The Art of Drama |
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Page 18
... vivid and faithful , they are so in a different way from the visual images of the graphic arts . And secondly , the writer does not represent directly from models so frequently as the painter , except in connexion with places used as ...
... vivid and faithful , they are so in a different way from the visual images of the graphic arts . And secondly , the writer does not represent directly from models so frequently as the painter , except in connexion with places used as ...
Page 20
... vivid , precise , and particular . What does the owl look like ? We do not know ; it is an owl , any owl . The hare limps trembling through the grass ; but there are many ways , even for a hare , of limping through grass . Numb were the ...
... vivid , precise , and particular . What does the owl look like ? We do not know ; it is an owl , any owl . The hare limps trembling through the grass ; but there are many ways , even for a hare , of limping through grass . Numb were the ...
Page 23
... vivid imagery incorporating the sense of reality all the more persuasively in chosen aspects . As with the graphic arts , however , quite simple descriptions are rare . The images are usually assimilated to a context in which they ...
... vivid imagery incorporating the sense of reality all the more persuasively in chosen aspects . As with the graphic arts , however , quite simple descriptions are rare . The images are usually assimilated to a context in which they ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
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abstract abstract art achieved action aesthetic artist aspects auditory auditory imagery beauty blank verse chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture language Les Parents Terribles literary art lyric Macbeth meaning medium metaphor mind moral myth nature non-representational Novalis objects observe painting particular passion pattern persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image Restoration Comedy rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation social song Sophocles sound speech style symbolism symbolist theory things thought tion unity varied verbal verse vision visual vivid whilst whole words