Elements of Criticism..Charles Ingham, in Skinner Row, 1772 - Criticism |
From inside the book
Results 1-5 of 32
Page 69
... pause , and accent ; for as to quantity , what is obferved above may fuffice . Hexameter lines , as to time , are all of the fame length ; being equivalent to the time taken in pronoun cing twelve long fyllables or twenty - four fhort ...
... pause , and accent ; for as to quantity , what is obferved above may fuffice . Hexameter lines , as to time , are all of the fame length ; being equivalent to the time taken in pronoun cing twelve long fyllables or twenty - four fhort ...
Page 74
... pause as is marked with a comma : and for the fame reafon , there ought never to be a full close in the fenfe but at the end of a line , because there the melody is clofed . An Hex- * Poet . cap . 25 . ameter ameter line , to preferve ...
... pause as is marked with a comma : and for the fame reafon , there ought never to be a full close in the fenfe but at the end of a line , because there the melody is clofed . An Hex- * Poet . cap . 25 . ameter ameter line , to preferve ...
Page 77
... pauses , nor that harfh elifions are multiplied . To add to the account , profaic low - founding words are introduced ; and which is ftill worse , accents are laid on them . Of fuch faulty lines take the following inftances . Candida ...
... pauses , nor that harfh elifions are multiplied . To add to the account , profaic low - founding words are introduced ; and which is ftill worse , accents are laid on them . Of fuch faulty lines take the following inftances . Candida ...
Page 82
... pause ought never to divide a word : fuch licence deviates too far from the coincidence that ought to be between the paufes of fenfe and of melody . The fame rule muft obtain in an English line ; and we fhall fupport reafon by ...
... pause ought never to divide a word : fuch licence deviates too far from the coincidence that ought to be between the paufes of fenfe and of melody . The fame rule muft obtain in an English line ; and we fhall fupport reafon by ...
Page 83
... pause in the melody where the fenfe requires none . We muft not however imagine , that a mufical paufe may come after any word indifferently : fome words , like fyl- lables of the fame word , are fo intimately connected , as not to bear ...
... pause in the melody where the fenfe requires none . We muft not however imagine , that a mufical paufe may come after any word indifferently : fome words , like fyl- lables of the fame word , are fo intimately connected , as not to bear ...
Other editions - View all
Common terms and phrases
accent action Æneid againſt agreeable alfo appears beauty becauſe cafe caufe cauſe cenfured circumftance clofe cloſe compariſon compofed compofition confidered connected defcribing defcription Demetrius Phalereus difagreeable diftinguished effect emotions employ'd Eneid epic epic poem epic poetry example expreffed expreffion faid fame fcene fecond feems fenfe fenfible fentiment feparated fhall fhort fyllables fhould fignify figure fimilar fimile fingle firft fome fpeech ftill fubftantive fubject fucceffion fuch fupport garden hath Hexameter houſe Iliad impreffion inftances itſelf ject laft language lefs long fyllable meaſure melody mind moſt mufic muft muſt nature neceffary obferved object occafion oppofite ornaments paffage paffion paufe pauſe perfon perfonification pleaſure poem prefent profe proper purpoſe raiſed reafon refemblance refpect reft reprefentation reprefented rhyme Richard II rule ſcene ſenſe Spondees tafte taſte thefe theſe thing thofe thoſe thou thought tion uſe vafes verfe words
Popular passages
Page 202 - Many a time and oft Have you climb'd up to walls and battlements, To towers and windows, yea, to chimney-tops, Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
Page 193 - Why, well; Never so truly happy, my good Cromwell. I know myself now; and I feel within me A peace above all earthly dignities, A still and quiet conscience.
Page 145 - With deafning clamours in the slippery clouds, That, with the hurly," death itself awakes ? Can'st thou, O partial sleep ! give thy repose To the wet sea-boy in an hour so rude ; And in the calmest and most stillest night, With all appliances and means to boot, Deny it to a king? Then, happy low, lie down ! Uneasy lies the head that wears a crown.
Page 223 - A dungeon horrible, on all sides round, As one great furnace flamed; yet from those flames No light; but rather darkness visible Served only to discover sights of woe, Regions of sorrow, doleful shades, where peace And rest can never dwell, hope never comes That comes to all, but torture without end Still urges, and a fiery deluge, fed With ever-burning sulphur unconsumed.
Page 144 - To monarchize, be fear'd and kill with looks, Infusing him with self and vain conceit, As if this flesh which walls about our life Were brass impregnable, and...
Page 144 - And hush'd with buzzing night-flies to thy slumber, Than in the perfum'd chambers of the great, Under the canopies of costly state, And lull'd with sounds of sweetest melody?
Page 169 - O navis, referent in mare te novi fluctus ! o quid agis ? fortiter occupa portum ! nonne vides ut nudum remigio latus et malus celeri saucius Africo 5 antennaeque gemant ac sine funibus vix durare carinae possint imperiosius aequor?
Page 144 - O gentle sleep, Nature's soft nurse, how have I frighted thee, That thou no more wilt weigh my eyelids down, And steep my senses in forgetfulness...
Page 206 - There are a sort of men whose visages Do cream and mantle like a standing pond, And do a wilful stillness entertain, With purpose to be dress'd in an opinion Of wisdom, gravity, profound conceit; As who should say, " I am Sir Oracle, And when I ope my lips let no dog bark...
Page 171 - What could have been done more to my vineyard, that I have not done in it ? wherefore, when I looked that it should bring forth grapes, brought it forth wild grapes...