Training in Literary Appreciation: An Introduction to Criticism |
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Page 7
... Charles Reade : Robert Louis Stevenson : Contrasting touches : Extended contrasts : Antithesis : Contrast a natural method . III . RHYTHM All natural movement is rhythmical : Stress and pause in speech : Emotion and rhythm : Examples ...
... Charles Reade : Robert Louis Stevenson : Contrasting touches : Extended contrasts : Antithesis : Contrast a natural method . III . RHYTHM All natural movement is rhythmical : Stress and pause in speech : Emotion and rhythm : Examples ...
Page 18
... Charles Lamb pleaded for a grace before books , " and certainly we do both ourselves and the writer an ill service in approaching his work without thought or preparation . It is important , then , that the reader should get in tune ...
... Charles Lamb pleaded for a grace before books , " and certainly we do both ourselves and the writer an ill service in approaching his work without thought or preparation . It is important , then , that the reader should get in tune ...
Page 21
... Charles Reade's description of Gerard's escape from the mill in The Cloister and the Hearth . It is a fearful picture of villainy and despair , and a casual reader might think that to be all . But there are two contrasting touches that ...
... Charles Reade's description of Gerard's escape from the mill in The Cloister and the Hearth . It is a fearful picture of villainy and despair , and a casual reader might think that to be all . But there are two contrasting touches that ...
Page 25
... Charles Darnay and Sydney Carton in A Tale of Two Cities . Other character - contrasts may be seen in the Prince and Hotspur in 1 Henry IV ; Coeur- de - Lion and the Saracen in The Talisman ; Pippa and the other characters in Pippa ...
... Charles Darnay and Sydney Carton in A Tale of Two Cities . Other character - contrasts may be seen in the Prince and Hotspur in 1 Henry IV ; Coeur- de - Lion and the Saracen in The Talisman ; Pippa and the other characters in Pippa ...
Page 32
... Charles ! Pým and such cárles To the devil that prompts ' em their treasonous parles ! It is the declaration of a strong faith that knows nothing of doubt . It is interesting , from this point of view , to 1 Yet Shelley , as Lafcadio ...
... Charles ! Pým and such cárles To the devil that prompts ' em their treasonous parles ! It is the declaration of a strong faith that knows nothing of doubt . It is interesting , from this point of view , to 1 Yet Shelley , as Lafcadio ...
Other editions - View all
Training in Literary Appreciation, an Introduction to Criticism F H 1884- Pritchard No preview available - 2022 |
Training in Literary Appreciation, an Introduction to Criticism F H 1884- Pritchard No preview available - 2018 |
Common terms and phrases
artist ballad beautiful Browning's chapter character Charles contrast Criticism death delight device Dickens effect emotion English poetry epic Essay example expression eyes Faerie Queene feel following passages Francis Thompson G. K. Chesterton give hand hear heart Henry idea ILLUSTRATIVE READING Ingoldsby Legends Keats light LITERARY APPRECIATION lyric matter Matthew Arnold Meredith's Milton Modern Reader's Bible Moulton movement natural never night Paradise Lost pass Percy personality personification phrase poem poet prose R. L. Stevenson reader recurrence repetition rhythm rimes Robert Bridges Rupert Brooke Ruskin says Scott sense Shakespeare Shelley significance song sonnet sound speech spirit stanza story stress Study of Literature style sublime sweet tale tell Tennyson thee things thou thought tion told true truth unity verse verse-forms W. E. HENLEY W. H. DAVIES wind word Wordsworth writer
Popular passages
Page 74 - I arise from dreams of thee In the first sweet sleep of night, When the winds are breathing low, And the stars are shining bright...
Page 183 - I saw a smith stand with his hammer, thus, The whilst his iron did on the anvil cool, With open mouth swallowing a tailor's news ; Who, with his shears and measure in his hand, Standing on slippers, — which his nimble haste Had falsely thrust upon contrary feet...
Page 54 - I thought ten thousand swords must have leaped from their scabbards to avenge even a look that threatened her with insult. But the age of chivalry is gone ; that of sophisters, economists and calculators, has succeeded : and the glory of Europe is extinguished for ever.
Page 73 - Thou that singest wheat and woodland, tilth and vineyard, hive and horse and herd; All the charm of all the Muses often flowering in a lonely word...
Page 41 - Now the salt tides seaward flow; Now the wild white horses play, Champ and chafe and toss in the spray. Children dear, let us away. This way, this way. Call her once before you go. Call once yet. In a voice that she will know : "Margaret! Margaret!
Page 92 - The glories of our blood and state Are shadows, not substantial things ; There is no armour against fate ; Death lays his icy hand on kings : Sceptre and Crown Must tumble down, And in the dust be equal made With the poor crooked scythe and spade. Some men with swords may reap the field, And plant fresh laurels where they kill...
Page 125 - No more firing was heard at Brussels — the pursuit rolled miles away. Darkness came down on the field and city : and Amelia was praying for George, who was lying on his face, dead, with a bullet through his heart.
Page 55 - Homer ruled as his demesne; Yet did I never breathe its pure serene Till I heard Chapman speak out loud and bold: Then felt I like some watcher of the skies When a new planet swims into his ken; Or like stout Cortez when with eagle eyes...
Page 125 - And bore him to a chapel nigh the field, A broken chancel with a broken cross, That stood on a dark strait of barren land. On one side lay the Ocean, and on one Lay a great water, and the moon was full.
Page 79 - Sun, and sky, and breeze, and solitary walks, and summer holidays, and the greenness of fields, and the delicious juices of meats and fishes, and society, and the cheerful glass, and candlelight, and fireside conversations, and innocent vanities, and jests, and irony itself — do these things go out with life...