The Poetical Works of John Dryden: Containing Original Poems, Tales, and Translations, Volume 1F.C. and J. Rivington, 1811 - 445 pages |
From inside the book
Results 1-5 of 72
Page
... Death of Lord Haftings Verfes to J. Hoddefdon written after his Funeral Heroic Stanzas on the Death of Oliver Cromwell , -Aftræa Redux ; a Poem on the happy Restoration and Return of his facred Majefty Charles II . 1660 PAGE i 1 11 13 ...
... Death of Lord Haftings Verfes to J. Hoddefdon written after his Funeral Heroic Stanzas on the Death of Oliver Cromwell , -Aftræa Redux ; a Poem on the happy Restoration and Return of his facred Majefty Charles II . 1660 PAGE i 1 11 13 ...
Page
... death of Lord Haftings , by glancing his eye on the TABLE of Con- tents , in which the laft elegy has a reference to p . 98 ; which he haftily fuppofed was the number of elegies in the book . —p . 246 l . 595. His hand a vare of juftice ...
... death of Lord Haftings , by glancing his eye on the TABLE of Con- tents , in which the laft elegy has a reference to p . 98 ; which he haftily fuppofed was the number of elegies in the book . —p . 246 l . 595. His hand a vare of juftice ...
Page ii
... death of Lord Haftings , compofed with great ambition of such conceits as , notwithstanding the reformation begun by Waller and Denham , the example of Cowley ftill kept in reputation . Lord Haftings died of the fmall pox ; and his poet ...
... death of Lord Haftings , compofed with great ambition of such conceits as , notwithstanding the reformation begun by Waller and Denham , the example of Cowley ftill kept in reputation . Lord Haftings died of the fmall pox ; and his poet ...
Page iii
... death of Cromwell , in 1658 , that he became a public candidate for fame , by publishing Heroic Stanzas on the late ... Death is also privation ; yet who has made any difficulty of affigning to Death a dart and the power a 2 LIFE OF ...
... death of Cromwell , in 1658 , that he became a public candidate for fame , by publishing Heroic Stanzas on the late ... Death is also privation ; yet who has made any difficulty of affigning to Death a dart and the power a 2 LIFE OF ...
Page iv
Containing Original Poems, Tales, and Translations John Dryden. difficulty of affigning to Death a dart and the power of ftriking ? In fettling the order of his works there is fome difficulty ; for , even when they are important enough ...
Containing Original Poems, Tales, and Translations John Dryden. difficulty of affigning to Death a dart and the power of ftriking ? In fettling the order of his works there is fome difficulty ; for , even when they are important enough ...
Other editions - View all
Common terms and phrases
Abfalom Achitophel Æneid againſt almoſt becauſe beft beſt bleffing caufe cauſe cenfure Charles Charles Dryden defign defire DERRICK Dryden Duke Duke of York Earl Elkanah Settle Engliſh facred fafe faid fame fate fatire fays fecond fecure feems fenfe fent feveral fhall fhew fight fince firft firſt foes fome fometimes foon foul friends ftand ftill ftrong fubjects fuch fuffer fuppofed fure heaven himſelf intereft itſelf John Dryden JOHN WARTON juft king laft laſt leaſt lefs loft Lord moft moſt mufe muft muſt never numbers o'er obferved occafion Orig Original edition paffage paffed paffions perfon pleaſe pleaſure plot poem poet poetry Popish plot praiſe prefent prince profe publiſhed raiſe reaſon reft reign reſtoration rife royal ſeems Shaftesbury ſhall ſhould ſpeak ſtate ſtill thefe themſelves theſe thofe thoſe thou thought TODD tranflation uſe verfe verſes Virgil whofe Whoſe write
Popular passages
Page lxxxv - From harmony, from heavenly harmony, This universal frame began : When Nature underneath a heap of jarring atoms lay, And could not heave her head, The tuneful voice was heard from high. Arise ye more than dead. Then cold and hot, and moist and dry, In order to their stations leap, And music's power obey. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in man.
Page 221 - Refuse his age the needful hours of rest? Punish a body which he could not please, Bankrupt of life, yet prodigal of ease? And all to leave what with his toil he won To that unfeathered two-legged thing, a son, Got, while his soul did huddled notions try, And born a shapeless lump, like anarchy.
Page 212 - Of men by laws less circumscribed and bound, They led their wild desires to woods and caves And thought that all but savages were slaves.
Page 240 - In the worst inn's worst room, with mat half-hung, The floors of plaster, and the walls of dung, On once a flock-bed, but repair'd with straw, With tape-tied curtains, never meant to draw, The George and Garter dangling from that bed Where tawdry yellow strove with dirty red, Great Villiers lies — alas!
Page xcvii - Works of imagination excel by their allurement and delight ; by their power of attracting and detaining the attention. That book is good in vain, which the reader throws away. He only is the master, who keeps the mind in pleasing captivity...
Page xc - Proffering the Hind to wait her half the way: That, since the sky was clear, an hour of talk Might help her to beguile the tedious walk. With much good-will the motion was embrac'd...
Page 298 - Doeg, though without knowing how or why, Made still a blundering kind of melody; Spurred boldly on, and dashed through thick and thin Through sense and nonsense, never out nor in: Free from all meaning, whether good or bad, And, in one word, heroically mad, He was too warm on picking-work to dwell, But faggoted his notions as they fell, And, if they rhymed and rattled, all was well.
Page 302 - But of King David's foes, be this the doom, May all be like the young man Absalom ; And, for my foes, may this their blessing be, To talk like Doeg, and to write like thee...
Page 262 - To learning and to loyalty were bred : For colleges on bounteous kings depend, And never rebel was to arts a friend.
Page lxv - They have not the formality of a settled style, in which the first half of the sentence betrays the other. The clauses are never balanced, nor the periods modelled: every word seems to drop by chance, though it falls into its proper place. Nothing is cold or languid; the whole is airy, animated, and vigorous; what is little, is gay; what is great, is splendid.