The Reception of Blake in the OrientSteve Clark, Masashi Suzuki This volume brings together research from international scholars focusing attention on the longevity and complexity of Blake`s reception in Japan and elsewhere in the East. It is designed as not only a celebration of his art and poetry in new and unexpected contexts but also to contest the intensely nationalistic and parochial Englishness of his work, and in broader terms, the inevitable passivity with which Romanticism (and other Western intellectual movements) have been received in the Orient. |
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Page viii
... Plate 68 . 43 4.3 Thomas Daniell , Oriental scenery : . . . views in Hindoostan drawn and engr . 48 4.4 4.5 4.6 ... copper plate for the Illustrations of the Book of Job ( 1826 ) , Plate 13 recto . 64 5.2 Blake's copper plate for the ...
... Plate 68 . 43 4.3 Thomas Daniell , Oriental scenery : . . . views in Hindoostan drawn and engr . 48 4.4 4.5 4.6 ... copper plate for the Illustrations of the Book of Job ( 1826 ) , Plate 13 recto . 64 5.2 Blake's copper plate for the ...
Page 18
... copper-plate printer William Bryan's visionary carpenter friend, John Wright, had attended worship with the Eastcheap Swedenborgians in 1788 but by early 1789 both men had journeyed to Avignon, France, to meet up with European ...
... copper-plate printer William Bryan's visionary carpenter friend, John Wright, had attended worship with the Eastcheap Swedenborgians in 1788 but by early 1789 both men had journeyed to Avignon, France, to meet up with European ...
Page 19
... copper - plate printer who worked from premises in Wardour Street , Soho , moving from No. 91 to No. 109 at some time between 1788 and 1790.12 It was perhaps his engraving and copper - plate printing skills which led him to become ...
... copper - plate printer who worked from premises in Wardour Street , Soho , moving from No. 91 to No. 109 at some time between 1788 and 1790.12 It was perhaps his engraving and copper - plate printing skills which led him to become ...
Page 63
... copper - plate printing were in demand in an unprecedented quantity . — The problem for Blake , living in London's Lambeth and South Molton Street , was that this rise in demand for engraving skills and copper - plate printing came from ...
... copper - plate printing were in demand in an unprecedented quantity . — The problem for Blake , living in London's Lambeth and South Molton Street , was that this rise in demand for engraving skills and copper - plate printing came from ...
Page 64
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Contents
1 | |
15 | |
Blake in the Orient The EarlyTwentiethCentury Japanese Reception | 159 |
Blake in the Orient Later Responses | 235 |
Bibliography | 303 |
Index | 337 |
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Common terms and phrases
Africa Albion argued Arthur Boyd artists Bentley Blake studies Blakean body Book of Thel Book of Urizen Bramins British Butlin Catalogue Chinese Christian colony colour printing contemporary context copper plate critical culture darkness divine eighteenth century English engraving essay Essick eternal European exhibition Felpham Figure Four Zoas Geeta Hastings Hayley Heaven and Hell human illustrations imagination India Japan Japanese Jerusalem John Jugaku Kaneko Kyoto Lavater literature Little Black Boy London Makdisi Marriage of Heaven Matsuhashi 1999 Milton Mingei Museum mythology nature Nebuchadnezzar night Ōe's Oothoon Orient original painter painting poem poet poetry political psychogeography published question Rebekah Bliss reception religion reproductions self-annihilation sense Shirakaba Shirakaba group Sierra Leone Songs of Experience Swedenborg Swedenborgian Tanizaki Thel Thel's Thomas Alphonso Tokyo tradition transfer-printing translation Typhon Ukiyo-e Urizen vision Wadström Wedgwood Western Wilkins William Blake William Hayley writing Yanagi