An Analytical Inquiry Into the Principles of Taste |
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Page 192
... regular and distinct features , full lips , prominent brow's , and curly elastic hair , more accurately divided into masses , than it ever is by the unassisted hand of nature . Even the most regular arrange- ment of it into locks and ...
... regular and distinct features , full lips , prominent brow's , and curly elastic hair , more accurately divided into masses , than it ever is by the unassisted hand of nature . Even the most regular arrange- ment of it into locks and ...
Page 200
... regular conformation of animals , however , is rather perceived by the mind than the eye for there is no object , composed of parts , either in nature or art , that can appear regular to the eye , unless seen at right angles ; and this ...
... regular conformation of animals , however , is rather perceived by the mind than the eye for there is no object , composed of parts , either in nature or art , that can appear regular to the eye , unless seen at right angles ; and this ...
Page 216
... regular , and corre- spond with each other , in situations , where all the accompaniments are irregular , and none of them corresponding with each other , seems to me the extreme of absurdity and incongruity . 93. By the old system of ...
... regular , and corre- spond with each other , in situations , where all the accompaniments are irregular , and none of them corresponding with each other , seems to me the extreme of absurdity and incongruity . 93. By the old system of ...
Contents
INTRODUCTION p | 1 |
In Building Furniture Gardening and Dress | 2 |
In imitative | 3 |
Copyright | |
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according acquired Æneid afford animals appear applied arises ascer association of ideas become Bernini body called cause CHAP character charms colour consequently degree delight display effect elegance employed equally excite expression feeling felt fræna Georgic gratification Greek habit hearing human Iliad images Imagina imagination imitation impressions improved Perception inquiry instances irregular irritation Judg kind language less light and shadow mankind means ment mental sympathies merely metre mind modes nature neral never nevertheless notion objects observed olfactory nerves organs of sense pain painters painting Paradise Lost particular passions perceived perfect person picturesque pleasing pleasure poet poetry principle produced proportion prosody qualities quantity racter Rembrandt laughed sculpture sensation sensibility sentiments sexual Sight smell smooth sound species style Sublime and Beautiful sweet syllables taste temple of Vesta thing tiful tints tion Titian tone touch turally ture variety verse visible whence wherefore words СНАР