The Poetry of Browning: A Critical Introduction |
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Page 15
... character , ( 6 ) dramatic action , and ( 7 ) action taking place in the present [ 4 ] . Although Miss Sessions lays considerable stress on the last two points , ( 6 ) is not clearly defined and ( 7 ) is far from essential . It is not ...
... character , ( 6 ) dramatic action , and ( 7 ) action taking place in the present [ 4 ] . Although Miss Sessions lays considerable stress on the last two points , ( 6 ) is not clearly defined and ( 7 ) is far from essential . It is not ...
Page 16
... character or by an invented character set in a specific period of history we are normally required to compare what is presented as a contem- porary account with our own fuller knowledge . Karshish is an obvious example . ( ii ) More ...
... character or by an invented character set in a specific period of history we are normally required to compare what is presented as a contem- porary account with our own fuller knowledge . Karshish is an obvious example . ( ii ) More ...
Page 124
... character have arisen because the poem actually makes no judgement of that character and that the poem's central meaning is not dependent upon such a judgement ' . ( p . 109 ) Again he says . . . we should permit the poem to do what it ...
... character have arisen because the poem actually makes no judgement of that character and that the poem's central meaning is not dependent upon such a judgement ' . ( p . 109 ) Again he says . . . we should permit the poem to do what it ...
Contents
Brownings Essay on Shelley and its relevance to his | 3 |
How to read a Dramatic Monologue | 12 |
Browning and the rejection of the Romantic Tradition | 39 |
Copyright | |
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accept argue argument Arnold belief Bishop Blougram Browning Society Browning's poems Browning's poetry Caliban Caliban upon Setebos century chapter character Christ Christian Christmas-Eve clearly Cleon concludes contemporary criticism death DeVane diction difficulty doubt dramatic monologue Easter-Day Empedocles English Essay example F. R. Leavis fact faith feel Ferishtah's Fancies Fifine G. K. Chesterton Gigadibs God's Higher Critics human ideas imagination interest judgement kind knowledge Langbaum language Leavis letter lines live London lyric man's means metaphor Milsand mind modern moral Napoleon III nature offers once opinions Paracelsus passage perhaps poem poet's poetic position present Prince Hohenstiel-Schwangau prose question Rabbi Ben Ezra reader reason religion religious Robert Browning Romantic Saisiaz Santayana satire seems sense Shelley simply Sludge Sordello soul speaker stanza suggests Tennyson things thought tion true truth verse Victorian whole words writing wrote