These odes are marked by glittering accumulations of ungraceful ornaments; they strike, rather than please; the images are magnified by affectation; the language is laboured into harshness. The mind of the writer seems to work with unnatural violence. "Double, double, toil and trouble." He has a kind of strutting dignity, and is tall by walking on tiptoe. His art and his struggle are too visible, and there is too little appearance of ease and nature 9.

To say that he has no beauties, would be unjust; a man. like him, of great learning and great industry, could not but produce something valuable. When he pleases least, it can only be said that a good design was ill-directed.

His translations of Northern and Welsh poetry deserve praise; the imagery is preserved, perhaps often improved; but the language is unlike the language of other poets.

In the character of his Elegy I rejoice to concur with y the common reader; for, by the common sense of readers uncorrupted with literary prejudices, after all the refinements of subtilty and the dogmatism of learning, must be finally decided all claim to poetical honours. The Churchyard abounds with images which find a mirror in every mind, aud with sentiments to which every bosom returns an echo. The four stanzas beginning "Yet even these bones," are to me original: I have never seen the notions in any other place; yet he that reads them here persuades himself that he has always felt them. Had Gray written often thus, it had been vain to blame, and useless to praise him.

Lord Orford used to assert, that Gray "never wrote any thing easily, but things of humour ;" and added, that humour was his natural and original turn.

For a full examination of Johnson's strange aud capricious strictures on the poetry of Gray, we, with much satisfaction, refer our readers to the life prefixed to, and the notes that accompany, an elegant edition of Gray's works, 2 vols. 8vo. Oxford, 1825. Much that is both elegant and useful will be found in that publication. ED.

LYTTELTON.

GEORGE LYTTELTON, the son of sir Thomas Lyttelton, of Hagley, in Worcestershire, was born in 1709. He was educated at Eton, where he was so much distinguished, that his exercises were recommended as models to his schoolfellows.

From Eton he went to Christ-church, where he retained the same reputation of superiority, and displayed his abilities to the publick in a poem on Blenheim.

He was a very early writer, both in verse and prose. His Progress of Love, and his Persian Letters, were both written when he was very young; and, indeed, the character of a young man is very visible in both. The verses cant of shepherds and flocks, and crooks dressed with flowers; and the letters have something of that indistinct and headstrong ardour for liberty, which a man of genius always catches when he enters the world, and always suffers to cool as he passes forward.

He staid not long at Oxford; for, in 1728, he began his travels, and saw France and Italy. When he returned, he obtained a seat in parliament, and soon distinguished himself among the most eager opponents of sir Robert Walpole, though his father, who was a commissioner of the admiralty, always voted with the court.

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For many years the name of George Lyttelton was seen every account of every debate in the house of commons. He opposed the standing army; he opposed the excise; he supported the motion for petitioning the king to remove Walpole. His zeal was considered by the courtiers not only as violent, but as acrimonious and malignant; and, when Walpole was at last hunted from his places, every effort was made by his friends, and many friends he had, to exclude Lyttelton from the secret committee.

The prince of Wales, being, 1737, driven from St.

James's, kept a separate court, and opened his arms to the opponents of the ministry. Mr. Lyttelton became his secretary, and was supposed to have great influence in the direction of his conduct. He persuaded his master, whose business it was now to be popular, that he would advance his character by patronage. Mallet was made under-secretary, with two hundred pounds; and Thomson had a pension of one hundred pounds a year. For Thomson, Lyttelton always retained his kindness, and was able, at last, to place him at ease.

Moore courted his favour by an apologetical poem, called the Trial of Selim; for which he was paid with kind words, which, as is common, raised great hopes, that were at last disappointed.

Lyttelton now stood in the first rank of opposition; and Pope, who was incited, it is not easy to say how, to increase the clamour against the ministry, commended him among the other patriots. This drew upon him the reproaches of Fox, who, in the house, imputed to him, as a crime, his intimacy with a lampooner so unjust and licentious. Lyttelton supported his friend; and replied, that he thought it an honour to be received into the familiarity of so great a poet.

While he was thus conspicuous, he married, 1741, Miss Lucy Fortescue, of Devonshire, by whom he had a son, the late lord Lyttelton, and two daughters, and with whom he appears to have lived in the highest degree of connubial felicity; but human pleasures are short; she died in childbed about five years afterwards; and he solaced his grief by writing a long poem to her memory.

He did not, however, condemn himself to perpetual solitude and sorrow; for, after awhile, he was content to seek happiness again by a second marriage with the daughter of sir Robert Rich: but the experiment was unsuccessful.

At length, after a long struggle, Walpole gave way, and honour and profit were distributed among his conquerors. Lyttelton was made, 1744, one of the lords of

the treasury; and from that time was engaged in supporting the schemes of the ministry.

Politicks did not, however, so much engage him, as to withhold his thoughts from things of more importance. He had, in the pride of juvenile confidence, with the help of corrupt conversation, éntertained doubts of the truth of christianity; but he thought the time now come when it was no longer fit to doubt or believe by chance, and applied himself seriously to the great question. His studies, being honest, ended in conviction. He found that religion was true; and what he had learned he endeavoured to teach, 1747, by Observations on the Conversion of St. Paul; a treatise to which infidelity has never been able to fabricate a specious answer. This book his father had the happiness of seeing, and expressed his pleasure in a letter which deserves to be inserted:

"I have read your religious treatise with infinite pleasure and satisfaction. The style is fine and clear, the arguments close, cogent, and irresistible. May the King of kings, whose glorious cause you have so well defended, reward your pious labours, and grant that I may be found worthy, through the merits of Jesus Christ, to be an eyewitness of that happiness which I don't doubt he will bountifully bestow upon you. In the mean time, I shall never cease glorifying God, for having endowed you with such useful talents, and giving me so good a son. "Your affectionate father,

"THOMAS LYTTELTON."

A few years afterwards, 1751, by the death of his father, he inherited a baronet's title with a large estate, which, though, perhaps, he did not augment, he was careful to adorn by a house of great elegance and expense, and by much attention to the decoration of his park.

As he continued his activity in parliament, he was gradually advancing his claim to profit and preferment; and

accordingly was made, in time, 1754, cofferer and privy counsellor this place he exchanged next year for the great office of chancellor of the exchequer; an office, however, that required some qualifications which he soon perceived himself to want.

The year after, his curiosity led him into Wales; of which he has given an account, perhaps rather with too much affectation of delight, to Archibald Bower, a man of whom he had conceived an opinion more favourable than he seems to have deserved, and whom, having once espoused his interest and fame, he was never persuaded to disown. Bower, whatever was his moral character, did not want abilities; attacked as he was by an universal outcry, and that outcry, as it seems, the echo of truth, he kept his ground: at last, when his defences began to fail him, he sallied out upon his adversaries, and his adversaries retreated.

About this time Lyttelton published his Dialogues of the Dead, which were very eagerly read, though the production rather, as it seems, of leisure than of study: rather effusions than compositions. The names of his persons too often enable the reader to anticipate their conversation; and, when they have met, they too often part without any conclusion. He has copied Fénélon more than Fontenelle.

When they were first published, they were kindly commended by the Critical Reviewers; and poor Lyttelton, with humble gratitude, returned, in a note which I have read, acknowledgments which can never be proper, since they must be paid either for flattery or for justice.

When, in the latter part of the last reign, the inauspicious commencement of the war made the dissolution of the ministry unaviodable, sir George Lyttelton, losing, with the rest, his employment, was recompensed with a peerage; and rested from political turbulence in the house of lords.

His last literary production was his History of Henry