The Alliance of Musick, Poetry and Oratory: Under the Head of Poetry is Considered the Alliance and Nature of the Epic and Dramatic Poem, as it Exists in the Iliad, Æneid, and Paradise Lost |
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Page 17
... taste . The art of forming the voice with fweet- ness and unity of tone is a fecret under- stood and felt by very few who teach mu- fick , and by the performers of it . The method hitherto pursued by pro- feffors in teaching fol - fa ...
... taste . The art of forming the voice with fweet- ness and unity of tone is a fecret under- stood and felt by very few who teach mu- fick , and by the performers of it . The method hitherto pursued by pro- feffors in teaching fol - fa ...
Page 32
... taste exquifite pleasure , and when omitted , equal indignation . The Claves or Marks of human Voices . There are in nature , as observed above , four diftinct kinds of human voices , thofe of boys and women , the highest , called the ...
... taste exquifite pleasure , and when omitted , equal indignation . The Claves or Marks of human Voices . There are in nature , as observed above , four diftinct kinds of human voices , thofe of boys and women , the highest , called the ...
Page 35
... taste , and distortion to the eye , that is divers tones to the ear in a fingle voice or inftrument , or in many voices and inftruments , louder than each other , going before , dropping in , or holding out after each other , the leaft ...
... taste , and distortion to the eye , that is divers tones to the ear in a fingle voice or inftrument , or in many voices and inftruments , louder than each other , going before , dropping in , or holding out after each other , the leaft ...
Page 36
... taste of not keeping a voice and inftrument to its natural tone or compass . The modern practice , or rather vicious trick , of running one voice or instrument into another , the bafs into a contralto , the foprano into a flagellet ...
... taste of not keeping a voice and inftrument to its natural tone or compass . The modern practice , or rather vicious trick , of running one voice or instrument into another , the bafs into a contralto , the foprano into a flagellet ...
Page 47
... taste . Obferve , there can be no command of the voice in public fpeaking or finging . without a perfect command of the breath ; which therefore should be gained by learn- ing to draw up the breath quick and with- out any noise , fully ...
... taste . Obferve , there can be no command of the voice in public fpeaking or finging . without a perfect command of the breath ; which therefore should be gained by learn- ing to draw up the breath quick and with- out any noise , fully ...
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Common terms and phrases
Achilles Æneas Æneid againſt Agamemnon agreeable alfo almoſt alſo anger anſwer appogiatura becauſe beſt Calchas called cauſe Cicero cloſe confonants dactyles defcription deſcribed divifions Engliſh epic eſpecially evil expreffed faid fame fays feems felf fenfe fentence fhall fhort fhould fimple finging fingle firft firſt foft fome fpeaker fpeech fubject fuch fuffer fuppofed fyllables graces Grecian Greek hath heaven Hector hero himſelf Homer Homer and Virgil human voice iambick Iliad inftruction inftruments inſtead Juno Jupiter juſt laft language laſt Latin lefs meaſure Milton Mofes moft moſt mufick muſt nature numbers obferved occafions oppofite Oratory paffions Patroclus pauſe perfon plain pleafing pleaſed pleaſure poem poet poetry praiſe prayer prefent Priam profe Quintilian raiſing reafon reſpect ſay ſhake ſhall ſhort ſome ſpeaking Spondee ſtop taſte thee thefe themſelves theſe thofe thoſe thou tion tones triphthongs trochee Trojan underſtanding uſe verfe verſe Virgil voice vowels wiſdom words
Popular passages
Page 335 - MAN, that is born of a woman, hath but a short time to live, and is full of misery. He cometh up, and is cut down like a flower; he fleeth as it were a shadow, and never continueth in one stay.
Page 259 - Awake : The morning shines, and the fresh field Calls us ; we lose the prime, to mark how spring Our tender plants, how blows the citron grove, What drops the myrrh, and what the balmy reed, How nature paints her colours, how the bee Sits on the bloom extracting liquid sweet.
Page 340 - God, from whom all holy desires, all good counsels, and all just works do proceed: Give unto thy servants that peace which the world cannot give; that both our hearts may be set to obey thy commandments, and also that by thee we, being defended from the fear of our enemies, may pass our time in rest and quietness, through the merits of Jesus Christ our Saviour.
Page 263 - With solemn touches troubled thoughts, and chase Anguish and doubt and fear and sorrow and pain From mortal or immortal minds.
Page 292 - Henceforth I learn that to obey is best, And love with fear the only God, to walk As in his presence, ever to observe His providence, and on him sole depend...
Page 124 - This was a stock of knowledge sufficient for a mind -so capable of appropriating and improving it. But the greater part of his excellence was the product of his own genius. He found the English stage in a state...
Page 167 - Astonied stood and blank, while horror chill Ran through his veins, and all his joints...
Page 87 - These times, though many a friend bewail, These times bewail not I. But when the world's loud praise is thine, And spleen no more shall blame: When with thy Homer thou shalt shine In one establish'd fame!
Page 105 - Much matter uttered she of weight, in place whereas she sat: And proved plain there was no beast, nor creature bearing life, Could well be known to live in love without discord and strife: Then kissed she her little babe and sware by God above, The falling out of faithful friends renewing is of love.
Page 168 - They that go down to the sea in ships: and occupy their business in great waters: These men see the works of the Lord: and his wonders in the deep. For at his word the stormy wind ariseth: which lifteth up the waves thereof.