The Literary Criticism of John Ruskin |
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Page 11
... conception of that unity can prompt the preference . prophecy homu ! por to imagination as evidence Modern Painters ... conceive also of what is wanted , that is , of all the rest of the work or picture . So we conceive an entire work ...
... conception of that unity can prompt the preference . prophecy homu ! por to imagination as evidence Modern Painters ... conceive also of what is wanted , that is , of all the rest of the work or picture . So we conceive an entire work ...
Page 26
... conception to be as clear in the absence as in the presence of the object of it . This , I suppose , is , in point of fact , never the case , nor is an approximation to such distinctness of conception al- ways a characteristic of the ...
... conception to be as clear in the absence as in the presence of the object of it . This , I suppose , is , in point of fact , never the case , nor is an approximation to such distinctness of conception al- ways a characteristic of the ...
Page 27
... conception results from its grasp and blending of ideas , rather than from their obscurity ; for we do not usually recall , as we have seen , one part at a time only of a pleasant scene , one moment only of a happy day ; but together ...
... conception results from its grasp and blending of ideas , rather than from their obscurity ; for we do not usually recall , as we have seen , one part at a time only of a pleasant scene , one moment only of a happy day ; but together ...
Contents
from Modern Painters II 1846 | 3 |
The Imagination Penetrative | 16 |
Dante | 36 |
Copyright | |
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Æneid Athena beauty breath Byron canto Ceto character Chimæra cloud colour conception Dante dark daughter death delight divine dragon earth emotion English entirely evil expression eyes faculty faith fancy farther feeling flowers Geryon give Greek grotesque Harpies heart heaven Hesiod Hesperides hills Homer human idea Iliad imagination Inferno JOHN RUSKIN kind landscape less light living look matter meaning mediæval medieval mind Modern Painters moral mountains myth nation nature ness never noble Odyssey once painting pars passage passion pathetic fallacy perfect Phorcys Pindar pleasure Plutus poem poet poetical poetry purple Queen reader rock Ruskin Scott sense serpent Shakespeare sight sorrow soul spirit Stones of Venice story strange strength sweet Theogony things thou thought tion trans trees true truth Ulysses verse virtue wave wild wind words Wordsworth Wordsworthian writing