Peveril of the Peak, Volume 1

Front Cover
Classic Books Company, 2001 - Fiction - 358 pages
"'Here is a plot without a drop of blood; and all the elements of a romance, without its conclusion', comments the King towards the end of Scott's longest, and arguably most intriguing, novel. Set against the backdrop of the Popish Plot to overturn Charles II, Peveril of the Peak explores the on-going tensions between Cavalier and Puritan loyalties during the fraught years of Restoration England. Ranging from Derbyshire to the Isle of Man and culminating in London, it is a novel which interweaves political intrigue, personal responsibilities and the ways in which the forces of history are played out in the struggles of individual human lives. But its true subject is perhaps the role of narration and the limits of storytelling itself. In this, the first scholarly edition of Peveril, Alison Lumsden recovers a lost novel."--BOOK JACKET.

From inside the book

Contents

Section 1
2
Section 2
3
Section 3
24
Section 4
35
Section 5
60
Section 6
83
Section 7
98
Section 8
113
Section 11
186
Section 12
203
Section 13
226
Section 14
241
Section 15
263
Section 16
283
Section 17
302
Section 18
325

Section 9
140
Section 10
154
Section 19
350

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Popular passages

Page 242 - Here lies our sovereign lord the King, Whose word no man relies on ; Who never said a foolish thing, And never did a wise one.
Page 263 - A man so various, that he seem'd to be Not one, but all Mankind's Epitome. Stiff in opinions, always in the wrong; Was everything by starts, and nothing long: But in the course of one revolving moon, Was chemist, fiddler, statesman, and buffoon: Then all for women, painting, rhyming, drinking; Besides ten thousand freaks that died in thinking.
Page 331 - The poor man was much affrighted, but resolved to obey the injunction; accordingly, a large silver cup, filled with some sort of liquor, being put into his hand, he found an opportunity to throw what it contained on the ground. Soon after the music ceasing, all the company disappeared, leaving the cup in his hand, and he returned home, though much wearied and fatigued. He went the next day and communicated to the minister of the parish all that had happened, and asked his advice how he should dispose...
Page 113 - What made our poet meddle with a plot ? Was't that he fancied, for the very sake And name of plot, his trifling play might take ? For there's not in't one inch-board evidence...

About the author (2001)

Walter Scott was born in Edinburgh, Scotland on August 15, 1771. He began his literary career by writing metrical tales. The Lay of the Last Minstrel, Marmion, and The Lady of the Lake made him the most popular poet of his day. Sixty-five hundred copies of The Lay of the Last Minstrel were sold in the first three years, a record sale for poetry. His other poems include The Vision of Don Roderick, Rokeby, and The Lord of the Isles. He then abandoned poetry for prose. In 1814, he anonymously published a historical novel, Waverly, or, Sixty Years Since, the first of the series known as the Waverley novels. He wrote 23 novels anonymously during the next 13 years. The first master of historical fiction, he wrote novels that are historical in background rather than in character: A fictitious person always holds the foreground. In their historical sequence, the Waverley novels range in setting from the year 1090, the time of the First Crusade, to 1700, the period covered in St. Roman's Well (1824), set in a Scottish watering place. His other works include Ivanhoe, Rob Roy, and The Bride of Lammermoor. He died on September 21, 1832.

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