Introduction to the Study of English Literature |
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Page 16
... critic Anandavardhana urged that in respect of all these the reality within , to be apprehended in terms of dhwani , was of far greater consequence than the outer appearance . Only when vastu is presented in terms of universality does ...
... critic Anandavardhana urged that in respect of all these the reality within , to be apprehended in terms of dhwani , was of far greater consequence than the outer appearance . Only when vastu is presented in terms of universality does ...
Page 92
... critic . No poet or artist , says T. S. Eliot , has his complete meaning alone . His significance , his appreciation is the appreciation of his relation to the dead poets and artists . You cannot value him alone ; you must set him , for ...
... critic . No poet or artist , says T. S. Eliot , has his complete meaning alone . His significance , his appreciation is the appreciation of his relation to the dead poets and artists . You cannot value him alone ; you must set him , for ...
Page 97
... critics to approach literature from the psycho - analytic angle . Ernest Jones , for example , has tried to explain the ... critic , J. I. M. Stewart , has shrewdly drawn upon the science of psycho - analysis to explain characters like ...
... critics to approach literature from the psycho - analytic angle . Ernest Jones , for example , has tried to explain the ... critic , J. I. M. Stewart , has shrewdly drawn upon the science of psycho - analysis to explain characters like ...
Contents
THE MAKING OF LITERATURE AND THe | 3 |
THE ENGLISH LANGUAGE AND LITERATURE | 21 |
BACKGROUNDS CLASSICAL AND CHRISTIAN | 42 |
Copyright | |
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Introduction to the Study of English Literature Kodaganallur R. Srinivasa Iyengar,Prema Nandakumar No preview available - 2011 |
Common terms and phrases
action Aeschylus Aristotle artistic ballad Basil Willey beauty Book C. S. Lewis century character Christian civilisation classical Collective Unconscious creation creative critic D. H. Lawrence death Divine drama E. M. Forster earth elements emotion England English literature epic essay experience expression feeling fiction Greek Hamartia heart Heaven heroic Homer human humour imagination India inner intellectual language lines literary lyric matter meaning mediaeval metre Milton mind modern movement myths narrative nature novel novelist Oedipus Paradise Lost passions personality philosophy play plot poem poet poet's poetic poetry political prose psychic R. K. Narayan Rasa reader realise reality Renaissance rhyme rhythm Romantic Romanticism Samson satire says sense sensibility Shakespeare social society sonnet Sophocles soul speech spirit Sri Aurobindo story style sublime symbol symbolistic T. S. Eliot theme things thought tion tradition trochees truth ture unity verse vision whole words writing