Introduction to the Study of English Literature |
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Page 69
... universe is the universe we recognise . . . It is inferior to the Copernican in that its mathematics , even when corrected by modern knowledge , would be too complicated for ready calculation ; but it is supe- rior as a description of ...
... universe is the universe we recognise . . . It is inferior to the Copernican in that its mathematics , even when corrected by modern knowledge , would be too complicated for ready calculation ; but it is supe- rior as a description of ...
Page 71
... universe too being somewhat in- fected by that fateful transgression . The cosmic order was viewed as comprising a chain , a series of corresponding planes , and a dance . The chain linked vertically the hierarchy of creatures from the ...
... universe too being somewhat in- fected by that fateful transgression . The cosmic order was viewed as comprising a chain , a series of corresponding planes , and a dance . The chain linked vertically the hierarchy of creatures from the ...
Page 80
... universe , God Himself stood apart from His creation ; and hence the proper study of mankind was not God nor the Soul - but the physical universe . In his History of the Royal Society ( 1667 ) , Bishop Sprat took a bold stand on many ...
... universe , God Himself stood apart from His creation ; and hence the proper study of mankind was not God nor the Soul - but the physical universe . In his History of the Royal Society ( 1667 ) , Bishop Sprat took a bold stand on many ...
Contents
THE MAKING OF LITERATURE AND THe | 3 |
THE ENGLISH LANGUAGE AND LITERATURE | 21 |
BACKGROUNDS CLASSICAL AND CHRISTIAN | 42 |
Copyright | |
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Introduction to the Study of English Literature Kodaganallur R. Srinivasa Iyengar,Prema Nandakumar No preview available - 2011 |
Common terms and phrases
action Aeschylus Aristotle artistic ballad Basil Willey beauty Book C. S. Lewis century character Christian civilisation classical Collective Unconscious creation creative critic D. H. Lawrence death Divine drama E. M. Forster earth elements emotion England English literature epic essay experience expression feeling fiction Greek Hamartia heart Heaven heroic Homer human humour imagination India inner intellectual language lines literary lyric matter meaning mediaeval metre Milton mind modern movement myths narrative nature novel novelist Oedipus Paradise Lost passions personality philosophy play plot poem poet poet's poetic poetry political prose psychic R. K. Narayan Rasa reader realise reality Renaissance rhyme rhythm Romantic Romanticism Samson satire says sense sensibility Shakespeare social society sonnet Sophocles soul speech spirit Sri Aurobindo story style sublime symbol symbolistic T. S. Eliot theme things thought tion tradition trochees truth ture unity verse vision whole words writing