The Hidden Law: The Poetry of W.H. AudenIn this study - the fruit of a lifelong critical and imaginative engagement with W H. Auden's works - Anthony Hecht identifies and traces consistent habits of thought and belief within the poet's extensive and varied writings and through his celebrated conversions and repudiations, literary and otherwise. Hecht acknowledges that Auden's poems "both invite the intrusive scrutiny of the cryptographer and deny him access". Yet the readings he offers of poems from every phase of Auden's career, along with dramatic works and critical essays, manage to explicate and illuminate Auden's rich (and often cryptic) allusiveness without murdering to dissect. Among the themes that connect Auden's works are his deep interest in the workings of language; his notion of the ultimate frivolity of art; his interest in the nature of heroism; his understanding of the relation of public to private life; the development of his religious thought; and what Auden called the "hidden law" that governs human existence - a strict and retaliatory force, something like poetic justice, that gives form to our best literature and shapes our personal fates. Hecht identifies these preoccupations in Auden's work - and shows how they cut across the many genres in which he wrote - without losing sight of each poem's individual history and context. As one of Auden's most distinguished poetic heirs, Anthony Hecht is uniquely qualified to illuminate both the reading and the writing of these essential works of twentieth-century literature. |
From inside the book
Results 1-3 of 36
Page 136
... composed near enough to the elegy to serve as an interesting gloss upon it , for it clearly deals with puzzles about the great Irish Nobel laureate that Auden was trying to hold in balance in his own mind . The prose piece , in fact ...
... composed near enough to the elegy to serve as an interesting gloss upon it , for it clearly deals with puzzles about the great Irish Nobel laureate that Auden was trying to hold in balance in his own mind . The prose piece , in fact ...
Page 275
... composed for them by such sophisticated artists as Virgil or Theocritus and presented as the work of uncouth and natively inspired poets . So persuasive is this myth of the instinctive artist , " warbling his woodnotes wild , " that ...
... composed for them by such sophisticated artists as Virgil or Theocritus and presented as the work of uncouth and natively inspired poets . So persuasive is this myth of the instinctive artist , " warbling his woodnotes wild , " that ...
Page 416
... composed of four trochees with a catalectic closure , and the corresponding line in the second stanza ( “ So hissed Water on their left ” ) is prosodically the same . The remaining lines of the stanza , beginning with the tenth line ...
... composed of four trochees with a catalectic closure , and the corresponding line in the second stanza ( “ So hissed Water on their left ” ) is prosodically the same . The remaining lines of the stanza , beginning with the tenth line ...
Other editions - View all
Common terms and phrases
acknowledged addressed admired allowed appears Auden authority become begins believe body Byron called Christian claim clear close Collected comes composed concerns continues course death described dream earlier early effect Eliot entirely essay example expressed eyes fact feel figure final follows give heart hero hope human important innocent interest kind language later least less Letter lines living look means mind moral nature never night once opening pass passage past perhaps play poem poet poetry political possible prayer present reader reason recall reference regard religious represent seems sense serious sexual social society sort speaks stanza suggests things thought turn voice writing written wrote Yeats