Pre-colonial and Post-colonial Drama and Theatre in AfricaLokangaka Losambe, Devi Sarinjeive The last two decades saw an unprecedented upsurge of interest in African drama and theatre, as African playwrights bore witness to the strivings of African people as they challenged the vices that continued to plague the continent, including neo-colonialism, dictatorship, corruption, nepotism, inter-ethnic conflicts, poverty, gender inequality and HIV/AIDS. These essays emphasise the organic continuity within the African literary tradition, between the pre-colonial and post-colonial forms of drama, and is a valuable resource for general readers and students alike. |
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Page 72
... writing back ' - that post - colonial writing is more often than not an attempt to counter Eurocentric images and impressions of the colonies . For the author , post - colonial fiction or drama seeks a utopian ideal for political ...
... writing back ' - that post - colonial writing is more often than not an attempt to counter Eurocentric images and impressions of the colonies . For the author , post - colonial fiction or drama seeks a utopian ideal for political ...
Page 102
... writer who tries to communicate the message of revolutionary unity and hope in the languages of the people becomes a subversive character . It is then that writing in African languages becomes a subversive or treasonable offence with ...
... writer who tries to communicate the message of revolutionary unity and hope in the languages of the people becomes a subversive character . It is then that writing in African languages becomes a subversive or treasonable offence with ...
Page 105
... Writing committed drama is therefore seen not only as an option but an obligation for African playwrights . The ... writers depict in their plays the terrible situations that prevail in independent Africa . They clearly expose the ...
... Writing committed drama is therefore seen not only as an option but an obligation for African playwrights . The ... writers depict in their plays the terrible situations that prevail in independent Africa . They clearly expose the ...
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Pre-colonial and Post-colonial Drama and Theatre in Africa Lokangaka Losambe,Devi Sarinjeive Limited preview - 2001 |
Common terms and phrases
action African culture African drama African indigenous doctors African languages African literature ancestors ancestral spirits apartheid artistic Athol Fugard audience become behaviour bira bride bride's family ceremony civilisation Clark-Bekederemo colonial contemporary corruption Credo Mutwa critics deceased's depicted Dhlomo drama and theatre drama in Africa dramatist English example female character Fugard gender genre girls gods groom's human Ibadan Igbo incwala indigenous African theatre indigenous languages Johannesburg king Krwebede kurova guva literary living London lusekwane male medium Mlama mudzimu mukwerera myth Ngandu Ngugi Ngugi wa Thiong'o Nigeria oonozakuzaku oral narratives Orua Orua's Osofisan Ozidi para-human actors play playwright political post-colonial pre-colonial religion role sacred sangomas satire Shona singing siSwati social society song and dance South Africa Soyinka spirit elder stage story story-teller symbolic Theatre for Development theatrical traditional African tribal Uganda umhlanga University Press uNosilimela voice wedding celebration Wole Soyinka woman women writing Yoruba Zimbabwean