Mother, She Wrote: Matrilineal Narratives in Contemporary Women's WritingIn this enjoyable and insightful book, Yi-Lin Yu takes the heated and ongoing feminist debate over motherhood and maternal subjectivity onto a new plane - in search of a new synthesis. With its specific focus on the three-tiered matrilineal narratives, Mother, She Wrote is distinguished by its complex and innovative deployment of psychoanalytic subject-relations theories, and a meticulous and detailed discussion of various literary texts, which calls forth a powerful reformulation of these narratives. One of the main strengths of this book is this simultaneous and tactful command of theory and literary practice. Apart from advocating the burgeoning development of women's writing of matrilineal narratives, the author also sheds new light on further research in the area of feminist motherhood and mothering. |
From inside the book
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Page 39
... look like you , you look like me . I look at myself in you , you look at yourself in me " ( 61 ) . Being two biologically alike bodies , there is hardly any distinction between the mother and the daughter . As a consequence ...
... look like you , you look like me . I look at myself in you , you look at yourself in me " ( 61 ) . Being two biologically alike bodies , there is hardly any distinction between the mother and the daughter . As a consequence ...
Page 157
... look on my face , she guessed immediately that I was up to something ; from the look on her face , I guessed immediately that everything was over . ( 65 ) Shortly afterward , Annie's trick is discovered by her mother . Her mother begins ...
... look on my face , she guessed immediately that I was up to something ; from the look on her face , I guessed immediately that everything was over . ( 65 ) Shortly afterward , Annie's trick is discovered by her mother . Her mother begins ...
Page 187
... looks Chinese , because she knows that her efforts to combine two cultural characteristics in her daughter have failed ... look alike , Waverly is displeased . But Lindo smiles with her real Chinese face Amy Tan's The Joy Luck Club 187.
... looks Chinese , because she knows that her efforts to combine two cultural characteristics in her daughter have failed ... look alike , Waverly is displeased . But Lindo smiles with her real Chinese face Amy Tan's The Joy Luck Club 187.
Contents
Feminism and Matrilinealism | 15 |
Feminism Matrilinealism and Psychoanalysis | 31 |
New Feminist Family Romances | 63 |
Copyright | |
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Mother, She Wrote: Matrilineal Narratives in Contemporary Women's Writing Yi-Lin Yu Limited preview - 2005 |
Common terms and phrases
ambivalence American Annie John Aunt becomes beginning Beloved Benjamin bond Caribbean Chang's chapter child Chinese concept connection construction Contemporary context Cosslett create critical cultural diasporic discussion experience explore family romances father feelings female Feminism feminist Fiction figure Forster's further Gender grandmother hand Hidden House identification identity Ilana immigrant important intersubjective Irigaray Japanese Joy Luck language later literary Literature lives London look maternal maternal subjectivity matrilineage matrilineal narratives means mother-daughter relationship motherhood motherland motherline mothers and daughters mutual Naomi narration novel nurturance Obasan original othermothering particular past political position present Press progress psychoanalytic reading recognition recognize refers relation sense separation Sethe significant silence similar social speak stories storytelling subjectivity suggests symbolic takes Tan's tell tension texts theory thinking triad University voice woman women writers writing York