language of that sad wisdom folly leaves behind,' who can avoid reading, as in subtle hieroglyphics, the secret record of Shakspeare's own nuptial disappointments? We, indeed, that is, universal posterity through every age, have reason to rejoice in these disappointments; for to them, past all doubt, we are indebted for Shakspeare's subsequent migration to London, and his public occupation, which, giving him a deep pecuniary interest in the productions of his pen, such as no other literary application of his powers could have approached in that day, were eventually the means of drawing forth those divine works which have survived their author for our everlasting benefit. Our own reading and deciphering of the whole case is as follows. The Shakspeares were a handsome family, both father and sons. This we assume upon the following grounds: First, on the presumption arising out of John Shakspeare's having won the favor of a young heiress higher in rank than himself; secondly, on the presumption involved in the fact of three amongst his four sons having gone upon the stage, to which the most obvious (and perhaps in those days a sine qua non) recommendation would be a good person and a pleasing countenance; thirdly, on the direct evidence of Aubrey, who assures us that William Shakspeare was a handsome and a well-shaped man; fourthly, on the implicit evidence of the Stratford monument, which exhibits a man of good figure and noble countenance; fifthly, on the confirmation of this evidence by the Chandos portrait, which exhibits noble features, illustrated by the utmost sweetness of expression; sixthly, on the selection of theatrical parts, which it is known that Shakspeare personated, most of them being such as required some dignity of form, viz., kings, the athletic (though aged) follower of an athletic young man, and supernatural beings. On these grounds, direct or circumstantial, we believe ourselves warranted in assuming that William Shakspeare was a handsome and even noble looking boy. Miss Anne Hathaway had herself probably some personal attractions; and, if an indigent girl, who looked for no pecuniary advantages, would probably have been early sought in marriage. But as the daughter of ‘a substantial yeoman,' who would expect some fortune in his daughter's suitors, she had, to speak coarsely, a little outlived her market. Time she had none to lose. William Shakspeare pleased her eye; and the gentleness of his nature made him an apt subject for female blandishments, possibly for female arts. Without imputing, however, to this Anne Hathaway any thing so hateful as a settled plot for insnaring him, it was easy enough for a mature woman, armed with such inevitable advantages of experience and of self-possession, to draw onward a blushing novice; and, without directly creating opportunities, to place him in the way of turning to account such as naturally offered. Young boys are generally flattered by the condescending notice of grown-up women; and perhaps Shakspeare's own lines upon a similar situation, to a young boy adorned with the same natural gifts as himself, may give us the key to the result: 'Gentle thou art, and therefore to be won ; Once, indeed, entangled in such a pursuit, any person of manly feeling would be sensible that he had no retreat; that would be to insult a woman, grievously to wound her sexual pride, and to insure her lasting scorn and hatred. These were consequences which the gentle-minded Shakspeare could not face. He pursued his good fortunes, half perhaps in heedlessness, half in desperation, until he was roused by the clamorous displeasure of her family upon first discovering the situation of their kinswoman. For such a situation there could be but one atonement, and that was hurried forward by both parties; whilst, out of delicacy towards the bride, the wedding was not celebrated in Stratford, (where the register contains no notice of such an event); nor, as Malone imagined, in Weston-upon-Avon, that being in the diocese of Gloucester; but in some parish, as yet undiscovered, in the diocese of Worcester. But now arose a serious question as to the future maintenance of the young people. John Shakspeare was depressed in his circumstances, and he had other. children besides William, viz., three sons and a daughter. The elder lives have represented him as burdened with ten; but this was an error, arising out of the confusion between John Shakspeare the glover, and John Shakspeare a shoemaker. This error has been thus far of use, that, by exposing the fact of two John Shakspeares (not kinsmen) residing in Stratford-uponAvon, it has satisfactorily proved the name to be amongst those which are locally indigenous to Warwickshire. Meantime it is now ascertained that John Shakspeare the glover had only eight children, viz., four daughters and four sons. The order of their Three succession was this: Joan, Margaret, WILLIAM, Gilbert, a second Joan, Anne, Richard, and Edmund. of the daughters, viz., the two eldest of the family, Joan and Margaret, together with Anne, died in childhood. All the rest attained mature ages, and of these William was the eldest. This might give him some advantage in his father's regard; but in a question of pecuniary provision, precedency amongst the children of an insolvent is nearly nominal. For the present John Shakspeare could do little for his son; and, under these circumstances, perhaps the father of Anne Hathaway would come forward to assist the new-married couple. This condition of dependency would furnish matter for painful feelings and irritating words. The youthful husband, whose mind would be expanding as rapidly as the leaves and blossoms of spring-time in polar latitudes, would soon come to appreciate the sort of wiles by which he had been caught. The female mind is quick, and almost gifted with the power of witchcraft, to decipher what is passing in the thoughts of familiar companions. Silent and forbearing as William Shakspeare might be, Anne, his staid wife, would read his secret reproaches; ill would she dissemble her wrath, and the less so from the consciousness of having deserved them. It is no uncommon case for women to feel anger in connection with one subject, and to express it in connection with another; which other, perhaps, (except as a serviceable mask,) would have been a matter of indifference to their feelings. Anne would, therefore, reply to those inevitable reproaches which her own sense must presume to be lurking in her husband's heart, by others equally stinging, on his inability to support his family, and on his obligations to her father's purse. Shakspeare, we may be sure, would be ruminating every hour on the means of his deliverance from so painful a dependency; and at length, after four years' conjugal discord, he would resolve upon that plan of solitary emigration to the metropolis, which, at the same time that it released him from the humiliation of domestic feuds, succeeded so splendidly for his worldly pros. perity, and with a train of consequences so vast for all future ages. - Such, we are persuaded, was the real course of Shakspeare's transition from school-boy pursuits to his public career. And upon the known temperament of Shakspeare, his genial disposition to enjoy life without disturbing his enjoyment by fretting anxieties, we build the conclusion, that had his friends furnished him with ampler funds, and had his marriage been well assorted or happy, we the world of posterity - should have lost the whole benefit and delight which we have since reaped from his matchless faculties. The motives which drove him from Stratford are clear enough; but what motives determined his course to London, and especially to the stage, still remains to be explained. Stratford-upon-Avon, lying in the high road from London through Oxford to Birmingham, (or more generally to the north,) had been continually visited by some of the best comedians during Shakspeare's childhood. One or two of the most respectable metropolitan actors were natives of Stratford. These would be well known to the elder Shakspeare. But, apart from that |