Embodying Revolution: The Figure of the Poet in ShelleyA strange figure recurs throughout Shelley's work, a solitary young poet hounded by passion or madness to the grave. This study reveals the figure to be an allegory of a violent revolutionary age. Seen in the context of a largely forgotten ideal that connected introspection with radical politics, Clark demonstrates that Shelley's self-analyses and metaphysical speculations are related to a notion of the poet as an explorer in previously unchartered regions of the human mind. He shows that ultimately, the curiously weak Shelleyan poet is really an ambivalent fictional embodiment of the social forces tearing Europe apart in the Romantic age. |
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Page 6
... Julian and Maddalo.20 Everest provides the most sophisticated version of the ironist reading of the figures as embodiments of the self - criticisms of a Shelleyan self - consciousness . Concentrating on the figure of Julian in Julian ...
... Julian and Maddalo.20 Everest provides the most sophisticated version of the ironist reading of the figures as embodiments of the self - criticisms of a Shelleyan self - consciousness . Concentrating on the figure of Julian in Julian ...
Page 192
... Julian and Maddalo is ' quite forgot ' ( 1. 520 ) , the implications for Julian's faith in ' the power of man over his own mind'53 are bleak . This bleakness is 50 Love and Madness , 4th edn ( London , 1780 ) . 51 Journal , 72 . 52 ...
... Julian and Maddalo is ' quite forgot ' ( 1. 520 ) , the implications for Julian's faith in ' the power of man over his own mind'53 are bleak . This bleakness is 50 Love and Madness , 4th edn ( London , 1780 ) . 51 Journal , 72 . 52 ...
Page 200
... Maddalo was responsible for the confinement of Tasso , one of the models for the maniac of Julian and Maddalo , may well have suggested to Byron and others in the literary circles of the time that the figure of Maddalo in Shelley's poem ...
... Maddalo was responsible for the confinement of Tasso , one of the models for the maniac of Julian and Maddalo , may well have suggested to Byron and others in the literary circles of the time that the figure of Maddalo in Shelley's poem ...
Contents
SelfAnalysis and Sensibility | 13 |
The Literary Context of Sensibility | 44 |
Questions of Personal Identity | 65 |
Copyright | |
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active power Adonais aesthetic Alastor attrib beautiful becomes Childe Harold's Pilgrimage Coleridge Critical David Hume Defence destructive distinction dream Edinburgh Review embodies emphasis added Epipsychidion expression feeling figure forces fragment French Revolution Glenarvon Godwin History human mind human nature Hume Hume's Ibid ideal idol imagination influence intense introspective John Julian and Maddalo KSMB Literature Lord Byron madness Mandeville maniac Mary Mary Shelley Metaphysics mind's moral Mutability notion object Oxford passion passive Percy Bysshe Shelley personal identity Philosophical PMLA poem poet poet's poetic poetry political Prince Athanase Prometheus Unbound Quarterly Review reading refinement relation Revolt of Islam Revolution Rousseau science of mind self-analysis sense sensibility sensitive shape all light Shelley adds Shelley describes Shelley writes Shelley's Alastor Shelley's conception Shelley's Prose Shelley's science Similarly social Staƫl suggests sympathy Tasso thought tion Torquato Tasso trans University Press violent vols London William Wordsworth