Two Discourses: I. An Essay on the Whole Art of Criticism, as it Relates to Painting ... II. An Argument in Behalf of the Science of a Connoisseur; Wherein is Shewn the Dignity, Certainty, Pleasure, and Advantage of it |
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Page 8
... faid on the knowledge of Hands , and how to diftinguish Copies from Ori- ginals , but Thefe have long ago had the Fate of all things not Im- mortal . Father Orlandi in his Abcedario Pittorico , printed at Bologna 1704 , has given a Ca ...
... faid on the knowledge of Hands , and how to diftinguish Copies from Ori- ginals , but Thefe have long ago had the Fate of all things not Im- mortal . Father Orlandi in his Abcedario Pittorico , printed at Bologna 1704 , has given a Ca ...
Page 12
... faid to be , because it has properties which are Effential to it . In one of the Tatlers there is fine Reasoning to this purpose ; " The HeathenWorld had fo little " Notion that Perfection was to be แ expected amongst Men , that among ...
... faid to be , because it has properties which are Effential to it . In one of the Tatlers there is fine Reasoning to this purpose ; " The HeathenWorld had fo little " Notion that Perfection was to be แ expected amongst Men , that among ...
Page 23
... faid ) whether Thefe kind of Arguments above - men- tion'd have any thing in them , or not , a Connoiffeur has nothing to do with them ; his Bufinels is to judge from the Intrinsic Qualities of the thing itself ; as when a Man receives ...
... faid ) whether Thefe kind of Arguments above - men- tion'd have any thing in them , or not , a Connoiffeur has nothing to do with them ; his Bufinels is to judge from the Intrinsic Qualities of the thing itself ; as when a Man receives ...
Page 32
... faid wers Infallibly true ; For then , instead of faying Are these Rules Good , Are they founded upon Reason ; the Queftion would on- ly be , Are they really of Him : Their Authority Then will reft , not upon the Credit of Apelles , but ...
... faid wers Infallibly true ; For then , instead of faying Are these Rules Good , Are they founded upon Reason ; the Queftion would on- ly be , Are they really of Him : Their Authority Then will reft , not upon the Credit of Apelles , but ...
Page 51
... to be Fine , or Not , but wherein ' tis One , or the Other . Most of Our Writers have been H 2 very very fuperficial in This refpect ; They have faid where ( 51 ) A Picture, or Drawing should be con- fider'd Diftinctly.
... to be Fine , or Not , but wherein ' tis One , or the Other . Most of Our Writers have been H 2 very very fuperficial in This refpect ; They have faid where ( 51 ) A Picture, or Drawing should be con- fider'd Diftinctly.
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Other editions - View all
Two Discourses: I. an Essay on the Whole Art of Criticism, As It Relates to ... Jonathan Richardson No preview available - 2023 |
Two Discourses: I. an Essay on the Whole Art of Criticism, as it Relates to ... No preview available - 2020 |
Two Discourses: I. an Essay on the Whole Art of Criticism, as It Relates to ... Jonathan Richardson No preview available - 2016 |
Common terms and phrases
Affent Albert Durer alfo almoſt alſo amongſt Annibale Annibale Caracci Antique Battista Franco Beauty becauſe Beft Beſt buſineſs Cafe Cauſes Circumſtances Colouring confequently confider confider'd confiderable Connoiffeur Coppy Count Ugolino Countrey Defign Degree Demonftration diſtinguiſh Divine Drawing eaſily efpecially Evidence Excellent Expreffion faid fame feen felf feveral fhall fhew fhould firſt fome fters fuch fure Gentlemen Giulio Romano Goodneſs greateſt Greatneſs Guelfs Guido Reni Hand himſelf Hiſtory Ideas imitated impoffible Inftances Inftruct intirely judg'd judge Juft juſt kind leaſt Lefs Mafter Manner Michelangelo Mind moft moſt muſt Nature neceffary never Noble Number obferve occafion Original Otherwife Paffions Painters Painting Parmeggiano Picture Pleaſe Pleaſure poffibly prefent purpoſe Queſtion racter Raffaele raiſe Reaſon refpect reft reſemble Rubens ſay ſee ſeen Senfes ſeveral ſpeak Tafte Thefe themſelves ther theſe things Thinking thofe thoſe Thought tion Titian Underſtanding uſe vaft whatſoever whofe
Popular passages
Page 158 - Urania, and fit audience find, though few-. But drive far off the barbarous dissonance Of Bacchus and his revellers, the race Of that wild rout that tore the Thracian bard In Rhodope, where woods and rocks had ears To rapture, till the savage clamour drown'd Both harp and voice ; nor could the muse defend Her son.
Page 163 - go from thy fpirit ? or whither fhall I flee from " thy prefence ? If I afcend up into heaven thou * * art there. If I make my bed in hell, behold thou " art there. If I take the wings of the morning, " and dwell in the uttermoft parts of the fea ; " even there fhall thy hand lead me, and thy right " hand fhall hold me. 1? I fay, Surely the dark" nefs fhall cover me : even the night fhall be
Page 40 - Cleveland and the swarm of liars that nuzzle in the mud, or sling arrows from ambush, may my tongue cleave to the roof of my mouth, and my right hand forget its cunning.
Page 129 - And all the rule, one empire; only add Deeds to thy knowledge answerable; add faith, Add virtue, patience, temperance; add love, By name to come...
Page 37 - Rolled inward, and a spacious gap disclosed Into the wasteful Deep. The monstrous sight Struck them with horror backward, but far worse Urged them behind; headlong themselves they threw Down from the verge of Heaven; eternal wrath Burnt after them to the bottomless pit.
Page 194 - Present, and of his presence many a sign Still following thee, still compassing thee round With goodness and paternal love, his face Express, and of his steps the track divine.
Page 13 - ... without this art could not possibly be communicated, whereby mankind is advanced higher in the rational state, and made better, and that in a way easy, expeditious, and delightful.
Page 31 - My sons (who also were confm'd with me) Cry in their troubled sleep, and ask for bread: O you are cruel if you do not weep Thinking on that, which now you well perceive My heart divin'd; if this provoke not tears At what are you accustomed to weep?
Page 39 - ... painting is, to perform much of the effect of discourse and books, and, in many instances, more speedily and with more reality. To consider a picture aright, is to read it ; but taking into account the beauty with which the eye is all the time entertained, (whether of colour or composition,) it is not only to read a book, and that finely printed and well bound, but as if a concert of music were heard at the same time.