Introduction to the Study of English Literature |
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Page 119
... character speaking in verse ; when he is saying , not what he would say in his own person , but only what he can say within the limits of one imagi- nary character addressing another imaginary character . These correspond to the lyric ...
... character speaking in verse ; when he is saying , not what he would say in his own person , but only what he can say within the limits of one imagi- nary character addressing another imaginary character . These correspond to the lyric ...
Page 149
... character in action . There is more room for character development in Shakespearian tragedy because the duration of the action is longer than the twenty - four hours which the Greek practice permitted . Again , it is too readily assumed ...
... character in action . There is more room for character development in Shakespearian tragedy because the duration of the action is longer than the twenty - four hours which the Greek practice permitted . Again , it is too readily assumed ...
Page 177
... character - novel ' — like Vanity Fair , Joseph Andrews , Tono Bungay- " the plot is im- provised to suit the ... character and plot are closely knit , with interior causation showing itself ( as in a Shakespearian tra- gedy ) in ...
... character - novel ' — like Vanity Fair , Joseph Andrews , Tono Bungay- " the plot is im- provised to suit the ... character and plot are closely knit , with interior causation showing itself ( as in a Shakespearian tra- gedy ) in ...
Contents
THE MAKING OF LITERATURE AND THe | 3 |
THE ENGLISH LANGUAGE AND LITERATURE | 21 |
BACKGROUNDS CLASSICAL AND CHRISTIAN | 42 |
Copyright | |
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Introduction to the Study of English Literature Kodaganallur R. Srinivasa Iyengar,Prema Nandakumar No preview available - 2011 |
Common terms and phrases
action Aeschylus Aristotle artistic ballad Basil Willey beauty Book C. S. Lewis century character Christian civilisation classical Collective Unconscious creation creative critic D. H. Lawrence death Divine drama E. M. Forster earth elements emotion England English literature epic essay experience expression feeling fiction Greek Hamartia heart Heaven heroic Homer human humour imagination India inner intellectual language lines literary lyric matter meaning mediaeval metre Milton mind modern movement myths narrative nature novel novelist Oedipus Paradise Lost passions personality philosophy play plot poem poet poet's poetic poetry political prose psychic R. K. Narayan Rasa reader realise reality Renaissance rhyme rhythm Romantic Romanticism Samson satire says sense sensibility Shakespeare social society sonnet Sophocles soul speech spirit Sri Aurobindo story style sublime symbol symbolistic T. S. Eliot theme things thought tion tradition trochees truth ture unity verse vision whole words writing