John Milton: IntroductionsAt the head of the Cambridge Milton series stand two general books: John Milton: Introductions and Paradise Lost: Introduction. These set the tone for and give the background to the editions of individual books. John Broadbent and the contributors to the present volume provide original studies on different aspects of John Milton's life, times, work and ideas. There are chapters on his relation to the music, science and visual arts of the age and there is ample material to stimulate further reading, thought and research. The book can be used by a wide range of readers and students of Milton as an original work of reference - a bank of ideas and resources on which to draw and to develop. |
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Contents
ELIZABETH SEWELL SIRIGNANO | 4 |
ISABEL RIVERS | 21 |
Note on biographical material Chronology Miltons friends and | 60 |
ISABEL RIVERS | 75 |
JOHN BROADBENT | 108 |
W REAVLEY GAIR | 120 |
ments and humours Body and soul Melancholy Astronomy | 144 |
The poets Bible p | 145 |
Texts Language and poetry of the Bible Authority and liberty | 161 |
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Adam angels appear artists authority Baroque become beginning Bible body called Cambridge century character Charles Christ Christian church classical Comus concerned contemporary creation critical death divine early earth England English experience expression eyes fall father figures give hand heaven human idea illustrations important interest Italy John kind king language later Latin learning light lines living look material means Milton mind moral move nature never painting Paradise lost perhaps poems poet poetic poetry political published Puritan reading reason religious renaissance Samson Satan seems seen sense side Smectymnuus social song soul spirit style symbol things thought tradition turn universe verse visual whole writing