By snow disguised, in bright confusion lie, No gentle-breathing breeze prepares the spring, And yet but lately have I seen, even here, And every pointed thorn, seemed wrought in glass; The stag, in limpid currents, with surprise The spreading oak, the beech, and towering pine Glazed over, in the freezing ether shine. The frighted birds the rattling branches shun, When, if a sudden gust of wind arise, The brittle forest into atoms flies; The crackling wood beneath the tempest bends Or, if a southern gale the region warm, The traveller a miry country sees, And journeys sad beneath the dropping trees: Like some deluded peasant, Merlin leads Through fragrant bowers, and through delicious meads; And airy fabrics there attract his eyes, Philip's pastorals, though more natural, are, in every other respect, much inferior to those of Pope. But he was an elegant versifier, and the following fragment, translated from Sappho, is a poetical gem so brilliant that Warton thought Addison must have assisted in its composition :— Blessed as the immortal gods is he, 'T was this deprived my soul of rest, In dewy damps my limbs were chilled, I fainted, sunk, and died away. On the accession of George the First to the throne, Philips was made commissioner of the collieries; and when Dr. Boulter became archbishop of Armagh, in Ireland, the poet accompanied the prelate to that country, and there soon after rose to very considerable preferments. In 1748, having acquired some property, he purchased an annuity of four hundred pounds, and returned to London, there to pass the remainder of his life in ease; but his health soon after failed, and he died in the following year. Besides various other poems and translations, Philips was the author of three dramas, The Distressed Mother, The Briton, and Humphrey Duke of Gloucester; But as their merit is not above mediocrity, they require no farther notice. JOHN PHILIPS was the son of Dr. Stephen Philips, and was born at Bampton, in Oxfordshire, on the thirteenth of December, 1676. His father was archdeacon of Salop, and minister of Bampton; and after the future poet had received the rudiments of his education, he was sent to Westminster school, where he was soon distinguished, not only for the superiority of his exercises, but for his civility and good-nature, which soon made him the idol of his school-fellows. While at school he became acquainted with the poets, both ancient and modern, and particularly admired Milton. In 1694, Philips entered Christ Church College, Oxford, and soon became distinguished as an eminent genius, even among the most eminent of his college. His reputation was, however, confined to his friends and to the university, until he published, in 1703, the Splendid Shilling, which extended it to a much wider circle. This performance, by its novel character, raised his fame so high, that when all Europe resounded with the victory of Blen heim, he was, probably through indirect opposition to Addison, engaged, by the Tory party, to celebrate that great event for them. He would willingly have declined this task, but his friends insisted that he should perform it. The next year he produced his great work, the poem on Cider, in two books. This production was unusually successful, and continued long to be read as a happy imitation of Virgil's Georgics.' Becoming now more confident in his own abilities, Philips began to meditate a poem on the Last Day. This work he did not, however, live to finish. His diseases,' in the language of Dr. Johnson, 'a slow consumption and an asthma, put a stop to his studies, and on the fifteenth of February, 1708, at the beginning of his thirty-third year, put an end to his life.' He was buried in the cathedral of Hereford; and a monument was afterward erected for him in Westminster Abbey, by Sir Simon Harcour, afterward lord chancellor of England. Philips' life was brief, and his works few. The 'Splendid Shilling,' written to burlesque the style of Milton, has the merit of original design, but little more can be said in its praise; and to assert that 'Blenheim' is not below mediocrity, is as much as can be said in its favor. To the poem on 'Cider,' may be given this peculiar praise, that it is based in truth; that the precepts it contains are exact and just; and that while it is a book of entertainment, it is at the same time, a good manual for a gardener. It remains only for us to present a passage from this author's poems to complete the present sketch. We select the closing part of the 'Splendid Shilling.' So pass my days. But when nocturnal shades With pleasant wines and crackling blaze of wood, Or lover pendant on a willow-tree. And restless wish, and rave; my parched throat But if a slumber haply does invade My weary limbs, my fancy 's still awake; In vain; awake I find the settled thirst Afflictions great! yet greater still remain: The Lilybean shore, with hideous crush On Scylla or Charybdis (dangerous rocks!) She strikes rebounding; whence the shatter'd oak, Admits the sea; in at the gaping side The crowding waves gush with impetuous rage, Resistless overwhelming! horrors seize The mariners; death in their eyes appears; They stare, they lave, they pump, they swear, they pray; Implacable; till, delug'd by the foam, The ship sinks foundering in the vast abyss. THOMAS PARNELL was born in Dublin, in 1679. He was descended from an ancient family of Cheshire, who, after the Restoration, purchased an estate in Ireland, to which the poet became heir, together with their lands, in their native country. After the usual preparatory education, he entered, in the thirteenth year of his age, the university of Dublin, and in 1700 took his master's degree, immediately after which he was ordained deacon, though under the canonical age. About three years after he was ordained priest; and, in 1705, the bishop of Clogher conferred upon him the archdeaconry of that see. When the Whigs, toward the end of Queen Anne's reign, passed out of office, Parnell repaired to London and joined the Tory party, by whom he was regarded as an acquisition of strength. He had previously married Miss Anne Minchen, a young lady of great beauty and accomplishments; but having the misfortune to lose her by death a few years after their union, he suffered the event to prey so deeply upon his mind as to hurry him into the habit of intemperance. But the vice could not have been either gross or notorious; for he afterward received, from Archbishop King, the vicarage of Finglass, in the diocese of Dublin, which was worth four hundred pounds a year. He did not, however, long enjoy this last preferment, as his death occurred at Chester, in the month of July, 1717, when on his way to Ireland. Parnell seems to have been one of those poets who write from the mere love of writing. The compass of his poetry,' says Campbell, 'is not extensive, but its tone is peculiarly delightful.' His works are of a miscellaneous nature, consisting of translations, songs, nymns, epistles, and narra tives. His most celebrated production is The Hermit—a poem familiar to most readers from their infancy. Its sweetness of diction and picturesque solemnity of style must always afford pleasure. His Night Piece on Death was indirectly preferred by Goldsmith to Gray's celebrated Elegy; but few persons of taste will be inclined to adopt such an opinion. In the 'Night Piece' the poet goes forth at midnight to the churchyard, and there meditates among the tombs :— How deep yon azure dyes the sky! 'Time was, like thee, thy life possessed, Those with bending osier bound, That nameless heave the crumbled ground, The flat smooth stones that bear a name, The chisel's slender help to fame Whose pillars swell with sculptured stones, Adorn the rich, or praise the great, Who, while on earth in fame they live, The poem, however, by which Parnell is chiefly known is the 'Hermit ;' and did our limits permit, we should introduce it entire. As it is, we must be satisfied with a few of the opening paragraphs, merely to show the style. VOL. II.-C |