Introduction to the Study of English Literature |
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Page 74
... speaking to the Greek chieftains , it is also Shakespeare speaking to his con- temporaries on the basis of his study of the Elizabethan social world with its hierarchy of ranks , classes and degrees . The link- ing of the heavenly order ...
... speaking to the Greek chieftains , it is also Shakespeare speaking to his con- temporaries on the basis of his study of the Elizabethan social world with its hierarchy of ranks , classes and degrees . The link- ing of the heavenly order ...
Page 119
... speak throughout . The epic , like the modern novel , could be viewed as a mixture of narrative and dialogue ( or drama ) ... speaking in verse ; when he is saying , not what he would say in his own person , but only what he can say within ...
... speak throughout . The epic , like the modern novel , could be viewed as a mixture of narrative and dialogue ( or drama ) ... speaking in verse ; when he is saying , not what he would say in his own person , but only what he can say within ...
Page 132
... speaking to Adam and Milton speaking to his reader , and Milton's guarded acceptance of the neo - Platonic doctrine helped him not a little in his high endeavour to " justify the ways of God to men ” . And the triumph of Milton's style ...
... speaking to Adam and Milton speaking to his reader , and Milton's guarded acceptance of the neo - Platonic doctrine helped him not a little in his high endeavour to " justify the ways of God to men ” . And the triumph of Milton's style ...
Contents
THE MAKING OF LITERATURE AND THe | 3 |
THE ENGLISH LANGUAGE AND LITERATURE | 21 |
BACKGROUNDS CLASSICAL AND CHRISTIAN | 42 |
Copyright | |
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Introduction to the Study of English Literature Kodaganallur R. Srinivasa Iyengar,Prema Nandakumar No preview available - 2011 |
Common terms and phrases
action Aeschylus Aristotle artistic ballad Basil Willey beauty Book C. S. Lewis century character Christian civilisation classical Collective Unconscious creation creative critic D. H. Lawrence death Divine drama E. M. Forster earth elements emotion England English literature epic essay experience expression feeling fiction Greek Hamartia heart Heaven heroic Homer human humour imagination India inner intellectual language lines literary lyric matter meaning mediaeval metre Milton mind modern movement myths narrative nature novel novelist Oedipus Paradise Lost passions personality philosophy play plot poem poet poet's poetic poetry political prose psychic R. K. Narayan Rasa reader realise reality Renaissance rhyme rhythm Romantic Romanticism Samson satire says sense sensibility Shakespeare social society sonnet Sophocles soul speech spirit Sri Aurobindo story style sublime symbol symbolistic T. S. Eliot theme things thought tion tradition trochees truth ture unity verse vision whole words writing