The Pleasure of Poetry: Reading and Enjoying British Poetry from Donne to BurnsThe poetry produced by the British poets of the 17th and 18th centuries is considered to be among the best ever written. But many general readers feel intimidated by the language or structure of the poetry, and so tend to shy away from enjoying these poets and their works. Nelson takes readers on a tour of the major works and figures of 17th- and 18th-century British poetry, explaining major themes, devices, styles, language, rhythm, sound, tone, imagery, form, and meaning. Beginning each chapter with a sketch of the poet's life and career, the author then looks at five or six representative works, helping readers understand and appreciate the beauty of poetry itself. From Donne and Jonson, to Pope, Swift, and Burns, the book offers excerpts of the poetry these artists crafted, and carefully examines the various attributes that have helped to establish them as some of the greatest of all time. Writing in clear, accessible language, Nelson also introduces general poetry terms to the novice, providing examples and explanations where necessary. Readers will no longer feel intimidated by difficult poetry. Instead, they will walk away with the tools they need to read, understand, and appreciate these titans of British letters. |
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Page 11
... syllables ( the natural pattern in English but not in all languages ) to give a certain rhythm to their poems . The most common pattern is a unit composed of an unstressed syllable followed by a stressed syllable ( called iambic ) ...
... syllables ( the natural pattern in English but not in all languages ) to give a certain rhythm to their poems . The most common pattern is a unit composed of an unstressed syllable followed by a stressed syllable ( called iambic ) ...
Page 12
... syllable lines and their four stressed syllables the poem is in iambic tetrameter . It also is made up of couplets ( two successive lines that rhyme ) in mainly end - stopped lines ( where the sense of the phrase or clause is completed ...
... syllable lines and their four stressed syllables the poem is in iambic tetrameter . It also is made up of couplets ( two successive lines that rhyme ) in mainly end - stopped lines ( where the sense of the phrase or clause is completed ...
Page 24
... syllables each ) that is his own crea- tion . This is Donne the man - about - town being witty and provocative in a conventional form , treating love in a kind of libertine fashion . Another poem in a similar vein is " The Flea . " It ...
... syllables each ) that is his own crea- tion . This is Donne the man - about - town being witty and provocative in a conventional form , treating love in a kind of libertine fashion . Another poem in a similar vein is " The Flea . " It ...
Page 32
... syllables in a row ( two spondees ) , the speaker boldly tells Death that he is not nearly as powerful and fearsome as commonly described . In fact , he cannot really kill anyone , the speaker maintains , despite appearances to the ...
... syllables in a row ( two spondees ) , the speaker boldly tells Death that he is not nearly as powerful and fearsome as commonly described . In fact , he cannot really kill anyone , the speaker maintains , despite appearances to the ...
Page 33
... syllables at the end are all stressed (two spondees again) and thus echo the stressed four at the beginning of the poem with the same essential message: Death is nothing to fear because its power is strictly limited. The speaker's ...
... syllables at the end are all stressed (two spondees again) and thus echo the stressed four at the beginning of the poem with the same essential message: Death is nothing to fear because its power is strictly limited. The speaker's ...
Contents
1 | |
19 | |
37 | |
Poet of Time Love and Delight | 53 |
Poet and Priest | 67 |
Poet of English Puritanism | 81 |
Pastoral Poet of Time and History | 107 |
Poet of the Restoration | 125 |
Satirist and Moralist | 161 |
Moralist and Satirist | 183 |
Finch Gray Goldsmith and Cowper | 201 |
Singer Satirist and Storyteller | 225 |
Epilogue | 247 |
Further Reading | 249 |
Index | 257 |
Satirist Preacher and Lover | 143 |
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Common terms and phrases
Alexander Pope alliteration Andrew Marvell beauty begins Belinda Ben Jonson Burns called celebrate Church classical clearly contrast Cowper Cromwell death describes despite divine Donne Donne’s dramatic Dryden end-stopped England English epic especially evokes faith fate feelings final flowers God's Goldsmith Gray heaven Herbert heroic couplet Herrick hope human iambic iambic pentameter iambic tetrameter ideas images imagination John John Donne John Dryden John Milton Jonathan Swift Jonson kind king language lines live London Lord Marvell Milton moral nature Oliver Goldsmith Paradise Paradise Lost passage passion play pleasure poem poet poet's poetic poetry political Pope Pope's portrait praise published readers religious rhyme Robert Herrick Samson Samuel Johnson Satan satire says scene seems sense serious sins song sonnet soul sound speaker stanza stressed suggests Swift syllables thee themes thou traditional verse voice words writing wrote young