By eloquence I gain'd immortal wreathes ; Within the walls of fam'd Milan I dy'd. Which kindly bringing my remains from thence, ACCIUS (Lucius) a Latin tragic poet, the son of a freedman, and, according to St. Jerome, born in the confulship of Hoftilius Mancinus and Attilius Serranus, in the year of Rome 583; but there appears fomewhat of confufion and perplexity in this chronology. He made himself known before the death of Pacuvius, a dramatic piece of his being exhibited the fame year that Pacuvius brought one upon the ftage, the latter being then eighty years of age, and Accius only thirty. We do not know the name of this piece of Cicero in Accius's, but the titles of feveral of his tragedies are men- Bruto. tioned by various authors. He wrote on the moft celebrated Nonius, ftories which had been reprefented on the Athenian ftage, as Andromache, Andromeda, Atreus, Clytemneftra, Medea (a), lus Gellius, Meleager, Philocletes, the civil wars of Thebes, Tereus, &c. the (a) M. Bayle remarks, that the fhip, when he discovered from a conjecture of father Lefcalopier appears very probable (Lefcalop. Com. in Cic. de Nat. Deor. p.282.) that the verfes quoted by Cicero, in his fecond book De Natura Deorum were taken from the Medea of Accius. They contain a description of the astonishment with which a fhepherd is fuppofed to be feized, who had never seen a high mountain that which carried co. Enter Guyomar, haftily. The cause of thy return; are all things well? But diftant skies, that in the ocean fet ; And low-hung clouds, that dipt themselves in rain, At laft, as far as I could caft my eyes Marcellus, Upon the fea, fomewhat methought did rife Took dreadful shapes, and moy'd towards the shore. Mont 1 Voffius de poct. Latin, P. 7. the Troades, &c. He did not always, however, take his Mont. What forms did these new wonders represent ? Was tall ftrait trees which on the waters flew, Whofe out-blow'd bellies cut the yielding feas. Came they alive or dead upon the shore? Guy. Alas, they liv'd too fure! I heard them roar ; illis fatis erat eruditus. "Decimus great t great poet. Aulus Gellius tells us, that Accius, being in his way to Afia, paffed through Tarentum, where he payed a vifit to Pacuvius, and read to him his play of Atreus; that Pacuvius told him his verfe was lofty and fonorous, but fomewhat harsh and crude. "It is as you obferve, faid Accius, nor am I forry for it, fince my future productions will be better upon this account; for as in fruit fo in geniuses, those which are at first harsh and four, become mellow and agreeable; but fuch as are at firft soft and sweet, grow in a short time not ripe, but rotten (c)." Accius was fo much efteemed by the public, that a comedian was punished for only mentioning his name on the ftage (d). Cicero fpeaks with great derifion of one Accius who had wrote a hiftory, and, as our author had wrote annals, fome infist that he is the person cenfured; but as Cicero himself, Horace, Quintilian, Ovid, and Paterculus (e), have spoke of our author with fo much applause, (c) Tunc Pacuvium dixiffe ferunt, fonora quidem effe quæ fcripfiffet et grandia, fed videri ea tamen fibi duriora et paulum acerbiora. Ita est, inquit Accius, uti dicis; neque id fane me pænitet, meliora enim fore quæ deinceps fcriham. Nam quod in pomis eft, itidem, inquit effe aiunt in ingeniis, quæ dura et acerba nafcuntur, poft fiunt mitia et jucunda: fed quæ gignuntur ftatim vieta et mollia, atque in principio funt uvida, non matura mox fiunt, fed putria. Lib. xiii. c. 2. we (d) The player being fummoned to answer for the injury, faid, in his defence, that it was lawful to name a man who had furnished pieces for the stage; but Publius Mutius, who fat as judge in the cause, paffed fentence against him, Autor. Rhetor. ad Herennium, lib. ii. (e) Summi poetæ ingenium non folum arte fua, fed etiam dolore exprimebat. (Cicero pro Sextio.) "He difplayed the genius of a great poet, not only by his skill in verfification, but by his expreffion of grief." Ambigitur quoties uter utro fit prior Horat. Epift. I. lib. ii. ver. 55. "Whate'er difputes of ancient poets rife, In fome one excellence their merit lies: What depth of learning old Pacuvius fhows! With strong fublime the page of Accius glows." Tragediæ fcriptores Accius atque Pacuvius clariffimi gravitate fententiarum, verborum pondere, et autoritate perfonarum. Virium tamen Accio plus tribuitur, Pacuvium videri doctiorem, qui effe docti affectant volunt. (Quintil. Institut Orat. lib. x. cap. 1.) The two tragic writers, Accius and Pacuvius, excel in the Francis. fublimity of their fentiments, the force of their expreffions, and the dignity of their characters. Thofe who fet up for men of learning, fay, that Accius had the greatest ftrength of genius, and that Pacuvius was the more learned of the two." Ennius arte carens, animofique Accius oris, Ovid, Amor. lib i, eleg. xv. ver. 19. Imitated. we cannot think it is he whom the Roman Orator cenfures with so much severity. There was also in this age a pretty good orator of the same name, against whom Cicero defended Cluentius. He was born in Pifaurum, and perhaps was a relation of our poet. Imitated. "Ennius, whofe mufe by nature was defign'd And weighty words, shall stand the fhock of time. Clara etiam per ævi idem fpatium fuere ingenia, in togatis Afranii, in tragediis Pacuvii atque Accii ufque in Græcorum comparationem evecti, magnumque inter hos ipfos facientis operi fuo locum. (Velleius Patercul. lib. ii. cap. 9.) "At the fame time there arofe feveral great geniuses, Mr. Cromwell. Afranius for comedy, Pacuvius and Accius for tragedy; the laft excelled fo much therein, that he was accounted equal to the greateft, amongst whofe works he held a very honourable place; thofe of the Greeks feem more correct, and his to have more fire." ACCORDS (Stephen Tabourot, feigneur des) advocate in the parliament of Dijon, in France, and king's advocate in the bailiwic and chancery of that city, born in the year 1549. He was a man of genius and learning, but too much addicted to trifles, as appears from his piece, entitled, Les Bigarrures, printed at Paris in 1582 (a). This was not his first production, for he had before printed fome fonnets. His work, entitled, Les Touches, was published at Paris in 1585 (b), which is indeed a collection of witty poems, but most of them upon obscene subjects, and worked up rather in too loose a (a) The first book of the Bigarrures is divided into twenty-two chapters, which treat, amongst other things, of the rebus's of Picardy, of double entendres, of antistrophes, of retrograde verfes, or such as read the fame backward and forward, of allufions, of acroftics, of the echo, of leonine verses, of other forts of verse waggishly and ingeniously contrived, of epitaphs, &c. The fourth book is of a more ferious turn than the three first; it is divided into three chapters, the first contains useful instructions for the education of children: the second relates to altering one's firname; the third, several observations on French verfe; and the work concludes with a difcourfe on wizards, and their impostures. (6) This piece is divided into three books, the first being dedicated to Pontus de Tyard, lord of Biffy, and bishop of Chalons. The author boasts he wrote it in two months at Verdun upon the Soame in 1585. It confifts chiefly of epigrams, which may with propriety be called Touches: "Because, fays the author, it is a flight kind of fencing, in which, by parrying with the file, I give fuch a touch or thruft as fcarce raises the fkin, and cannot pierce deep into the flesh. " Dedication to the Touches, manner, manner, according to the licentious taste of that age. His Bigarrures are wrote in the fame ftrain. He was cenfured for this way of writing, which obliged him to write an apology. La Croix du Maine fays in one place, that Accords wrote a Bibliotheque dictionary of French rhymes, but he afterwards corrected Francoife, himself, having found that John le Fevre of Dejon, fecretary P. 156. to cardinal De Givre, and canon of Langres, was the author Ib. p. 220 thereof. Accords himself mentions him as the author, and declares his intention of compiling a fupplement to his uncle Le Fevre's work; but, if he did, it never appeared in print. The lordship of Accords is an imaginary fief or title from the device of his ancestors, which was a drum, with the motto (A tous Accords) chiming with all (c). He died on the 24th of July, 1561, in the forty-fixth year of his age. (e) He had fent a fonnet to a daughter of Mr. Begat, the great and learned prefident of Burgundy, who, fays he, did me the honour to love me.---And inasmuch, continues he, I had fubfcribed my sonnet with enly my device, A tous Accords, this lady firft nicknamed me, in her an ACCURSIUS, a law-profeffor, born at Florence, who flourished in the thirteenth century. The expofitions he wrote on the law, gained him great reputation. He is faid not to have begun this study till forty years of age, when he went to attend the lectures of the celebrated Azo, at Bologna. Be-fore this he had applied himfelf to other parts of knowledge. In a little time he made fo great a proficiency in the civil law, that he became a famous profeffor in this fcience. He gave lectures for fome time in Bologna, but afterwards retiring from this employment, he wrote a continued glofs on the whole body of the law, which was accounted fo useful for young ftudents, that all former expofitions were neglected, this being efteemed the completest and best digested that had ever appeared. Many contradictions have however been remarked in Accurfius's work; but thefe, we are told, proceeded not from his inconfiftency or defect of memory, but were owing to his giving only the initial letters of the different authors whose opinions he quotes: and many of these letters being worn out, the readers have often taken for his opinion what he quoted as the doctrine of another. His authority was formerly fo great, that fome have ftiled him the idol of the lawyers; and most interpreters have taken more pains to plain his glofs, than to comment upon the text of Pancirol de ex- claris leguna interpret. the lib. ii. cap. laws. 20. p. 147. |