An Analytical Inquiry Into the Principles of Taste |
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Page 4
... Imagination mostly functions as part of our structure of consciousness . It is activated routinely , and it forms part of every communicative act . We do not consciously experience it for what it is the activity of the imagination .
... Imagination mostly functions as part of our structure of consciousness . It is activated routinely , and it forms part of every communicative act . We do not consciously experience it for what it is the activity of the imagination .
Page 126
... Imagination is not the same as perception , but imagination cannot occur without percep- tion " ( Aristotle 1986 , p . 198 ) . This is also true for memory . Imagination is not possible without memory , but neither is memory possible ...
... Imagination is not the same as perception , but imagination cannot occur without percep- tion " ( Aristotle 1986 , p . 198 ) . This is also true for memory . Imagination is not possible without memory , but neither is memory possible ...
Page 181
... imagining he thinks of the object as non - existent . A deliberate act of imagination entails saying , ' let me conceive of the world as containing this object , which it does not contain . ' On this view , one cannot separate ...
... imagining he thinks of the object as non - existent . A deliberate act of imagination entails saying , ' let me conceive of the world as containing this object , which it does not contain . ' On this view , one cannot separate ...
Contents
INTRODUCTION p | 1 |
In Building Furniture Gardening and Dress | 2 |
In imitative | 3 |
Copyright | |
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according acquired Æneid afford animals appear applied arises ascer association of ideas become Bernini body called cause CHAP character charms colour consequently degree delight display effect elegance employed equally excite expression feeling felt fræna Georgic gratification Greek habit hearing human Iliad images Imagina imagination imitation impressions improved Perception inquiry instances irregular irritation Judg kind language less light and shadow mankind means ment mental sympathies merely metre mind modes nature neral never nevertheless notion objects observed olfactory nerves organs of sense pain painters painting Paradise Lost particular passions perceived perfect person picturesque pleasing pleasure poet poetry principle produced proportion prosody qualities quantity racter Rembrandt laughed sculpture sensation sensibility sentiments sexual Sight smell smooth sound species style Sublime and Beautiful sweet syllables taste temple of Vesta thing tiful tints tion Titian tone touch turally ture variety verse visible whence wherefore words СНАР