An Analytical Inquiry Into the Principles of Taste |
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Page 47
... sentiments of one mind , and awaken those of another with more unerring precision and em- phatical energy , than the artificial medium of articulation can ever attain . Such are the va- rious modulations of tone , by which birds and ...
... sentiments of one mind , and awaken those of another with more unerring precision and em- phatical energy , than the artificial medium of articulation can ever attain . Such are the va- rious modulations of tone , by which birds and ...
Page 82
... sentiments to each other ; and in this way men commu- nicate their sentiments to animals , and to young children ; who all understand , or rather feel the language of the looks , as far as they express anger or approbation , loathing or ...
... sentiments to each other ; and in this way men commu- nicate their sentiments to animals , and to young children ; who all understand , or rather feel the language of the looks , as far as they express anger or approbation , loathing or ...
Page 359
... sentiments , at once tender , and pleasing : but it is only from past affliction , that we feel this pleasure ; and only from that kind of past affliction , under the pressure of which , we have felt and displayed sentiments honourable ...
... sentiments , at once tender , and pleasing : but it is only from past affliction , that we feel this pleasure ; and only from that kind of past affliction , under the pressure of which , we have felt and displayed sentiments honourable ...
Contents
INTRODUCTION p | 1 |
In Building Furniture Gardening and Dress | 2 |
In imitative | 3 |
Copyright | |
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Common terms and phrases
according acquired Æneid afford animals appear applied arises ascer association of ideas become Bernini body called cause CHAP character charms colour consequently degree delight display effect elegance employed equally excite expression feeling felt fræna Georgic gratification Greek habit hearing human Iliad images Imagina imagination imitation impressions improved Perception inquiry instances irregular irritation Judg kind language less light and shadow mankind means ment mental sympathies merely metre mind modes nature neral never nevertheless notion objects observed olfactory nerves organs of sense pain painters painting Paradise Lost particular passions perceived perfect person picturesque pleasing pleasure poet poetry principle produced proportion prosody qualities quantity racter Rembrandt laughed sculpture sensation sensibility sentiments sexual Sight smell smooth sound species style Sublime and Beautiful sweet syllables taste temple of Vesta thing tiful tints tion Titian tone touch turally ture variety verse visible whence wherefore words СНАР