The Poetry of Browning: A Critical Introduction |
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Page 107
... clearly . He notices that Browning's poetry is sometimes difficult to under- stand , and unwarrantably concludes from this that Browning suffered from a similar personality disorder . Mr Holmes makes one useful point , that in Sordello ...
... clearly . He notices that Browning's poetry is sometimes difficult to under- stand , and unwarrantably concludes from this that Browning suffered from a similar personality disorder . Mr Holmes makes one useful point , that in Sordello ...
Page 109
... clearly in verse or , as Mr Holmes suggests , through an inability to formulate his ideas clearly in the first place . That Browning was unable to write lucidly in verse is clearly not universally true , since many of his poems are ...
... clearly in verse or , as Mr Holmes suggests , through an inability to formulate his ideas clearly in the first place . That Browning was unable to write lucidly in verse is clearly not universally true , since many of his poems are ...
Page 121
... clearly not Browning himself , for he says in Stanza III ' I was never out of England . ' His audience is the spirit of the fashionable eighteenth - century composer Galuppi . The Englishman clearly has very little notion of Venice or ...
... clearly not Browning himself , for he says in Stanza III ' I was never out of England . ' His audience is the spirit of the fashionable eighteenth - century composer Galuppi . The Englishman clearly has very little notion of Venice or ...
Contents
Brownings Essay on Shelley and its relevance to his | 3 |
How to read a Dramatic Monologue | 12 |
Browning and the rejection of the Romantic Tradition | 39 |
Copyright | |
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accept argue argument Arnold belief Bishop Blougram Browning Society Browning's poems Browning's poetry Caliban Caliban upon Setebos century chapter character Christ Christian Christmas-Eve clearly Cleon concludes contemporary criticism death DeVane diction difficulty doubt dramatic monologue Easter-Day Empedocles English Essay example F. R. Leavis fact faith feel Ferishtah's Fancies Fifine G. K. Chesterton Gigadibs God's Higher Critics human ideas imagination interest judgement kind knowledge Langbaum language Leavis letter lines live London lyric man's means metaphor Milsand mind modern moral Napoleon III nature offers once opinions Paracelsus passage perhaps poem poet's poetic position present Prince Hohenstiel-Schwangau prose question Rabbi Ben Ezra reader reason religion religious Robert Browning Romantic Saisiaz Santayana satire seems sense Shelley simply Sludge Sordello soul speaker stanza suggests Tennyson things thought tion true truth verse Victorian whole words writing wrote