The Literary Criticism of John Ruskin |
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Page 20
... fancy , whose parallel function to this division of the imaginative faculty it is here necessary to distinguish . I believe it will be found that the entirely unimaginative mind sees nothing of the object it has to dwell upon or ...
... fancy , whose parallel function to this division of the imaginative faculty it is here necessary to distinguish . I believe it will be found that the entirely unimaginative mind sees nothing of the object it has to dwell upon or ...
Page 29
... Fancy , already spoken of as sub- ordinate to this of the Imagination , is the highest of which she is capable ; like the Imagination , she beholds in the things submitted to her treatment things different from the actual ; but the ...
... Fancy , already spoken of as sub- ordinate to this of the Imagination , is the highest of which she is capable ; like the Imagination , she beholds in the things submitted to her treatment things different from the actual ; but the ...
Page 30
... Fancy's , from the sentient part which is Imagination's . Let us take a few instances . Here is Fancy , first , very beautiful , in her simple capacity of likeness- catching : To - day we purpose - ay , this hour we mount , To spur ...
... Fancy's , from the sentient part which is Imagination's . Let us take a few instances . Here is Fancy , first , very beautiful , in her simple capacity of likeness- catching : To - day we purpose - ay , this hour we mount , To spur ...
Contents
from Modern Painters II 1846 | 3 |
The Imagination Penetrative | 16 |
Dante | 36 |
Copyright | |
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Æneid Athena beauty breath Byron canto Ceto character Chimæra cloud colour conception Dante dark daughter death delight divine dragon earth emotion English entirely evil expression eyes faculty faith fancy farther feeling flowers Geryon give Greek grotesque Harpies heart heaven Hesiod Hesperides hills Homer human idea Iliad imagination Inferno JOHN RUSKIN kind landscape less light living look matter meaning mediæval medieval mind Modern Painters moral mountains myth nation nature ness never noble Odyssey once painting pars passage passion pathetic fallacy perfect Phorcys Pindar pleasure Plutus poem poet poetical poetry purple Queen reader rock Ruskin Scott sense serpent Shakespeare sight sorrow soul spirit Stones of Venice story strange strength sweet Theogony things thou thought tion trans trees true truth Ulysses verse virtue wave wild wind words Wordsworth Wordsworthian writing