Introduction to the Study of English Literature |
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Page 10
... imagination bodies forth The forms of things unknown , the poet's pen Turns them to shapes , and gives to airy ... imaginative experience , for after all it is the quality of the latter that makes him a poet . Certain details in a poet's ...
... imagination bodies forth The forms of things unknown , the poet's pen Turns them to shapes , and gives to airy ... imaginative experience , for after all it is the quality of the latter that makes him a poet . Certain details in a poet's ...
Page 96
... imagination - to submit obediently to laboratory techniques . Even in the Principles he seemed to con- cede in the end that the " attempt to orient the mind by belief of the scientific kind alone " was but vain . In Practical Criticism ...
... imagination - to submit obediently to laboratory techniques . Even in the Principles he seemed to con- cede in the end that the " attempt to orient the mind by belief of the scientific kind alone " was but vain . In Practical Criticism ...
Page 265
... imagination as well as concepts " , the reader has to go behind the poem and depend upon his imagination to supply the links between the impressions , scenes and memories that make the poem . " A long poem written in this way " , says ...
... imagination as well as concepts " , the reader has to go behind the poem and depend upon his imagination to supply the links between the impressions , scenes and memories that make the poem . " A long poem written in this way " , says ...
Contents
THE MAKING OF LITERATURE AND THe | 3 |
THE ENGLISH LANGUAGE AND LITERATURE | 21 |
BACKGROUNDS CLASSICAL AND CHRISTIAN | 42 |
Copyright | |
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Introduction to the Study of English Literature Kodaganallur R. Srinivasa Iyengar,Prema Nandakumar No preview available - 2011 |
Common terms and phrases
action Aeschylus Aristotle artistic ballad Basil Willey beauty Book C. S. Lewis century character Christian civilisation classical Collective Unconscious creation creative critic D. H. Lawrence death Divine drama E. M. Forster earth elements emotion England English literature epic essay experience expression feeling fiction Greek Hamartia heart Heaven heroic Homer human humour imagination India inner intellectual language lines literary lyric matter meaning mediaeval metre Milton mind modern movement myths narrative nature novel novelist Oedipus Paradise Lost passions personality philosophy play plot poem poet poet's poetic poetry political prose psychic R. K. Narayan Rasa reader realise reality Renaissance rhyme rhythm Romantic Romanticism Samson satire says sense sensibility Shakespeare social society sonnet Sophocles soul speech spirit Sri Aurobindo story style sublime symbol symbolistic T. S. Eliot theme things thought tion tradition trochees truth ture unity verse vision whole words writing