The Hidden Law: The Poetry of W.H. AudenIn this study - the fruit of a lifelong critical and imaginative engagement with W H. Auden's works - Anthony Hecht identifies and traces consistent habits of thought and belief within the poet's extensive and varied writings and through his celebrated conversions and repudiations, literary and otherwise. Hecht acknowledges that Auden's poems "both invite the intrusive scrutiny of the cryptographer and deny him access". Yet the readings he offers of poems from every phase of Auden's career, along with dramatic works and critical essays, manage to explicate and illuminate Auden's rich (and often cryptic) allusiveness without murdering to dissect. Among the themes that connect Auden's works are his deep interest in the workings of language; his notion of the ultimate frivolity of art; his interest in the nature of heroism; his understanding of the relation of public to private life; the development of his religious thought; and what Auden called the "hidden law" that governs human existence - a strict and retaliatory force, something like poetic justice, that gives form to our best literature and shapes our personal fates. Hecht identifies these preoccupations in Auden's work - and shows how they cut across the many genres in which he wrote - without losing sight of each poem's individual history and context. As one of Auden's most distinguished poetic heirs, Anthony Hecht is uniquely qualified to illuminate both the reading and the writing of these essential works of twentieth-century literature. |
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Page 99
... begins with a generalization about a lot of varied paintings , none of them really up for inspection . About suffering they were never wrong , The Old Masters : how well they understood Its human position ; how it takes place While ...
... begins with a generalization about a lot of varied paintings , none of them really up for inspection . About suffering they were never wrong , The Old Masters : how well they understood Its human position ; how it takes place While ...
Page 345
... begins " Since you are going to begin to - day , " which would later be titled " Venus Will Now Say a Few Words " ; it also recalls " By silted harbours , derelict works " from " Consider this and in our time " ( 1930 ) , as well as ...
... begins " Since you are going to begin to - day , " which would later be titled " Venus Will Now Say a Few Words " ; it also recalls " By silted harbours , derelict works " from " Consider this and in our time " ( 1930 ) , as well as ...
Page 420
... begins with the Ovidian pretense that it is offering directions not just to the lover but to the writer of love poetry , and the instructions are to avoid literalness above all : to be " subtle , various , ornamental , clever , ” and ...
... begins with the Ovidian pretense that it is offering directions not just to the lover but to the writer of love poetry , and the instructions are to avoid literalness above all : to be " subtle , various , ornamental , clever , ” and ...
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Common terms and phrases
acknowledged addressed admired allowed appears Auden authority become begins believe body Byron called Christian claim clear close Collected comes composed concerns continues course death described dream earlier early effect Eliot entirely essay example expressed eyes fact feel figure final follows give heart hero hope human important innocent interest kind language later least less Letter lines living look means mind moral nature never night once opening pass passage past perhaps play poem poet poetry political possible prayer present reader reason recall reference regard religious represent seems sense serious sexual social society sort speaks stanza suggests things thought turn voice writing written wrote Yeats