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" The ingenious author of the Observations on Modern Gardening is, I think, too rigid when he condemns some deceptions because they have been often used. If those deceptions, as a feigned steeple of a distant church, or an unreal bridge to disguise the... "
The Edinburgh Review: Or Critical Journal - Page 191
1892
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Annual Register of World Events, Volume 23

History - 1781 - 732 pages
...diftant church, or an unreal bridge to difguife the termination of water, were intended only to furprife, they were indeed tricks that would not bear repetition ; but being intended to improve the landscape, sre no more to be condemned becaufe common, than they would be if employed by a painter in the compoiition...
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Planting and Ornamental Gardening: A Practical Treatise

Mr. Marshall (William) - Botany - 1785 - 698 pages
...diftant church, or an unreal bridge to difguife the termination of water, were intended only to furprife, they were indeed tricks that would not bear repetition ; but being intended to improve the landfcape, are no more to be condemned becaufe common, than they would be ifemployed by a painter in...
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Annual Register, Volume 23

Edmund Burke - History - 1788 - 762 pages
...diftant church, or an unreal bridge to difguife the termination of water, were intended only to furprife, they were indeed tricks that would not bear repetition ; but being intended to improve the landfcape, are no more to be condemned becaufe common, than they would be if employed Ъу a painter...
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The Annual Register, Or, A View of the History, Politics, and ..., Volume 23

History - 1788 - 734 pages
...church, or an unreal bridge- to difguife the termination of water, were intended only to furprife, they were indeed tricks that would not bear repetition; but being intended to Improve the landfcape, are no more to be condemned becaufe common, than they would be if employed fey a painter...
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On Planting and Rural Ornament: A Practical Treatise, Volume 1

Mr. Marshall (William) - Botany - 1803 - 460 pages
...condemns some deceptions, because they ' have been often used. If those deceptions, as a ' feigned steeple of a distant church, or an unreal ' bridge...the termination of water, were * intended only to surprize, they were indeed tricks » that would not bear repetition ; but being in* tended to improve...
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Anecdotes of Painting in England: With Some Account of the ..., Volume 4

Horace Walpole - Artists - 1827 - 400 pages
...auspices.] condemns some deceptions, because they have been often used. If those deceptions, as a feigned steeple of a distant church, or an unreal bridge to...common, than they would be if employed by a painter in the composition of a picture. Ought one man's garden to be deprived of a happy object, because that...
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includes "On modern gardening"

Gardening - 1849 - 466 pages
...when he condemns some deceptions because they have been often used. If those deceptions, as a feigned steeple of a distant church, or an unreal bridge to...common, than they would be if employed by a painter in the composition of a picture. Ought one man's garden to be deprived of a happy object, because that...
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Anecdotes of painting in England, with some account of the ..., Volume 3

Horace Walpole (4th earl of Orford.) - 1849 - 466 pages
...when he condemns some deceptions because they have been often used. If those deceptions, as a feigned steeple of a distant church, or an unreal bridge to disguise the termination of water, were 1 Borromini was not deeunccl to be the last of capricious architects ; that sect has reappeared in...
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The Garden as Considered in Literature by Certain Polite Writers

Walter Howe - Gardening - 1890 - 332 pages
...when he condemns some deceptions because they have been often used. If those deceptions, as a feigned steeple of a distant church, or an unreal bridge to...common, than they would be if employed by a painter in the composition of a picture. Ought one man's garden to be deprived of a happy object, because that...
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A History of Gardening in England

Mrs. Evelyn Cecil - Gardening - 1896 - 436 pages
...or grandeur," a "grove for beauty," a cave or grotto was to strike " horror or terror." "A feigned steeple of a distant church or an unreal bridge, to disguise the termination of water,"* were brought in to "improve the landscape." These designers were careful not only of form but of colour,...
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