Mother, She Wrote: Matrilineal Narratives in Contemporary Women's WritingIn this enjoyable and insightful book, Yi-Lin Yu takes the heated and ongoing feminist debate over motherhood and maternal subjectivity onto a new plane - in search of a new synthesis. With its specific focus on the three-tiered matrilineal narratives, Mother, She Wrote is distinguished by its complex and innovative deployment of psychoanalytic subject-relations theories, and a meticulous and detailed discussion of various literary texts, which calls forth a powerful reformulation of these narratives. One of the main strengths of this book is this simultaneous and tactful command of theory and literary practice. Apart from advocating the burgeoning development of women's writing of matrilineal narratives, the author also sheds new light on further research in the area of feminist motherhood and mothering. |
From inside the book
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Page 185
... joy and luck do not mean the same to their daughters , that to these closed American - born minds " joy luck " is not a word , it does not exist . ( 40–1 ) Joy luck signifies different things for the mothers and ... Joy Luck Club 185.
... joy and luck do not mean the same to their daughters , that to these closed American - born minds " joy luck " is not a word , it does not exist . ( 40–1 ) Joy luck signifies different things for the mothers and ... Joy Luck Club 185.
Page 233
... Joy Luck Club ) , 184 Joe Barron ( The Peppered Moth ) , 104 Johanna ( Hanna's Daughters ) , 77–9 , 81-3 , 111-2 , 118-9 Jonathan ( If I Told You Once ) , 194 , 199 Jordan , Judith V. , 11 , 14 , 19n42 , 33 , 57 , 218n8 Joy Luck ...
... Joy Luck Club ) , 184 Joe Barron ( The Peppered Moth ) , 104 Johanna ( Hanna's Daughters ) , 77–9 , 81-3 , 111-2 , 118-9 Jonathan ( If I Told You Once ) , 194 , 199 Jordan , Judith V. , 11 , 14 , 19n42 , 33 , 57 , 218n8 Joy Luck ...
Page 236
... Joy Luck Club , 179 , 181-4 , 186 , 190-1 in If I Told You Once , 195 , 198 , 201-2 subject / object , 1-2 , 4-5 , 7 , 9 , 31 , 33 , 41 , 43 , 47 , 49 , 53 , 64 , 89 , 101 , 108 , 127 , 132-134n17 , 136 in The Joy Luck Club , 140-1 ...
... Joy Luck Club , 179 , 181-4 , 186 , 190-1 in If I Told You Once , 195 , 198 , 201-2 subject / object , 1-2 , 4-5 , 7 , 9 , 31 , 33 , 41 , 43 , 47 , 49 , 53 , 64 , 89 , 101 , 108 , 127 , 132-134n17 , 136 in The Joy Luck Club , 140-1 ...
Contents
Feminism and Matrilinealism | 15 |
Feminism Matrilinealism and Psychoanalysis | 31 |
xi | 56 |
Copyright | |
14 other sections not shown
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Mother, She Wrote: Matrilineal Narratives in Contemporary Women's Writing Yi-Lin Yu Limited preview - 2005 |
Common terms and phrases
American Amy Tan Anna Annie John Annie's Aunt Benjamin Budnitz's Caribbean chapter child Chinese Chinese American Chodorow concept conflict connection cultural daughter relationship diasporic diasporic matrilineal narratives Drabble emphasis original Faro Feminism feminist family romances feminist matrilinealism Forster's Fredriksson's Gender genogram grandmother-mother-daughter triad grandmother's Hanna Hanna's Daughters Hidden Lives Ibid identification identity Ilana immigrant intersubjective intersubjective theory Irigaray Japanese Canadians Johanna Joy Kogawa Joy Luck Club Kincaid's Annie John Kogawa's Obasan Kristeva literary Literature London Lowinsky Margaret maternal subjectivity maternal thinking maternal voice matrilineage matrilineal ambivalence matrilineal narratives Matrilineal Narratives Revisited Minh-ha mother country mother-daughter relationship mother's subjectivity motherhood motherland motherline mothers and daughters mutual recognition Nancy Chodorow Naomi narration novel numbers Obasan othermothering Peppered Moth pre-Oedipal psychoanalytic psychoanalytic feminisms racial reading relationality Routledge Ruddick Sashie Sethe Sethe's silence stories storytelling syncretism tension Tess Cosslett texts theorists University Press Wild Swans woman women writers York