Representative Plays by American Dramatists, Volume 1Montrose Jonas Moses [In three volumes ; v.1]: 1765-1819. |
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Page 1
... drama . Nevertheless , it has been thought essential to include these plays because they are repre- sentative of the spirit of the times , and help to give a more com- prehensive view of the subjects which were treated in dramatic form ...
... drama . Nevertheless , it has been thought essential to include these plays because they are repre- sentative of the spirit of the times , and help to give a more com- prehensive view of the subjects which were treated in dramatic form ...
Page 2
... drama of social manners , even though Royall Tyler was not over - successful in stamping the small talk of his women ... dramas deal directly with American subjects . But it seemed un- wise and unrepresentative to frame one's policy of ...
... drama of social manners , even though Royall Tyler was not over - successful in stamping the small talk of his women ... dramas deal directly with American subjects . But it seemed un- wise and unrepresentative to frame one's policy of ...
Page 3
... drama , manifest on all sides , there has been a danger that many most valuable manu- script plays would be lost to the student forever . At a revival of individual scenes from distinctive American plays , given in New York , on January ...
... drama , manifest on all sides , there has been a danger that many most valuable manu- script plays would be lost to the student forever . At a revival of individual scenes from distinctive American plays , given in New York , on January ...
Page 4
... dramas in original manuscript , " Mar- garet Fleming " and " Griffith Davenport , " have been totally de- stroyed by ... Drama League Series of plays . From the standpoint of non - copyright material , two interesting conditions have ...
... dramas in original manuscript , " Mar- garet Fleming " and " Griffith Davenport , " have been totally de- stroyed by ... Drama League Series of plays . From the standpoint of non - copyright material , two interesting conditions have ...
Page 5
... dramatic renaissance ( 1917 ) . These dialogues , in their proper place , will be dealt with in the in- troductions to a ... drama consists very largely in the elements of comparison and contrast which certain definite dramas sug- gest ...
... dramatic renaissance ( 1917 ) . These dialogues , in their proper place , will be dealt with in the in- troductions to a ... drama consists very largely in the elements of comparison and contrast which certain definite dramas sug- gest ...
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Common terms and phrases
ADELA American ANDRÉ arms ARSACES BETHAS blood BOATSWAIN bosom brave breast brother Captain CHARLOTTE CHEKITAN CHRISTINE CLEONE Colonel curse dare dear death devil DIMPLE drama Dunlap EDESSA Enter ev'ry EVANTHE Exeunt Exit eyes father fear FRANKTON give GOTARZES GRIMOSCO happy HARRIET haste hear heart Heaven HONNYMAN HONORA honour hope HUMPHRY Indian JASPER JERRY JESSAMY JONATHAN KATE KIDNAPPER King lady LAROLE LARRY LENOX LETITIA liberty look LORD BOSTON LOVEYET LYSIAS M'DONALD madam MANLY MARIA married Mercy Warren MOCKLAW MONELIA Music never o'er Parthia PENDRAGON PERCY Philadelphia PHILIP PHRAATES play POCAHONTAS PONTEACH POWHATAN Prince PRINCESS revenge ROBIN ROLFE Royall Tyler SCENE shew soldier soul spirit sure sweet sword tears tell TENESCO Theatre thee thou thought thro TORAX TOUPEE TRUEMAN VARDANES Vonones WALTER warriors WHIG William Dunlap WORTHNOUGHT wretched young
Popular passages
Page 452 - Begin, you tormentors ! your threats are in vain, For the son of Alknomook will never complain. Remember the arrows he shot from his bow, Remember your chiefs by his hatchet laid low. Why so slow ? Do you wait till I shrink from the pain ? No ; the son of Alknomook shall never complain.
Page 444 - Exult each patriot heart ! — this night is shewn A piece, which we may fairly call our own; Where the proud titles of "My Lord! Your Grace!" To humble Mr. and plain Sir give place. Our Author pictures not from foreign climes The fashions, or the follies of the times; But has confin'd the subject of his work To the gay scenes — the circles of New- York.
Page 221 - Hear this, and tremble! you, who 'scape the Laws. Yes, while I live, no rich or noble knave ^/ Shall walk the World, in credit, to his grave.
Page 452 - The sun sets in night, and the stars shun the day; But glory remains when their lights fade away! Begin, ye tormentors! your threats are in vain, For the son of Alknomook shall never complain. Remember the arrows he shot from his bow; Remember your chiefs by his hatchet laid low : Why so slow? — do you wait till I shrink from the pain? No— the son of Alknomook will never complain.
Page 444 - On native themes his Muse displays her pow'rs; If ours the faults, the virtues too are ours. Why should our thoughts to distant countries roam, When each refinement may be found at...
Page 478 - I feel the delicacy of your sex pretty smartly [rubbing his cheek], though, I vow, I thought when you city ladies courted and married, and all that, you put feeling out of the question. But I want to know whether you are really affronted, or only pretend to be so? 'Cause, if you are certainly right down affronted, I am at the end of my tether; Jessamy didn't tell me what to say to you.
Page 490 - I can't conceive why she shou'dn't like me. JESSAMY. May be it is because you have not the graces, Mr. Jonathan. JONATHAN. Grace! Why, does the young woman expect I must be converted before I court her? JESSAMY. I mean graces of person: for instance, my lord tells us that we must cut off our nails even at top, in small segments of circles — though you won't understand that — In the next place, you must regulate your laugh. JONATHAN. Maple-log seize it! don't I laugh natural? JESSAMY. That's the...
Page 477 - I like it of all things. JONATHAN. No, no; I can sing more; some other time, when you and I are better acquainted, I'll sing the whole of it — no, no — that's a fib — I can't sing but a hundred and ninety verses; our Tabitha at home can sing it all.
Page 475 - ere Darby that I liked so was the old serpent himself, and had his cloven foot in his pocket. Why, I vow, now I come to think on't, the candles seemed to burn blue, and I am sure where I sat it smelt tarnally of brimstone.
Page 495 - How oft, when press'd to marriage, have I said, Curse on all laws but those which love has made! Love, free as air, at sight of human ties, Spreads his light wings, and in a moment flies...