opera- tions of the same sort when privately conducted by individuals or small groups . The very notion of a " just war , " once ...
... kind which serves to their advan- tage , and which they call " war , " and condemning any freelance opera- tions of the same sort when privately conducted by individuals or small groups . The very notion of a " just war , " once ...
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Common terms and phrases
acknowledged addressed admired Alan Ansen appears Auden's poem begins Byron called celebrated Chester Kallman Christian claim composed course death described doctrine dream early Edward Mendelson essay expressed eyes fact father feel final stanza Freud heart hero Hidden Law homosexual human identified innocent John the Red kind landscape language least Letter lines living Lord Byron lyric means mind Moby-Dick moral mother never night passage perhaps play poem's poet poetry political prayer present reader recall religious remind represent rhyme romantic second stanza secular seems sense serious sexual social society song sonnet sort soul speaks spirit stanza suggests symbolic T. E. Lawrence T. S. Eliot things thought tion trimeter turn verse vision voice W. B. Yeats W. H. Auden words writing wrote Yeats Yeats's